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    Home » Red Giant Universe Covers New Territory With Version 1.3

    Red Giant Universe Covers New Territory With Version 1.3

    By GrithausTuesday, November 18, 2014Updated:Tuesday, May 21, 2024No Comments7567 Views
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    Red Giant Universe 1.3 - Chromatic Abberation

    One Universe. 13 new tools, including seven from CrumplePop. Support for DaVinci Resolve, and much more.

    Portland, OR -- (SPW) --

    The Red Giant Universe is expanding once again with the release of Universe 1.3, the latest update to the world’s fastest growing visual effects environment for Adobe After Effects and Premiere Pro, Apple Final Cut Pro X and Motion, Sony Vegas and now, Blackmagic’s DaVinci Resolve. Now with 81 effects, version 1.3 features 13 new tools, seven of which are high-quality plugins from the wildly popular developer, CrumplePop. The new update also adds support for Blackmagic DaVinci Resolve, along with several updates to existing effects.


    What’s New in Universe 1.3 Video – https://vimeo.com/111214739

    “The Universe 1.3 update is full of some truly awesome stuff, including tools from CrumplePop, which were never before available outside of Final Cut. This update also features the all-new, highly realistic VHS effect, and support for a new host app: DaVinci Resolve,” states Aharon Rabinowitz, Red Giant’s head of marketing. “Resolve users have been asking us to bring tools like Knoll Light Factory EZ, Holomatrix and Retrograde into their app of choice, and today we’re excited to make that happen.”

    “I love the vast amount of effects I can apply to my footage with Universe. It allows me to create truly unique looks that stand out from what everyone else is making,” comments filmmaker Joey Shanks of Shanks FX, who works in association with PBS Digital Studios. “And it’s really nice to know that such a powerful bundle of effects can evolve just like an artist. Universe’s tools are always expanding. It gives me the power to create high-end imagery with a practical workflow.”

    Thirteen New Tools for Free and Premium Users
    New tools for both free and premium users as well as enhanced and redesigned presets to existing tools, the expanded Universe release includes:

    Free

    ► CrumplePop Photo 2: Give footage the look of a classic or instant photo. Includes tools for color treatments, vignettes, camera blur and more.

    ► CrumplePop Noir Moderne Light: Create dramatic noir lighting effects with saturation controls, optically captured vignettes, flickering, Venetian patterns and more.

    ► PixelGlow EZ (voted on in Universe Labs): An effect that isolates the brightest pixels and applies a glow in a variety of preset shapes to mimic halos, sparkles and shimmers.

    ► 3D Venetian Transition: A transition that divides the layer into vertically rotating sections, while simultaneously revealing a second layer of footage.

    ► Fill Alpha: A simple utility effect that floods an alpha channel with a color, with variable blending with the original; includes a unique, highly requested blending parameter.

    ► Sobel Edges: A useful “find edges” stylize effect with variable blending, using the Sobel gradient method to highlight footage edges.

    Premium

    ► CrumplePop Fisheye Fixer: An effect designed specially for GoPro® to correct GoPro fisheye lens distortion.

    ► CrumplePop ShrinkRay: A fast and easy way to make big things look tiny by simulating a tilt shift effect.

    ► CrumplePop Finisher: Use this effect to easily and dramatically improve the image quality of DSLR footage.

    ► CrumplePop Overlight: A lens flare and light leak texture plugin that makes it easy to apply washed-out glows and lens flares to footage.

    ► CrumplePop Grain 16: Using real 16mm film grain, add this effect to footage for the beautiful texture of authentic film.

    ► VHS: Gives modern footage the classic look, color and distortion of old videotape.

    ► Chromatic Aberration: A simulated lens distortion effect that mimics real-world lens aberration, in which there is a failure of a lens to focus all colors to the same convergence point; includes color splitting, lens distortion, blurs and lens textures for added realism.

    New Effect Controls in the UI

    ► New to ToonIt Paint: A new Soft Strokes effect has been added to the Paint style drop down menu

    ► A new Sketch Outline effect can be found in the UI of ToonIt Cartoon, ToonIt Paint, ToonIt Outlines, and ToonIt Retouch

    New Presets

    ► ToonIt Paint, ToonIt Presets, and ToonIt Transitions: New Presets featuring the Soft Stroke effect

    ► ToonIt Outlines: Four new presets demonstrating the new Sketch Outlines effect

    ► ToonIt Paint: A new preset Water Color, using the existing Watercolor paint effect

    Support for Blackmagic Design DaVinci Resolve
    Version 1.3 continues Red Giant’s expansion into new host applications with new DaVinci Resolve compatibility. All of the 80+ Universe plugins can now be used in the Resolve workflow, version 11.1 or later.

