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    Home » Rising Sun Pictures Delivers VFX for “Game of Thrones” Finale

    Rising Sun Pictures Delivers VFX for “Game of Thrones” Finale

    By Artisans PRMonday, July 25, 2016Updated:Tuesday, May 14, 2024No Comments9253 Views
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    The Fire Next Time

    Adelaide, South Australia -- (SPW) --

    For the finale of season six of HBO’s smash hit Game of Thrones¸ Rising Sun Pictures faced a formidable challenge: replicate the sprawling city of King’s Landing and its central shrine, the Great Sept of Baelor, and then burn them to the ground in a magical, green-hued inferno.

    New to the Game of Thrones production team, RSP created visual effects for several episodes of the show’s recently-concluded season. Most of the work centered on King’s Landing and the Sept as artists produced photo-realistic CG environments, set extensions and architectural enhancements that were blended with location footage to create the luxurious, walled city overlooking the sea.

    “King’s Landing is based on Dubrovnik, a Croatian city on the Adriatic that has many beautiful, medieval buildings,” recalls RSP VFX Producer Richard Thwaites. “A lot of our early work involved wide views of the city, as well as internal and external views of the Sept (which is based on Fort Manoel in the Maltese town of Gżira).” For several of those shots, artists filled city environments with animated digital crowds, representing the townsfolk and members of a religious cult led by the High Sparrow.

    The goal throughout was not only to match the look of the practical locations, but to do so in a way that appeared thoroughly real. “Game of Thrones is a fantasy, but the aesthetic is highly realistic,” explains VFX Supervisor Hubert Maston. “The realism carries through in the design, the weight and dimension of the architecture and the atmosphere of the environments.”

    In the season finale, the Great Sept of Baelor and large parts of King’s Landing are destroyed as the widowed queen Cersei Lannister exacts revenge on her rivals. A pool of wildfire below the Sept ignites, causing an explosion that fills its tunnels with flames. The blast brings down statues of the city’s seven kings. Everyone inside the building is killed and the Sept collapses. Nearby structures are also engulfed in the inferno.

    “One reason that the scene is so shocking is that it seems so real,” says Thwaites. “The explosion happens from inside out and seems so powerful that you believe it can take out everything in its surroundings.”

    Achieving that level of realism was made more difficult by the wildfire’s signature green hue. “The fire you are used to seeing is a mix of very hot colors…orange, yellow, bright red,” explains Maston. “When you turn it green, it doesn’t seem so hot. We had to completely reimagine it to create fire that looks like fire and yet not like fire at the same time. We remapped the light, color and texture and, through trial and error, came up with a look that is both aesthetically pleasing and convincing.”

    The explosion also causes the demise of the High Sparrow. Flames burst through the Sept’s mosaic floor, incinerating him. “It’s a fully digital replacement,” notes Thwaites. “It has muscle, skin, bones and internal organs…all of which blow up in just a few frames.”

    “The fire works its way through his body in layers,” Maston adds. “You see his skin peeling off and bones breaking off. It was pretty gruesome.”

    The initial airing of the finale drew the largest audience in the show’s history. Rising Sun Pictures did its part to ensure loyal fans had plenty to marvel at.

    To view RSP’s VFX Breakdowns of their work on Game of Thrones, visit

    http://rsp.com.au/game-of-thrones-season-6/

    About Rising Sun Pictures
    At Rising Sun Pictures (RSP) we create inspirational visual effects for major studios worldwide. Creating outstanding images is at the core of our existence. At the heart of our talented team, there is a diverse knowledge and skill-set, enabling a collaborative core where we can work together to solve problems and deliver great visuals to our clients. We have achieved some truly amazing visual effects work by providing innovative solutions to technically challenging work. We have the capacity and talent pool to scale to suit the needs of our clients.

    Our extensive filmography includes over 100 projects, including X-Men: Apocalypse, Game of Thrones Season 6, The Legend of Tarzan, Gods of Egypt, Pan, X-Men: Days of Future Past, The Hunger Games franchise, the Harry Potter franchise, Gravity, The Wolverine, Prometheus and The Great Gatsby.  rsp.com.au

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    Video Credits

    Game of Thrones produced HBO

    Visual Effects: Rising Sun Pictures
    VFX Supervisor Hubert Maston, VFX Producer Richard Thwaites.

    Contact:

    Ian Cope
    Rising Sun Pictures
    +61 8 8400 6400
    Contact Ian via email
     

    Contact:

    Media:
    ArtisansPR
    310.837.6008
    Contact Linda via email
     

    SPW Category:Visual Effects and Animation
    Tags:Great Sept of BaelorGame of ThronesRising Sun PicturesHBO



    Boris FX Optics Delivers New AI Masking and Image Restoration Tools To Photoshop Workflows

    Monday, December 1, 2025
    Boris FX Optics 2026

    Optics, the Adobe Photoshop/Lightroom plugin and standalone application developed by the award-winning team at Boris FX, introduces four new AI-driven tools that simplify previously traditional photo editing techniques. The 2026 release allows photographers and digital artists to tackle facial segmentation, depth map generation, noise removal, and upscaling with just a few clicks. It also delivers a smoother workflow directly within Photoshop, streamlines browsing through its vast Hollywood-ready effects library, and adds glossy new effects and presets. “Optics 2026 is all about doing more with your images without slowing you down. New tools like Depth Map ML make it easy to add atmosphere, color grading, sharpening, and detail in a way that still feels natural. Face ML speeds up repetitive retouching tasks, and the Photoshop Essentials Panel brings your favorite looks, presets, and go-to tools into one place,” states Renée Robyn, Optics product manager. “With the new filters and presets, I’m genuinely excited to see how people push these tools and make them their own. We’re building the tools for photographers and digital artists that I wish I had had my entire career.” “As a portrait photographer, I never thought of myself as a digital artist until I started using Optics as part of my workflow. Now the images I see in my head come to life without spending hours lost in Photoshop, making my business more efficient,” comments Matt Stagliano, portrait photographer. “Optics 2026 gives me more control than ever with hundreds of new filter & effect variants, redesigned... Read More

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