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    Home » Red Giant Announces Major Update to PluralEyes in Shooter Suite 13.0 Release

    Red Giant Announces Major Update to PluralEyes in Shooter Suite 13.0 Release

    By GrithausWednesday, February 10, 2016Updated:Tuesday, May 21, 2024No Comments11694 Views
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    Red Giant is a software company made up of talented artists and technologists who collaborate to create unique tools for filmmakers, editors, VFX artists, and motion designers. Over the last decade, our products (like Magic Bullet and Trapcode) have become the standard in film and broadcast post-production. With over 200,000 users, it’s nearly impossible to watch 20 minutes of TV without seeing our software in use. From our experiences as artists and filmmakers, we aspire to not only provide tools for artists, but inspiration as well. Watch our films, learn from over 200 free tutorials, or try our software at www.redgiant.com.

    PluralEyes v4.0 audio/video syncing software for any Non-Linear Editor. Sync directly in Premiere Pro without leaving the host-app. More automation than ever before. Red Giant Offload integration with PluralEyes, and much more.

    Portland, OR -- (SPW) --

    Red Giant today announced the release of Shooter Suite v13.0, which features the brand new PluralEyes v4.0, the fastest, most accurate audio/video sync tool available, compatible with any Non-Linear Editor. Topping the list of new features in PluralEyes 4.0 is the ability to sync with PluralEyes directly in Premiere Pro, without having to leave the host app, Smart Start capabilities, automatic drift correction, vertical track scaling, integration with Red Giant Offload, and more simplicity and automation than ever before. Red Giant Shooter Suite v13.0 video overview

    What’s New in PluralEyes 4.0
    Syncing audio and video clips in PluralEyes is now easier than ever, with flawlessly synced media just a click away thanks to under the hood enhancements that allow PluralEyes to analyze footage and automatically choose the the best possible options, so the user doesn’t have to. Sporting a completely updated look, additional new features include:

    • Adobe Premiere Pro Panel All the power and simplicity of syncing in PluralEyes without ever leaving Adobe Premiere Pro – just hit the sync button in the Premiere Pro Panel and PluralEyes takes care of the rest. Giving users ease of mind, PluralEyes in Premiere Pro offers the same color coding capabilities as it does in the standalone version, so editors will know which clips, if any, require attention.
    • Smart Start Importing media is easier than ever with PluralEyes’ Smart Start feature. Drag and drop an entire folder of media into PluralEyes, and during a sync it will automatically detect which device the media came from. Your files will be sorted so that media from the same device are on the same track.
    • Automatic Drift Correction When syncing long clips, sound and video can tend to stop matching up perfectly. PluralEyes can account for this and export a perfect sync with Automatic Drift Correction, announced in version 3.5. New in version 4, when drift is detected, PluralEyes will automatically fix it, then give editors the option to toggle between the drift-corrected sync and the original audio for comparison.
    • Color Coding for Unsynced Clips  An essential feature from the PluralEyes beginnings, color coded visuals show editors the progress of the sync, making it easy to make adjustments. Now, export from PluralEyes to Premiere Pro features a color coding option for clips that don’t sync properly.
    • Red Giant Offload Integration  Red Giant Offload performs a checksum during media transfer from camera card to hard drive, giving filmmakers the peace of mind that footage was backed up with no loss. PluralEyes 4.0 is able to detect Offload events and bring footage over, for a seamless workflow from Offload to PluralEyes to the host-app.
    • And more

    •  PluralEyes now has the same keyboard shortcuts as Premiere Pro for a more intuitive, familiar timeline and playback experience.

    •  Vertical Track Scaling in PluralEyes 4.0 allows users to see more detail in the waveform when inspecting media.

    •  Users can easily compare tracks and verify the sync by selecting which audio waveform is shown next to the video track

    •  A brand new look that modernizes the application, keeping in line with the entire line of Red Giant tools.