    “We’re really excited to have more than 80 new OFX effects and transitions available for DaVinci Resolve,” says Dan May, president of Blackmagic Design. “Red Giant makes some of the best motion graphics and visual effects plugins in the industry, and we know our users will enjoy having access to Universe’s free and premium tools right within Resolve 11.”

    Pricing & Availability
    Existing Red Giant Universe users can download version 1.3’s new tools and updates from Red Giant’s website. For new users, Universe is available in a variety of options:

    Basic Membership: Free
    Premium Monthly: $10
    Premium Yearly: $99
    Premium Lifetime: $399

    Learn more about special premium membership benefits at http://www.redgiant.com/store/universe/pricing. For Universe downloading instructions, please visit www.redgiant.com/universe.

    The Red Pledge
    Red Pledge is Red Giant’s commitment to customer happiness, with no purchasing hassles. Learn about the Red Pledge guarantee at www.redgiantsoftware.com/redpledge/.

    About Red Giant
    Red Giant is a software company made up of talented artists and technologists who collaborate to create unique tools for filmmakers, editors, VFX artists, and motion designers. Our company culture is focused on finding balance between work and life – we call it “the double bottom line” – this philosophy helps us ignore complexity in favor of building simple tools that yield giant results. Over the last decade, our products (like Magic Bullet and Trapcode) have become the standard in film and broadcast post-production – with over 200,000 users, it’s nearly impossible to watch 20 minutes of TV without seeing our software in use. From our experiences as artists and filmmakers, we aspire to not only to provide tools for artists, but inspiration as well. Watch our films, learn from over 200 free tutorials, or try our software at www.redgiant.com.

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    The limited access duration has come to an end. (Access was allowed until: 2016-05-19)
    Contact:

    Press Contact
    Anya Oskolkova
    Zazil Media Group
    Contact Anya via email
    (p) 617-817-6559
    Skype: anya.oskolkova

    Members of the media are invited to review Red Giant Universe 1.3. For more information, please contact Anya and for imagery visit: https://www.dropbox.com/sh/cs4haps5pbw25dq/AABI564ifzsGl0bbACnaR9kRa?dl=0
     

    SPW Category:Production and Post-Production Products and Services
    Tags:Red GiantVFXCommunityVideo Editingpost production



    Wave Studios Makes Big Game Noise with Six Super Bowl LX Spots

    Thursday, February 12, 2026
    Wave Studios Super Bowl Spots

    Wave Studios New York delivered sound design and mixing on six high-profile commercials in Super Bowl LX, with work airing for Squarespace, Grubhub, Cadillac, Kinder Bueno, Coinbase, and InvestAmerica, placing Wave’s sound at the center of some of the most talked-about campaigns of the year.
    The studio’s Super Bowl presence reflects a powerful combination of cinematic craft, bold creative partnerships, and sound-led storytelling at the highest level. Two of the night’s most buzzed-about films, for Squarespace and Grubhub, were directed by acclaimed filmmaker Yorgos Lanthimos, with sound design by Wave founder and BAFTA and Academy Award®–winning sound designer Johnnie Burn, and mixes by Austin Ferreira (Squarespace) and Chris Afzal (Grubhub). Johnnie’s hands-on involvement underscores a shared commitment across Wave and its creative partners to elevate sound as a driving force in global brand storytelling. Across the six campaigns, Wave’s team brought a wide creative range, from bold, cinematic tone to precision-driven sonic branding, with sound design and mixing led by Aaron Reynolds and Chris Afzal on spots for Cadillac, Kinder Bueno, Coinbase, and InvestAmerica. Each project reflects the studio’s ability to shape emotional impact through sound, while seamlessly supporting the visual language of each brand and agency partner. “Super Bowl work pushes everyone creatively, there’s nowhere to hide,” said Aaron Reynolds, Partner and ECD Sound Designer/Mixer at Wave. “Having six spots on air in one year speaks to the depth of our team and the trust our clients place in us. We’re incredibly proud of the craft that went into every frame and every second of sound.” Vicky Ferraro,... Read More

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