Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » Rising Sun Pictures Launches Studio in Brisbane

    Rising Sun Pictures Launches Studio in Brisbane

    By Artisans PRMonday, April 11, 2022Updated:Tuesday, May 14, 2024No Comments3191 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email
    This week, RSP officially launched the new Brisbane studio. RSP staff celebrated with local producers and staff from Screen Queensland, Ausfilm and the University of South Australia.

    New South Bank production site, with space for 60 artists, will help the studio keep pace with its rapidly growing VFX workload and serve productions based in Queensland.

    Adelaide, South Australia -- (SPW) --

    Benefitting from a worldwide boom in film and series production, Rising Sun Pictures (RSP) opened a visual effects production studio in Brisbane in mid-2021. Visual Effects Supervisor Marc Varisco and Compositing Supervisor Matt Greig are leading the studio’s artist team. Veteran Visual Effects Producer Jayne Herrmann is overseeing production. 

    RSP is expanding to keep pace with a rapidly growing workload. The studio currently has a full slate of feature film and series projects in-house and expects demand to continue rising throughout 2022 and beyond.  Having a physical presence in Queensland allows RSP to better serve film and series productions shooting in the state. 

    “There is an abundance of wonderful film and series projects out there at the moment and opportunities to do great work,” says Rising Sun Pictures Managing Director Tony Clark. “To take advantage of those opportunities, we need a strong base of talent. We’ve worked with some wonderful artists who are based in Brisbane, so it made good sense to build a facility around those people. It also puts us adjacent to a very popular global filmmaking destination.”

    In 2021 RSP was acquired by The Fuse Group, which facilitated the growth and expansion into Brisbane, now one of ten studio locations operated by the group, including Los Angeles, Vancouver and Montréal, among others.

    This week, RSP officially launched the new Brisbane studio. RSP staff celebrated with local producers and staff from Screen Queensland, Ausfilm and the University of South Australia.

    The new studio is located in South Bank, the city’s arts and entertainment district. The facility, which is linked to RSP’s head studio in Adelaide via secure technology, has the resources to support up to 60 artists. In addition to workspace for dozens of artists, the facility features rooms for meetings, review sessions and client use. Plans call for the construction of a 4K screening room later this year. The studio has direct, high-speed links to RSP’s pipeline in Adelaide and operate in full compliance with TPN protocols.

    RSP expects to staff the new studio by hiring experienced local artists and others eager to move to Brisbane as a lifestyle choice. “There are a lot of very good artists who are originally from Brisbane and want to move back. Other artists want to plant new roots there,” explains Head of Business Development Jennie Zeiher. “Brisbane appeals to people for quality-of-life reasons, especially those with young families.”

    Zeiher adds that RSP is focused on hiring artists with exceptional creative and technical skills, that are culturally a good fit. “We’re looking for people whose values reflect ours,” she says. “Marc Varisco, Matt Greig and Jayne Herrmann are very much RSP people, and we want to keep that going. Our commitment to excellence and service is paramount to us.”

    RSP will also provide visual effects training in Brisbane. The studio operates a program of undergraduate and graduate certificate training in partnership with the University of South Australia (UniSA). Its graduates are in high demand as junior artists at studios across Australia and beyond. Many have moved directly into jobs at RSP. RSP will commence its educational offerings in the new studio in the second half of 2022. It is an important philosophy that RSP builds capability, particularly in the areas in which it operates.

    Both Varisco and Greig have a history of working with RSP in both staff and freelance capacities. Varisco recently served as the studio’s Visual Effects Supervisor on the Netflix series Cowboy Bebop, performing that work remotely from his home studio in Brisbane. His more than three dozen film and television credits as a supervisor also includes The Mandalorian, Star Wars: Episode IX – The Rise of Skywalker¸ Peter Rabbit and Electric Dreams. Greig served as RSP’s Compositing Supervisor on Jungle Cruise and Ford v Ferrari. His experience as a compositor spans more than 15 years and includes posts with Animal Logic and Fuel VFX.

    “When RSP approached me about launching a studio in Brisbane, I couldn’t sign up quick enough,” says Varisco. “Supervising the type of quality work that RSP produces from Queensland is a game-changer. Artists can reach our studio by a short commute, spend their days producing great work, and return home to have dinner with their families. It couldn’t be any better.”

    Grieg was similarly enthusiastic about establishing an RSP presence in Brisbane. “I was excited about bringing world-class visual effects to my hometown,” he says. “I now look forward to expanding our existing strong team and contributing to the fantastic productions which have filled our slate.”

    New to RSP, Herrmann has been a visual effects professional for 15 years and brings deep ties to the Brisbane production community. She previously served as a VFX Producer at Cutting Edge, Brisbane and has held staff posts with Weta Digital, Method Studios, Bazmark Films and Animal Logic. “It’s been my dream to produce for RSP, and to do so in Brisbane is fantastic,” says Herrmann. “Brisbane is the perfect location for a facility like this.”

    Herrmann expects the new Brisbane studio to be fully staffed by mid-year. “It’s a cracking space. We have CG review rooms, comp review rooms and, eventually, a large screening theater,” she says. “It’s located at the hub of the local arts community with theaters, museums and restaurants nearby. It’s also close to the airport and the Gold Coast where the Village Roadshow Studios are located.”

    "With demand for content at an all-time high, there couldn’t be a better time or a better place for RSP to expand. This studio represents a substantial commitment to Queensland and to artists living there,” says Clark. “We look forward to being in Brisbane for a long time and producing lots of great work there.”

