American Cinema Editors (ACE), the honorary society of the world’s top film editors, today announced nominations for the 69th Annual ACE Eddie Awards recognizing outstanding editing in 11 categories of film, television and documentaries. Winners will be revealed during ACE’s annual black-tie awards ceremony on Friday, Feb. 1 in the International Ballroom of the Beverly Hilton Hotel and will be presided over by ACE President, Stephen Rivkin, ACE.  Final ballots open Jan. 11 and close on Jan. 21.  More information on the ACE Eddie Awards is available on the ACE website.
 
NOMINEES FOR 69th ANNUAL ACE EDDIE AWARDS
 
BEST EDITED FEATURE FILM (DRAMATIC):
BlacKkKlansman
Barry Alexander Brown
 
Bohemian Rhapsody
John Ottman, ACE
 
First Man
Tom Cross, ACE
 
Roma
Alfonso Cuarón & Adam Gough
 
A Star is Born
Jay Cassidy, ACE
 
BEST EDITED FEATURE FILM (COMEDY):
Crazy Rich Asians
Myron Kerstein
 
Deadpool 2
Craig Alpert, ACE, Elísabet Ronaldsdóttir & Dirk Westervelt
 
The Favourite
Yorgos Mavropsaridis, ACE
 
Green Book
Patrick J. Don Vito
 
Vice
Hank Corwin, ACE
 
BEST EDITED ANIMATED FEATURE FILM:
Incredibles 2
Stephen Schaffer, ACE
 
Isle of Dogs
Andrew Weisblum, ACE, Ralph Foster & Edward Bursch
 
Spider-Man: Into the Spider-Verse
Robert Fisher, Jr.

BEST EDITED DOCUMENTARY (FEATURE):
Free Solo
Bob Eisenhardt, ACE
 
RBG
Carla Gutierrez
 
Three Identical Strangers
Michael Harte
 
Won’t You Be My Neighbor?
Jeff Malmberg & Aaron Wickenden, ACE
 
BEST EDITED DOCUMENTARY (NON-THEATRICAL):
A Final Cut for Orson: 40 Years in the Making
Martin Singer
 
Robin Williams: Come Inside My Mind
Greg Finton, ACE & Poppy Das, ACE
            
Wild Wild Country, Part 3
Neil Meiklejohn
 
The Zen Diaries of Garry Shandling
Joe Beshenkovsky, ACE 
 
BEST EDITED COMEDY SERIES FOR COMMERCIAL TELEVISION:
Atlanta: “Alligator Man”
Isaac Hagy
 
Atlanta: “Teddy Perkins”
Kyle Reiter
 
The Good Place: “Don’t Let the Good Life Pass You By” 
Eric Kissack
 
Portlandia: “Rose Route” 
Jordan Kim, Ali Greer, Heather Capps & Stacy Moon
 
BEST EDITED COMEDY SERIES FOR NON-COMMERCIAL TELEVISION:
Barry: “Make Your Mark” 
Jeff Buchanan
 
Insecure: “Obsessed-Like”
Nena Erb, ACE
 
The Marvelous Mrs. Maisel: “Simone”
Kate Sanford, ACE
 
The Marvelous Mrs. Maisel: “We’re Going to the Catskills!”
Tim Streeto, ACE
 
BEST EDITED DRAMA SERIES FOR COMMERCIAL TELEVISION: 
The Americans: “Start”
Daniel Valverde
 
Better Call Saul: “Something Stupid”
Skip Macdonald, ACE 
Better Call Saul: "Winner"
Chris McCaleb
 
Killing Eve: “Nice Face”
Gary Dollner, ACE
 
BEST EDITED DRAMA SERIES FOR NON-COMMERCIAL TELEVISION:
Bodyguard: "Episode 1"
Steve Singleton

Homecoming: "Redwood"
Rosanne Tan
 
Ozark: "One Way Out"
Cindy Mollo, ACE & Heather Goodwin Floyd
 
Westworld: "The Passenger"
Andrew Seklir, ACE, Anna Hauger & Mako Kamitsuna
 
BEST EDITED MINISERIES OR MOTION PICTURE FOR TELEVISION:
The Assassination of Gianni Versace: American Crime Story: "A Random Killing"
Emily Greene

Escape at Dannemora: "Better Days"
Malcolm Jamieson & Geoffrey Richman ACE
 
Sharp Objects: “Milk”
Véronique Barbe, Dominique Champagne, Justin Lachance, Maxime Lahaie, Émile Vallée & Jai M. Vee
 
BEST EDITED NON-SCRIPTED SERIES:
Anthony Bourdain - Parts Unknown: "West Virginia"
Hunter Gross, ACE
 
Deadliest Catch: “Storm Surge”
Rob Butler, ACE
 
Naked & Afraid: “Fire and Fury”
Molly Shock, ACE and Jnani Butler
 
About American Cinema Editors
AMERICAN CINEMA EDITORS (ACE) is an honorary society of motion picture editors founded in 1950.  Film editors are voted into membership on the basis of their professional achievements, their dedication to the education of others and their commitment to the craft of editing. 

The objectives and purposes of the AMERICAN CINEMA EDITORS are to advance the art and science of the editing profession; to increase the entertainment value of motion pictures by attaining artistic pre-eminence and scientific achievement in the creative art of editing; to bring into close alliance those editors who desire to advance the prestige and dignity of the editing profession.

ACE produces several annual events including EditFest (an international editing festival), Invisible Art/Visible Artists (annual panel of Oscar® nominated editors), and the ACE Eddie Awards, now in its 69th year, recognizing outstanding editing in eleven categories of film, television and documentaries.

The organization publishes a quarterly magazine, CinemaEditor, highlighting the art, craft and business of editing and editors.