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    Home » SEGFAULT Star Shannon Lucio on the Game-changing Process of Making a Film with No Script

    SEGFAULT Star Shannon Lucio on the Game-changing Process of Making a Film with No Script

    By Dana CobbMonday, August 6, 2018Updated:Tuesday, May 21, 2024No Comments11340 Views
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    SEGFAULT In Theater This Fall

    Robert Paschall Jr.’s Acclaimed Film SEGFAULT to Receive North American Release

    DALLAS -- (SPW) --

    On the heels of summer blockbuster season is the beginning the fall film festival season in North America. Robert Paschall Jr.’s SEGFAULT, one of the most unique films to premiere at Toronto International Film Festival 2017, is poised to make it’s mark on a widespread scale when hits theaters in major markets including including Los Angeles, Toronto, Chicago, Dallas, Vancouver, and Houston.

    The unique indie thriller, written and directed by Paschall and starring Shannon Lucio (True Blood, American Horror Story, Prison Break), was made in less than 24 hours, with Lucio given no script, storyline or even a character name. In SEGFAULT, without any memory of who she is or her past, Blair (Lucio) wakes up in a hotel room with a dead body. After receiving a mysterious phone call, she flees in search of answers and is immediately pursued by a corrupt organization that is determined to keep the truth of her identity concealed. With the help of Victoria (Cassie Shea Watson) and Frank (Stephen Brodie), Blair is confronted with a sequence of startling discoveries that exposes a reality she never could've imagined.

    “Shooting SEGFAULT was probably the most exhilarating and terrifying experience of my life,” Lucio said.  “I genuinely had no idea what to expect. So, there was virtually no way to prepare. Once we started filming, my body went into a fight or flight state. I didn’t really get tired even though we were filming through the night. I was just running on pure adrenaline. It’s funny because when I watch the film, I notice that at the beginning of it I keep crying, but that’s because I was truly scared and didn’t know what to do.”

    Director Paschall said, “The precarious nature of making a film where the lead actress was blindfolded for wardrobe; not allowed to see her hair and makeup, and then dropped in a city she doesn’t know with no script, was both the hardest thing to do as a director and the most exciting thing to watch at the same time.”

    As for the experience, Lucio says, “I had to put a lot of faith in my director, Bobby, and the other actors in the movie with me.  And, I guess, I had to put faith in myself.  I had to trust my instincts, my ability to improvise, and my storytelling experience to get through the process with any hope of a complete movie being at the finish line. But Bobby knew what he was doing and expertly conducted my journey so that I would end up where I needed to. It was a once in a lifetime experience.”

    Factory Film Studio is the North American distributor for SEGFAULT. The film is set to premiere in the fall in many major cities across North America.

    For more information:  SEGFAULT IMDB.


    View Trailer on YouTube here: http://bit.ly/2MR5XwP

     

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    Dana Cobb
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    SPW Category:Motion Picture Studio News
    Tags:Shannon LucioIndie MovieSegfaultToronto International Film Festival



    2026: Connect Today for a Better Tomorrow (And Beyond)

    Thursday, January 15, 2026
    Ross MacRae, CEO, Agency Source

    In 2026, the thing that stands out most is how fast this industry is moving, faster than at any point I’ve seen in my career. Agencies, brands, and production companies are constantly shifting, merging, restructuring, and rebuilding. And the people inside them are moving just as quickly. The average lifespan of an agency creative these days is about 18 months. That means if you connect with someone today, chances are they’ll be somewhere completely different by next year, maybe even brand-side. The good news is that you’re essentially building a relationship with multiple clients at once - as long as you keep track of where they go! That level of movement changes what sales and outreach actually mean. When I started, sales in our industry were seen as unnecessary, even a bit smarmy. Agencies had internal service buying teams whose role was to be aware of what production services were out there--which meant that production companies and reps could remain on the agencies' radar with little effort. But today, those agency-side roles have disappeared, and the responsibility has shifted wholly to production companies and reps to make sure they are continuously visible. Whether people like the word “sales” or not, the truth is that you cannot rely on posting your reels on your site and expecting the phone to ring. It never really worked that way, and it certainly doesn’t now. One of the biggest misunderstandings I still encounter is about what a contact database is for. People assume it’s just a place to download email addresses and send out massive blasts. That was never the right way to do it, not 15... Read More

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