    About Rising Sun Pictures
    Over the past two decades, Rising Sun Pictures (RSP) has been delighting and inspiring audiences worldwide with award-winning visual effects by creating some of Hollywood’s most memorable screen moments. RSP’s reputation and leadership makes it a trusted partner for studios and filmmakers worldwide. Its studios employ more than 230 exceptional crew who enjoy the advantages of living in some of the world’s most livable cities. In addition, RSP is dedicated to developing the next generation of visual effects artists through its unique accredited training program, delivered in partnership with the University of South Australia. Recent work includes Shang-Chi and the Legend of the Ten Rings, Cowboy Bebop, Hawkeye, Jungle Cruise, Black Widow, Candyman and Mortal Kombat. RSP is a member of The Fuse Group.

    About The Fuse Group
    The Fuse Group brings together three industry-leading visual effects studios: FuseFX, FOLKS, and Rising Sun Pictures. The company employs over 1,200 personnel across ten worldwide studio locations. Fuse Group is a portfolio company of investment funds managed by EagleTree Capital, a New York City-based private equity firm.

    rsp.com.au #RSPVFX

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2023-10-11)

    RSP.com.au

    company

    Crystel Newman
    Marketing Manager
    Rising Sun Pictures (RSP)
    Contact via email

    media

    Linda Rosner
    ArtisansPR
    (310) 837-6008
    Contact via email
    SPW Category:Visual Effects and Animation
    Tags:Jayne HerrmannMarc VariscoMatt GriegRising Sun PicturesRSP



    Sound Lounge Welcomes Mixer and Sound Designer Nicole Pettigrew

    Tuesday, August 18, 2026
    Mixer and Sound Designer Nicole Pettigrew

    Sound Lounge has expanded its commercial roster with the addition of mixer and sound designer Nicole Pettigrew, who brings more than a decade of experience, a passion for sound design and a highly collaborative approach to her work. Pettigrew joins Sound Lounge following five years at PS260, where she established and led the company's in-house audio department as its sole audio engineer. Her work spans campaigns for brands including American Express, MLB, T-Mobile, New Balance, Titleist, David Yurman and DraftKings. She also mixed Gucci's 2024 AICP Best in Show-winning campaign. Prior to PS260, Pettigrew spent nine years at PLUSHnyc. A lifelong musician, Pettigrew brings a musical ear to her work and particularly gravitates toward projects that allow her to experiment with sound. Her approach pairs a traditional studio foundation rooted in listening, communication and client experience with an eagerness to explore new ideas and push the creative possibilities of a project. “The best sessions feel like a real collaboration,” says Pettigrew. “I want clients to feel like I’m part of their team, listening to their vision and then interpreting it, building on it and helping push the idea further. You’re handed all of these individual pieces, and I love the problem-solving that goes into figuring out how they fit together. There’s something really satisfying about getting to the end, stepping back and realizing you helped bring someone’s idea fully to life.” Pettigrew's arrival also reunites her with Sound Lounge... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleGlobal Animation, VFX & Video Games Market Trends & Opportunities 2022-2026: Growing Demand for Animation and VFX Content to Power Augmented Reality and Virtual Reality Experiences
    Next Article Production Veteran Kate Smith Returns To Flavor as Executive Producer
    Artisans PR

    Add A Comment
    What's Hot

    3D Animation Director Liam Archibald Joins Blinkink For Worldwide Commercial Representation

    Friday, August 28, 2026

    Duane “Keffe D” Davis’ Murder Trial Heads To Closing In Tupac Shakur’s 1996 Killing

    Friday, August 28, 2026

    C. Kim Miles Shares Insights Into The Reimagining Of “Little House on the Prairie”

    Thursday, August 27, 2026
    Shoot Screenwork

    Apple, TBWA\Media Arts Lab and Director Nicos Livesey Deploy Clay Animation To Showcase “The Mighty Mac Mini”

    Friday, August 28, 2026

    TBWA\Media Arts Lab and director Nicos Livesey–via Blinkink and Stoopid Buddy Stoodios–teamed on this clay…

    TDA Boulder, Director Michael Downing Tackle Banking Clichés In “No Nonsense” Campaign For First Interstate

    Thursday, August 27, 2026

    JT Mega, Director Jake Zalutsky “Savor The Little Things” For Mahatma Rice

    Wednesday, August 26, 2026

    9/11 Day, Pete Davidson, David&Goliath Share Personal 9/11 Story and “UNIITE For Good”

    Tuesday, August 25, 2026

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.

    SHOOT
    click X to close window
    ×

    Farewell Note from the Publisher

    After 66 years of covering Commercial, Film & TV production & post, SHOOTonline ceased publishing as of Friday, August 28th, 2026.

    Although publishing activities concluded, the company will continue to operate through a transition period to ensure a smooth conclusion to all business dealings, including processing refunds for prepaid SPW tokens and collecting outstanding advertising invoices.

    A heartfelt Thank You to our readers, advertisers, sponsors, vendors, and of course the amazing staff throughout the decades who have made this wonderful SHOOT Magazine/SHOOTonline journey possible. And, a huge Thank You to all the executives, artisans, companies, agencies, associations, guilds, studios, networks, streaming services, manufacturers, and so many more who trusted us to share their news, milestones, insights, and points of view with the industry.

    Click Here to read more about SHOOT’s closure.

    Click Here to close window
    We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.