Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » Rising Sun Pictures Expects 2019 To Be A Big Year For VFX Education

    Rising Sun Pictures Expects 2019 To Be A Big Year For VFX Education

    By Artisans PRWednesday, December 19, 2018Updated:Tuesday, May 14, 2024No Comments5190 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email
    Anna Hodge (second from left) with the Rising Sun Pictures Education training staff.

    School builds on its success in training and placing aspiring visual effects artists with expanded curriculum and growing enrollment.

    Adelaide, South Australia -- (SPW) --

    As 2018 comes to a close, Rising Sun Pictures Education can look back on a year that saw its program grow, its partnership with the University of South Australia deepen and a record number of its graduates find meaningful employment in a booming visual effects industry. The only visual effects training program in Australia based within a working studio, the school has even more ambitious goals for 2019. Its plans include a new series of on-site courses for third-year undergraduate students and a boost in enrollment for its Graduate Certificate programs. It’s also adding instructors and classroom space as it seeks to meet rising demand, in Australia and around the world, for capable, professionally-trained artists.

    “We bridge the gap between formal education and the skills you need to hit the ground running,” says Anna Hodge, the school’s Manager for Training & Education. “We’ve done that by developing a program that gives students a well-rounded professional experience and through our commitment to constantly improve. We produce graduates who are confident and prepared to thrive.”

    Beginning in March of next year, RSP Education will commence delivery onsite of the entire third year course work for students under the VFX specialisation of UniSA’s Bachelor of Media Arts degree program. Participating students will take two 18-unit courses covering compositing, tracking, lighting and dynamic effects. As with the university’s highly successful Graduate Certificate program, the aim is to have students receive their training from working artists in a professional studio environment.

    Significantly, the new program includes a benefit for students not currently enrolled at UniSA. “Students can transfer into the Media Arts degree with an advanced diploma in screen and media from vocational colleges like TAFE SA and Academy of Interactive Entertainment (AIE), get 1.5 years credit for their studies and can complete their bachelor’s degree in only a year and a half,” says Hodge. “Admission is competitive for the third year VFX Specialisation but places are still currently available.”

    With enrollment in its Graduate Certificate programs also growing, RSP expects its student population to expand considerably in the year ahead. In response, RSP Education is planning to bring on several new instructors.  “Most of the new instructors are coming internally from RSP, and they will combine teaching with their regular work of creating visual effects for movies,” Hodge explains. “We’ve also hired a teaching assistant who was our prize winning 2017 graduate. Staffing is an ongoing process because it’s going to be a big year and we want to keep doing what we’re doing at a high quality.”

    Over the course of their 3-year partnership, RSP and UniSA have developed a close rapport. Hodge talks regularly with the university’s program director, Josh McCarthy, about ways to improve the program, and ensure it’s meeting the university’s academic requirements and delivering the skills demanded by industry. “It could be about making a software change, teaching a new skill or implementing new techniques,” she says. “Our instructors, too, are always looking for ways to improve. Our curriculum is responsive, and improvements made are industry-, artist- and student-driven. When you’re dealing with technology, you need a curriculum that is dynamic and adaptable and UniSA have provided the support for us to do that.”

    RSP Education is determined to stay abreast of current methods employed in the visual effects industry and this has resulted in an enviable record for placing students in paid positions. Virtually every year, several graduates of the program are hired as junior artists by RSP itself. In addition, this year, several landed jobs at other Australian studios and one student also found a job at a studio in Los Angeles. On top of that, six former RSP students were hired by local We Made a Thing Studios, a production company co-founded by Jeremy Kelly-Bakker, a former instructor at the school. The company is creating a new web-series, Lucy and Dic, based on an award-winning short film that was produced by Kelly-Bakker with RSP student support.

    “We have a great reputation with recruiters from other VFX companies,” says Hodge. “I talk with them about the jobs they have coming up and I pass that information along to our students. We provide students with support in terms of showreel and resume development as well as professionalism training. In terms of preparing for employment, our aim is to offer the complete package, not just classroom instruction. Many students who come through here want to travel. They want to experience the world. They want to work at other companies, expand their skills and improve their showreels. We provide them with the tools to accomplish those goals and, hopefully, some of them will end up back here at Rising Sun Pictures.”

    Hodge credits the school’s success to the enthusiastic support it receives from Rising Sun Pictures, management and staff. “The whole company is behind the education program,” she says. “We have artists who have been teaching in the program for years because they love it. I’m constantly being approached by other artists who are interested in teaching a course or hosting one of our Day-in-the-Life sessions. It’s a fantastic feeling.”

    About Rising Sun Pictures
    At Rising Sun Pictures (RSP) we create inspirational visual effects for major studios worldwide. Creating outstanding images is at the core of our existence. At the heart of our talented team, there is a diverse knowledge and skill-set, enabling a collaborative core where we can work together to solve problems and deliver great visuals to our clients. We have achieved some truly amazing visual effects work by providing innovative solutions to technically challenging work. We have the capacity and talent pool to scale to suit the needs of our clients. 

