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    Home » Rising Sun Pictures Joins Tech Companies in Compelling Virtual Production Demonstration

    Rising Sun Pictures Joins Tech Companies in Compelling Virtual Production Demonstration

    By Artisans PRMonday, November 23, 2020Updated:Tuesday, May 14, 2024No Comments5459 Views
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    Photo Credits: David Solm & Ian Cope

    Showcase event held at South Australia Film Commission’s Adelaide Studios demonstrates technology that could change the way local productions are made.

    Adelaide, South Australia -- (SPW) --

    Rising Sun Pictures recently took part in a proof-of-concept demonstration held at the South Australia Film Commission’s Adelaide Studios showcasing leading-edge virtual production technology. Working in tandem with live event specialist Novatech, and software reseller Intraware, RSP demonstrated how actors can be placed into believable, three-dimensional digital environments in real-time.

    The shoot included an actor performing on set in front of a digital projection of a 3D scene on a state-of-the-art LED screen, captured with integrated camera movement and interactive lighting. The technical demonstration was aimed at local film-makers, VFX vendors and educational facilities to illustrate how this new technology can be used in Australian based productions. Minister for Innovation and Skills, Hon David Pisoni MP was also in attendance.

    ‘Virtual Production’ is an umbrella term for a wide range of techniques and processes, and is the convergence between pre-production, filming and post-production. The LED 'Virtual Set’ technique has been used on several recent high-profile film and television productions, and has generated broad interest during the pandemic due to its potential to eliminate travel, reduce crew size and save time.

    RSP supplied real-time content for the visual set in Epic's Unreal Engine while Novatech provided the Virtual Production hardware, including a purpose-built 12m x 3.6m, curved LED-wall and interactive set lighting. Disguise servers and Mo-Sys camera tracking software was provided by Intraware. SA Film provided the studio space at Adelaide Studios.

    “It is exciting to introduce the local film community to emerging technologies that are generating interest among film, television and game producers worldwide,” says RSP Producer Ian Cope. “It was also a good learning experience for our artists and an opportunity for them to gain familiarity with this new tech.” The work was turned around in a week with a small, agile team. RSP’s Noah Vice served as Virtual Production Supervisor on the project; Art Director Nick Pill provided key concept direction for the team preparing the digital backgrounds. 

    In a time when productions are operating under social distancing protocols, virtual production offers a safe alternative to transporting actors and crew to exotic locations. In the post-COVID world, the technique could provide a way to save time and costs, and accomplish certain shots that might otherwise not be possible.

    “In some situations, it makes sense to use virtual production,” says Cope. “Traditional post processes can be brought forward to the shoot, allowing greater collaboration with the filmmakers and the ability to capture more in-camera. Of course, it’s not the right solution for every situation, and as when planning visual effects for any project; if you need to shoot an actor in front of a brick wall, it’s best to use a real one!”

    Cope adds that RSP is glad to offer virtual production as a complement to its conventional visual effects services. “It’s a wonderful additional resource and our clients are taking this path more often,” he says. “We take a very pragmatic approach to our projects and assess each situation that arises on its merits. We choose solutions that work best for the time and budget, and provide the best way to tell the story for our clients.”

    About Rising Sun Pictures
    For over 25 years, RSP has been delighting and inspiring audiences worldwide. The studio which is home to more than 170 exceptional artists, creates world-class visual effects for their clients and produces some of the most memorable screen moments.

    Focused on producing only the highest quality and innovative solutions, RSP has an extremely flexible, custom pipeline, which allows the company to scale up quickly and adjust its workflow, to meet audience’s demand for evermore spectacular visuals.

    The studio enjoys the advantage of being located in Adelaide, one of the world’s most liveable cities. That, combined with its sterling reputation, and access to one of the largest and reliable rebates, has made it a magnet for film-makers worldwide. This has propelled RSP to continued success and enabled them to contribute to a range of projects including Black Widow, The Boys, Jungle Cruise Ford V Ferrari, Spider-Man: Far From Home, X-Men: Dark Phoenix, Captain Marvel, Dumbo, The Predator, Tomb Raider, Peter Rabbit, Animal World, Thor: Ragnarok, Logan, Pan, the X-Men franchise and Game of Thrones.

    RSP’s unique training program, delivered in partnership with one of Australia’s top universities, is busily turning out a new generation of skilled and enthusiastic artists. This ensures RSP continues to enjoy a steady influx of capable talent, and comfortably have the capacity to take on multiple projects at one time.

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    Rising Sun Pictures

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    Crystel Newman
    Marketing Coordinator
    Rising Sun Pictures
    Contact via email

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    Linda Rosner
    ArtisansPR
    (310) 837-6008
    Contact via email
    SPW Category:Visual Effects and Animation
    Tags:South Australia Film CommissionIan CopeUnreal EngineEpic GamesRising Sun Pictures



    Sound Lounge Welcomes Mixer and Sound Designer Nicole Pettigrew

    Tuesday, August 18, 2026
    Mixer and Sound Designer Nicole Pettigrew

    Sound Lounge has expanded its commercial roster with the addition of mixer and sound designer Nicole Pettigrew, who brings more than a decade of experience, a passion for sound design and a highly collaborative approach to her work. Pettigrew joins Sound Lounge following five years at PS260, where she established and led the company's in-house audio department as its sole audio engineer. Her work spans campaigns for brands including American Express, MLB, T-Mobile, New Balance, Titleist, David Yurman and DraftKings. She also mixed Gucci's 2024 AICP Best in Show-winning campaign. Prior to PS260, Pettigrew spent nine years at PLUSHnyc. A lifelong musician, Pettigrew brings a musical ear to her work and particularly gravitates toward projects that allow her to experiment with sound. Her approach pairs a traditional studio foundation rooted in listening, communication and client experience with an eagerness to explore new ideas and push the creative possibilities of a project. “The best sessions feel like a real collaboration,” says Pettigrew. “I want clients to feel like I’m part of their team, listening to their vision and then interpreting it, building on it and helping push the idea further. You’re handed all of these individual pieces, and I love the problem-solving that goes into figuring out how they fit together. There’s something really satisfying about getting to the end, stepping back and realizing you helped bring someone’s idea fully to life.” Pettigrew's arrival also reunites her with Sound Lounge... Read More

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