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    Home » Photographer/Director Pari Dukovic Joins Good Company and Goes After Hours with The Weeknd For Variety

    Photographer/Director Pari Dukovic Joins Good Company and Goes After Hours with The Weeknd For Variety

    By RACONTEURWednesday, April 15, 2020Updated:Tuesday, May 14, 2024No Comments5779 Views
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    NEW YORK -- (SPW) --

    New York-based photographer/director Pari Dukovic brings his far-ranging talents to shoot the Weeknd for the cover story of Variety.  Recently signed to bi-coastal creative studio Good Company, Dukovic’s range of portraits for the magazine showcase his atmospheric visual style, and manage to capture the Weeknd’s well-kept mystique while letting his natural charm shine through.  

    Dukovic worked with the versatile post team at Good Company to create the surreal short film “Battle Tested” to accompany the cover. VFX by Logan Seaman and edit and sound design by Jerry Chia bring a dreamlike quality to the film, in which mirrored clones of singer Abel Tesfaye distort against a melting psychedelic background.

    An award-winning photographer who works across the genres of portraiture, fashion and reportage, Dukovic’s work is informed by a fascination with old master painting and renaissance sculpture. His art history background and rigorous technical training fuse with an informal docu-style, resulting in colorful and ethereal images that are distinct characteristics of his work. 

    Over the past decade, Dukovic’s editorial work has been published in major magazines in the United States and Europe. Most notably, he was the staff photographer for The New Yorker from 2012 to 2018, serving as its main photographer capturing visuals for the magazine’s influential profile features. 

    On the advertising side, he has been commissioned for campaigns by a wide range of clients, including MAC Cosmetics, Nike, Pepsi, Tiffany, W Hotels, and fashion labels Chanel and Rag & Bone. In the entertainment field, he has worked for Disney, HBO, and Netflix, and in 2018, Dukovic’s photography won the Clio Entertainment Gold Campaign of the Year Award for the groundbreaking FX series Pose.

    Dukovic has been transitioning more into motion work since joining Good Company, beginning with his visually poetic campaign for the NYC Ballet, which was shortlisted for Online Commercial of the Year by Shots, and just recently nominated for Editing in a Campaign by The One Show.

    Good Company’s co-founder Ryan Heiferman spoke to their new creative alliance. “We met Pari working on an Air Jordan campaign and were instantly drawn to his work. When he came to us to collaborate on the NYC Ballet campaign, it was an awesome challenge to take his unique photographic style and bring it to life on film. Pari’s photography is vivid and poignant. He infuses it with saturated color, movement, and narrative. It’s not surprising that directing comes naturally to him. We’re eager to see him bring his self-assured eye to many projects to come.”

    Watch "Battle Tested" below or on YouTube Here: https://www.youtube.com/watch?v=3qTSG7AU-Qk

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    SPW Category:People on the Move
    Tags:photographerGOOD COMPANYVarietyThe Weekndcommercial director



    2026: Connect Today for a Better Tomorrow (And Beyond)

    Thursday, January 15, 2026
    Ross MacRae, CEO, Agency Source

    In 2026, the thing that stands out most is how fast this industry is moving, faster than at any point I’ve seen in my career. Agencies, brands, and production companies are constantly shifting, merging, restructuring, and rebuilding. And the people inside them are moving just as quickly. The average lifespan of an agency creative these days is about 18 months. That means if you connect with someone today, chances are they’ll be somewhere completely different by next year, maybe even brand-side. The good news is that you’re essentially building a relationship with multiple clients at once - as long as you keep track of where they go! That level of movement changes what sales and outreach actually mean. When I started, sales in our industry were seen as unnecessary, even a bit smarmy. Agencies had internal service buying teams whose role was to be aware of what production services were out there--which meant that production companies and reps could remain on the agencies' radar with little effort. But today, those agency-side roles have disappeared, and the responsibility has shifted wholly to production companies and reps to make sure they are continuously visible. Whether people like the word “sales” or not, the truth is that you cannot rely on posting your reels on your site and expecting the phone to ring. It never really worked that way, and it certainly doesn’t now. One of the biggest misunderstandings I still encounter is about what a contact database is for. People assume it’s just a place to download email addresses and send out massive blasts. That was never the right way to do it, not 15... Read More

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