    Our extensive filmography includes over 120 projects including The Predator, Tomb Raider, Peter Rabbit, Thor: Ragnarok, Logan, X-Men: Apocalypse, Game of Thrones Season 6, The Legend of Tarzan, , Pan, X-Men: Days of Future Past, The Hunger Games franchise, the Harry Potter franchise, Gravity, The Wolverine, Prometheus and The Great Gatsby. 

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2020-06-19)

    Rising Sun Pictures rsp.com.au

    company

    Anna Hodge
    Manager Training and Education
    Rising Sun Pictures
    Contact via email

    company

    Crystel Newman
    Marketing Coordinator
    Rising Sun Pictures
    Contact via email

    media

    Linda Rosner
    ArtisansPR
    (310) 837-6008
    Contact via email
    SPW Category:Education (School, Academy, University, Classes, Training)
    Tags:RSP Educationanna hodgeRising Sun Pictures



    Sound Lounge Welcomes Mixer and Sound Designer Nicole Pettigrew

    Tuesday, August 18, 2026
    Mixer and Sound Designer Nicole Pettigrew

    Sound Lounge has expanded its commercial roster with the addition of mixer and sound designer Nicole Pettigrew, who brings more than a decade of experience, a passion for sound design and a highly collaborative approach to her work. Pettigrew joins Sound Lounge following five years at PS260, where she established and led the company's in-house audio department as its sole audio engineer. Her work spans campaigns for brands including American Express, MLB, T-Mobile, New Balance, Titleist, David Yurman and DraftKings. She also mixed Gucci's 2024 AICP Best in Show-winning campaign. Prior to PS260, Pettigrew spent nine years at PLUSHnyc. A lifelong musician, Pettigrew brings a musical ear to her work and particularly gravitates toward projects that allow her to experiment with sound. Her approach pairs a traditional studio foundation rooted in listening, communication and client experience with an eagerness to explore new ideas and push the creative possibilities of a project. “The best sessions feel like a real collaboration,” says Pettigrew. “I want clients to feel like I’m part of their team, listening to their vision and then interpreting it, building on it and helping push the idea further. You’re handed all of these individual pieces, and I love the problem-solving that goes into figuring out how they fit together. There’s something really satisfying about getting to the end, stepping back and realizing you helped bring someone’s idea fully to life.” Pettigrew's arrival also reunites her with Sound Lounge... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleRodeo Show’s Mccoy | Meyer Find The Perfect Fit For The ‘Average’ Business Bear For MTailor
    Next Article Union’s Marco Perez Brings Award-winning ‘Lovebirds’ Together for Martin Garde Abildgaard
    Artisans PR

    Add A Comment
    What's Hot

    3D Animation Director Liam Archibald Joins Blinkink For Worldwide Commercial Representation

    Friday, August 28, 2026

    Duane “Keffe D” Davis’ Murder Trial Heads To Closing In Tupac Shakur’s 1996 Killing

    Friday, August 28, 2026

    C. Kim Miles Shares Insights Into The Reimagining Of “Little House on the Prairie”

    Thursday, August 27, 2026
    Shoot Screenwork

    Apple, TBWA\Media Arts Lab and Director Nicos Livesey Deploy Clay Animation To Showcase “The Mighty Mac Mini”

    Friday, August 28, 2026

    TBWA\Media Arts Lab and director Nicos Livesey–via Blinkink and Stoopid Buddy Stoodios–teamed on this clay…

    TDA Boulder, Director Michael Downing Tackle Banking Clichés In “No Nonsense” Campaign For First Interstate

    Thursday, August 27, 2026

    JT Mega, Director Jake Zalutsky “Savor The Little Things” For Mahatma Rice

    Wednesday, August 26, 2026

    9/11 Day, Pete Davidson, David&Goliath Share Personal 9/11 Story and “UNIITE For Good”

    Tuesday, August 25, 2026

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.

    SHOOT
    click X to close window
    ×

    Farewell Note from the Publisher

    After 66 years of covering Commercial, Film & TV production & post, SHOOTonline ceased publishing as of Friday, August 28th, 2026.

    Although publishing activities concluded, the company will continue to operate through a transition period to ensure a smooth conclusion to all business dealings, including processing refunds for prepaid SPW tokens and collecting outstanding advertising invoices.

    A heartfelt Thank You to our readers, advertisers, sponsors, vendors, and of course the amazing staff throughout the decades who have made this wonderful SHOOT Magazine/SHOOTonline journey possible. And, a huge Thank You to all the executives, artisans, companies, agencies, associations, guilds, studios, networks, streaming services, manufacturers, and so many more who trusted us to share their news, milestones, insights, and points of view with the industry.

    Click Here to read more about SHOOT’s closure.

    Click Here to close window
    We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.