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    Home » Red Giant Releases Game of Thrones VFX Pt. 2: The Undead Horse

    Red Giant Releases Game of Thrones VFX Pt. 2: The Undead Horse

    By GrithausThursday, August 22, 2019Updated:Tuesday, May 14, 2024No Comments4604 Views
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    Red Giant released the second installment of its multi-part Game of Thrones visual effects tutorial series: how to turn a live horse into a member of the Night King’s undead army.

    Hashi of Action Movie Kid demonstrates keying and compositing techniques to turn a live horse into a steed worthy of the Night King’s undead army in Red Giant Cheap Tricks episode 9.

    Portland, OR -- (SPW) --

    Red Giant, creator of filmmaking, visual effects and motion graphics tools, today released the second installment of its multi-part Game of Thrones visual effects tutorial series: how to turn a live horse into a member of the Night King’s undead army. Daniel “Hashi” Hashimoto demonstrates keying and compositing techniques using tools including King Pin Tracker, Spot Clone Tracker and Supercomp from the new Red Giant VFX Suite, to add and track gory effects to a very much alive horse. Watch now and stay tuned for more Cheap Tricks Game of Thrones VFX tutorials. 

    Two weeks ago Hashi kicked off Red Giant’s Game of Thrones VFX series by showing fans how to recreate Game of Thrones magic fire effects, and then some. In episode nine of Cheap Tricks, he’s taking viewers further into the world of Ice and Fire. You’ll learn some great keying and compositing techniques, not to mention some great info on object removal and tracking. The VFX process is long and full of terrors – but Cheap Tricks is here to help you through it.

    In this tutorial, Hashi uses the following tools from Red Giant:

    • VFX King Pin Tracker: King Pin Tracker makes it simple to place signs or objects into a shot, even if they aren’t simple rectangles. With powerful “To” and “From” pins, and the ability to offset and rotate in planar space, artists can pin whatever they want, wherever they want it. 
    • VFX Spot Clone Tracker: Red Giant’s tool for lightning-fast, simple object removal with a built-in tracker for moving footage, Spot Clone Tracker easily fixes blemishes or remove small, unwanted items. Spot Clone Tracker is easy to use, and even matches your lighting automatically, with options for how it clones light, color and texture. 
    • VFX Primatte Keyer 6: Primatte Keyer is a powerful tool for fast, automatic chroma-keying. Whether using a green screen or blue screen, Primatte Keyer's auto-compute algorithms can often pull a perfect key automatically, with a new user interface and clean up tools that make it easy to select and separate the background and foreground. 
    • VFX Supercomp: Supercomp is a compositing environment that makes it easy to create complex, seamless composites. In Supercomp, light and atmospheric effects interact with all layers and elements of a scene in a far more natural way, and with far less pre-composing in After Effects than ever before.
    • Magic Bullet Looks: Magic Bullet Looks is designed to give filmmakers powerful looks and color correction, with over 200 fully-customizable Look presets and over 40 tools to customize or build new Looks. Get the best, most-intuitive color correction experience in the industry.
    • Magic Bullet Mojo II: Mojo gives footage a cinematic color grade in seconds. Accentuate and protect skin tones, cool off your backgrounds and more.

    Request a Media Review Kit or Briefing
    Members of the media are invited to review any individual tools or product suites from Red Giant. For more information or to request a product review kit or private press briefing with a Red Giant executive, please contact Nick Govoni at nick@zazilmediagroup.com. 

    About Red Giant
    Red Giant is a software company made up of talented artists and technologists who collaborate to create unique tools for filmmakers, editors, VFX artists, and motion designers. Our company culture is focused on finding balance between work and life – we call it “the double bottom line” – this philosophy helps us ignore complexity in favor of building simple tools that yield giant results. Over the last decade, our products (like Magic Bullet, Trapcode, Universe and PluralEyes) have become the standard in film and broadcast post-production. With over 200,000 users, it’s nearly impossible to watch 20 minutes of TV without seeing our software in use. From our experiences as artists and filmmakers, we aspire to not only provide tools for artists, but inspiration as well. Watch our films, learn from over 200 free tutorials, or try our software at www.redgiant.com.

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    Red Giant www.redgiant.com

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    Nick Govoni
    Zazil Media Group
    (978) 866-7354
    Contact via email
    SPW Category:Visual Effects and Animation
    Tags:Red GiantVFXtutorialsGame of Thronespost production



    2026: Connect Today for a Better Tomorrow (And Beyond)

    Thursday, January 15, 2026
    Ross MacRae, CEO, Agency Source

    In 2026, the thing that stands out most is how fast this industry is moving, faster than at any point I’ve seen in my career. Agencies, brands, and production companies are constantly shifting, merging, restructuring, and rebuilding. And the people inside them are moving just as quickly. The average lifespan of an agency creative these days is about 18 months. That means if you connect with someone today, chances are they’ll be somewhere completely different by next year, maybe even brand-side. The good news is that you’re essentially building a relationship with multiple clients at once - as long as you keep track of where they go! That level of movement changes what sales and outreach actually mean. When I started, sales in our industry were seen as unnecessary, even a bit smarmy. Agencies had internal service buying teams whose role was to be aware of what production services were out there--which meant that production companies and reps could remain on the agencies' radar with little effort. But today, those agency-side roles have disappeared, and the responsibility has shifted wholly to production companies and reps to make sure they are continuously visible. Whether people like the word “sales” or not, the truth is that you cannot rely on posting your reels on your site and expecting the phone to ring. It never really worked that way, and it certainly doesn’t now. One of the biggest misunderstandings I still encounter is about what a contact database is for. People assume it’s just a place to download email addresses and send out massive blasts. That was never the right way to do it, not 15... Read More

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