    See the latest version of PluralEyes in action


    Tutorial: What’s New in PluralEyes 4.0

    Shooter Suite 13.0: Essential Tools for Today’s Filmmakers
    The Red Giant Shooter Suite is a set of purpose-built applications that give directors of photography, videographers, shooters and filmmakers the ability to bring footage from set to post. With powerful automation and workflow capabilities, creatives can offload, analyze, touch up and synchronize digital media destined for post with confidence and ease.

    Additional Tools in Shooter Suite v13.0 Include:

    • Offload 1.0: Simple & reliable backup of your footage in the field
    • Instant 4K: Upconvert video to 4K resolution and other high-resolution formats
    • Frames: Deinterlace your older footage and convert it to 24P

    Shooter Suite 13.0 Pricing and Availability
    Shooter Suite 13.0 is available today and can be purchased for $399 ($99 upgrade) through Red Giant. Customers can purchase individual products or the entire Shooter Suite 13 (a savings of $197 when compared to the price of the individual products in the suite). Complete pricing info available at http://www.redgiant.com/products/shooter-suite/.

    Shooter Suite 13.0 Compatibility
    Shooter Suite is made up of several different tools that each have their own compatibility info. Learn more about each product's compatibility here:

    • PluralEyes 4.0
    • Offload 1.0
    • Instant 4K
    • ·       Frames

    Red Giant Volume License Program
    Customers interested in 5 or more licenses of Shooter Suite are eligible for our Volume Program, which offers great pricing and many other advantages. Learn more at http://redgiant.com/volume.

    The Red Pledge

    Red Pledge is Red Giant commitment to customer happiness, with no purchasing hassles.  Learn about the Red Pledge guarantee at www.redgiant.com/redpledge/.

    About Red Giant
    Red Giant is a software company made up of talented artists and technologists who collaborate to create unique tools for filmmakers, editors, VFX artists, and motion designers. Our company culture is focused on finding balance between work and life – we call it “the double bottom line” – this philosophy helps us ignore complexity in favor of building simple tools that yield giant results. Over the last decade, our products (like Magic Bullet and Trapcode) have become the standard in film and broadcast post-production. With over 200,000 users, it’s nearly impossible to watch 20 minutes of TV without seeing our software in use. From our experiences as artists and filmmakers, we aspire to not only provide tools for artists, but inspiration as well. Watch our films, learn from over 200 free tutorials, or try our software at www.redgiant.com.
     

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    Video Credits

    Video produced by Red Giant

    Contact:

    Anya Nelson
    Zazil Media Group
    Contact Anya via email
    (p) 617-817-6559

    Request a Media Kit Members of the media are invited to review any and all tools from the Shooter Suite 13. For more information, please email Anya  via email.
     

    SPW Category:Filmmaking Products and Services
    Tags:editorRed GiantPluralEyesaudioVideo



    NYF Advertising Awards Names Eight Visionary Leaders as 2026 Specialty Jury Chairs

    Thursday, February 12, 2026
    2026 New York Festivals Advertising Awards Specialty Executive Jury Chairs Announced

    New York Festivals Advertising Awards® 2026 season marks a significant evolution for the New York Festivals Advertising Awards, with a substantially expanded in-person judging program developed in partnership with the 4A’s. This expansion introduces Specialty Executive Juries, created to ensure that work in emerging and highly specialized disciplines is evaluated by senior industry leaders with deep, category-specific expertise. Seasoned, pioneering, and recognized for innovation in their respective fields, these Specialty Executive Jury Chairs bring unparalleled experience to their categories, guiding deliberations and championing work that sets the benchmark for creativity, strategy, and cultural impact worldwide. 2026 NYF Advertising Awards Specialty Executive Jury Chairs include: Baked in New York (New for 2026) – Omid Amidi, Chief Creative Officer, McKinney Celebrating work conceived and created by New York–based teams, honoring bold ideas forged under real pressure and judged by leaders who know what it takes to make it here. “New York is pressure. Cultural pressure, time pressure, economic pressure, relevance pressure. And that’s exactly why it matters to recognize work that’s actually conceived and produced here,” said Omid Amidi, Chief Creative Officer, McKinney. “Ideas made in New York aren’t protected by distance or novelty. They’re tested immediately by one of the most diverse, skeptical, overstimulated audiences... Read More

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