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    Home » Rising Sun Pictures Honoured with VES Award Nomination for Marvel Studios’ “Thor: Ragnarok”

    Rising Sun Pictures Honoured with VES Award Nomination for Marvel Studios’ “Thor: Ragnarok”

    By Artisans PRWednesday, January 17, 2018Updated:Tuesday, May 14, 2024No Comments7408 Views
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    Adelaide, South Australia -- (SPW) --

    Three artists from Rising Sun Pictures have been nominated for a Visual Effects Society (VES) Award for their work on Marvel Studios’ summer blockbuster Thor: Ragnarok. CG Supervisor Hubert Maston, Lighting Technical Director Arthur Moody, On-Set VFX/Concept/Pre-vis Adam Paschke and Virtual Production Supervisor Casey Schatz (from Third Floor) are nominated for Best Virtual Cinematography for the film’s “Val’s Flashback” sequence. The team will travel to LA where the winners will be announced at the 16th Annual VES Awards Ceremony, February 13th in Beverly Hills.

    “We extend our heartiest congratulations to our nominees on this wonderful honour,” said RSP Managing Director Tony Clark. “It’s very rewarding to see their hard work, dedication and creativity recognised by their industry peers. It inspires us to continue to produce excellence.” In 2015, artists from Rising Sun Pictures won a VES Award for Virtual Cinematography for the “Quicksilver Kitchen” sequence from X-Men: Days of Future Past.

    “Val’s Flashback,” which plays out in artful slow motion under glittering light, describes a fatal encounter between Valkyrie warriors and Hela, the Asgardian Goddess of Death. The female warriors, riding winged steeds, emerge from portals in the sky only to be mercilessly struck down by Hela using her magical powers.

    Virtual cinematography was integral to realising the epic battle. A lighting rig, built specially for the sequence, featured 145 hot-shoe flashes assembled in a large ring. It was used to shoot horse and actor elements with the cycling lights synced to a Phantom 4k camera shooting at 900 frames per second. Shot composition and camera choices were determined through digital pre-visualisation. Over 100 individual setups were necessary to produce the sequence, with some shots requiring more than 15 live action plates.

    RSP’s VFX team undertook a post-vis process where live action and CG elements were assembled and laid out. CG elements were lit by a digital version of the lighting rig to facilitate integration. “The sequence involved high-level creature animation and digital characters, as well as very detailed compositing, due to the unusual lighting effects,” notes Visual Effects Executive Producer Gill Howe. “It was also a challenge because it was a standalone piece, and a significant scene in the movie. It had to be unique, different, and something that had never been done before.”

    About Rising Sun Pictures
    At Rising Sun Pictures (RSP) we create inspirational visual effects for major studios worldwide. Creating outstanding images is at the core of our existence. At the heart of our talented team, there is a diverse knowledge and skill-set, enabling a collaborative core where we can work together to solve problems and deliver great visuals to our clients. We have achieved some truly amazing visual effects work by providing innovative solutions to technically challenging work. We have the capacity and talent pool to scale to suit the needs of our clients. RSP has worked on over 100 films including Thor: Ragnarok, X-Men Harry Potter and Hunger Games franchises, Game of Thrones.  rsp.com.au

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    Rising Sun Pictures | rsp.com.au

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    Crystel Newman
    Marketing Coordinator
    Rising Sun Pictures
    Contact via email

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    Linda Rosner
    ArtisansPR
    (310) 837-6008
    Contact via email
    SPW Category:Visual Effects and Animation
    Tags:VES Awardsthor: ragnarokRising Sun PicturesVisual Effects Society



    2026: Connect Today for a Better Tomorrow (And Beyond)

    Thursday, January 15, 2026
    Ross MacRae, CEO, Agency Source

    In 2026, the thing that stands out most is how fast this industry is moving, faster than at any point I’ve seen in my career. Agencies, brands, and production companies are constantly shifting, merging, restructuring, and rebuilding. And the people inside them are moving just as quickly. The average lifespan of an agency creative these days is about 18 months. That means if you connect with someone today, chances are they’ll be somewhere completely different by next year, maybe even brand-side. The good news is that you’re essentially building a relationship with multiple clients at once - as long as you keep track of where they go! That level of movement changes what sales and outreach actually mean. When I started, sales in our industry were seen as unnecessary, even a bit smarmy. Agencies had internal service buying teams whose role was to be aware of what production services were out there--which meant that production companies and reps could remain on the agencies' radar with little effort. But today, those agency-side roles have disappeared, and the responsibility has shifted wholly to production companies and reps to make sure they are continuously visible. Whether people like the word “sales” or not, the truth is that you cannot rely on posting your reels on your site and expecting the phone to ring. It never really worked that way, and it certainly doesn’t now. One of the biggest misunderstandings I still encounter is about what a contact database is for. People assume it’s just a place to download email addresses and send out massive blasts. That was never the right way to do it, not 15... Read More

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