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Continuing its long support for filmmaking in New York, Technicolor PostWorks provided post-production services to 13 films screening at this year’s Tribeca Film Festival, including three films in the U.S. Narrative competition, two in the Spotlight Narrative section, one in the World Documentary competition, four in the Spotlight Documentary section and one in the Shorts sections. Additionally, the facility supported three projects produced for television screening in the second annual Tribeca TV festival. Services included editorial conforming and color grading. PostWorks provided ADR, sound editorial and sound mixing.

The 16th annual Tribeca Film Festival runs April 19-30, 2017.

Technicolor PostWorks projects include:

US NARRATIVE

• Aardvark, (USA, World Premiere), Director Brian Shoaf’s story of a therapist whose professional and personal worlds collide when a new patient walks through her door.

Technicolor PostWorks provided editorial conforming, color grading and deliverables; Alex Bickel, Colorist; Sean R. Smith, Online Editor. PostWorks provided ADR; Chris White ADR Recordist.

• Abundant Acreage Available, (USA, World Premiere), Director Angus MacLachlan’s tale of siblings Jesse (Terry Kinney) and Tracy (Amy Ryan) who attempt to settle into their new lives after their father’s death.

Technicolor PostWorks provided editorial conforming, color grading and deliverables; Alex Bickel, Colorist; Sean R. Smith, Online Editor.

• Saturday Church, (USA, World Premiere), Director Damon Cardasis’ drama of a shy and effeminate teen being raised in the Bronx by his strict Aunt Rose.

Technicolor PostWorks provided editorial conforming, color grading and deliverables; Anthony Raffaele, Colorist; Ryan Duffy, Color Assist; Ryan Rolandelli, Online Editor.

SPOTLIGHT NARRATIVE

• Dabka, (USA, World Premiere), Director Bryan Buckley’s story of rookie journalist Jay Bahadur (Evan Peters), who, after a chance encounter with his idol (Al Pacino), moves to Somalia looking for the story of a lifetime.

PostWorks provided re-recording mixing; Martin Czembor, Re-Recording Mixer; Ruy Garcia, Supervising Sound Editor.

• Permission, (USA, World Premiere), Director Brian Crano’s film focusing on a couple who embark on an experiment to broaden their horizons without sabotaging their relationship.

PostWorks provided ADR; Chris White, ADR Recordist.

WORLD DOCUMENTARY

• The Death and Life of Marsha P. Johnson, (USA, World Premiere), Academy Award-nominated Director David France investigates the death of the black transgender activist Marsha P. Johnson.

PostWorks provided re-recording mixing; Martin Czembor, Re-Recording Mixer; Luciano Vignola, Sound Supervisor.

SPOTLIGHT DOCUMENTARY

• Get Me Roger Stone, (USA, World Premiere), Directors Dylan Bank, Daniel DiMauro and Morgan Pehme explore the world of political firebrand and noted eccentric Roger Stone.

Technicolor PostWorks provided editorial conforming, color grading and deliverables; Allie Ames, Colorist; Jeff Cornell and Ryan McMahon, Online Editors. PostWorks provided sound editorial and re-recording mixing; Christopher Koch, Re-Recording Mixer; Eric DiStefano, Sound Editor. 

• I Am Evidence, (USA, World Premiere), Directors Trish Adlesic and Geeta Gandbhir examine the issue of untested rape kits with hundreds of thousands left in police storage facilities.

Technicolor PostWorks provided color grading and deliverables; David J. Colonna, Colorist.

• No Stone Unturned, (USA and Northern Ireland, World Premiere), Director Alex Gibney probes the 1994 murder of six men while watching a World Cup soccer match in a pub in Loughinisland, Northern Ireland.

Technicolor PostWorks provided additional color; Jack Lewars, Additional Colorist.

• WASTED! The Story of Food Waste, (USA, World Premiere), Directors Anna Chai and Nari Kye show how $218 billion in food is thrown out each year, while nearly a billion people worldwide face starvation.

Technicolor PostWorks provided editorial conforming, color grading (four-wall) and deliverables; Stephen Beganyi, Colorist; Ryan Rolandelli, Online Editor.

SHORTS

• Lemon, (USA, World Premiere), Director Timothy Michael Cooper’s tale of a bride who is stunned to learn that her new husband fudged nearly everything about his past, his family, and his accomplishments.

Technicolor PostWorks provided editorial conforming and color grading; Sean R. Smith, Colorist/Online Editor.

SPECIAL SCREENINGS

• Bombshell: The Hedy Lamarr Story, (USA, World Premiere), Director Alexandra Dean tells the story of an actress known for her unmatched beauty, who also possessed a beautiful mind.

Technicolor PostWorks provided editorial conforming, color grading and deliverables; Allie Ames, Colorist; Ryan McMahon, Online Editor. PostWorks provided sound editorial and re-recording mixing; Eric DiStefano and Filipe Messeder, Sound Editors; Eliott Taylor, Re-Recording Mixer.

• The Last Poker Game, (USA, World Premiere), Director Howard Weiner’s story of Dr. Abe Mandelbaum (Martin Landau), who moves into a nursing home with his wife and forms an improbable relationship with a gambler and womanizer.

Technicolor PostWorks provided editorial conforming, color grading and deliverables; Anthony Raffaele, Colorist; Zac Gobetz and Ryan McMahon, Online Editors. PostWorks provided re-recording mixing; Michael Kurihara, Re-recording Mixer; Marlena Grzaslewicz, Sound Supervisor.

TRIBECA TV

• The Sinner, the World Premiere of the new USA series.

Technicolor PostWorks provided editorial conforming, color grading and deliverables; Sam Daley, Colorist; George Bunce, Online Editor.

• Unbreakable Kimmy Schmidt, the World Premiere of Season 3 of the hit Netflix series.

Technicolor PostWorks provided dailies, editorial conforming, color grading and deliverables. Adam Moore, Dailies Colorist; Roger Doran, Colorist; Pat Kelleher, Online Editor.

• The Vietnam War, (PBS, Special Sneak Peek), Ken Burns’ new documentary on the conflict in Southeast Asia.

Technicolor PostWorks provided editorial conforming, color grading; Jack Lewars, Colorist; Jeff Cornell, Online Editor. PostWorks provided sound editorial and re-recording mixing (International Version); Michael Kurihara, Sound Editor/Re-recording Mixer.

About Technicolor PostWorks New York
Technicolor PostWorks New York is the East Coast’s most comprehensive digital motion picture and post-production facility, employing an exceptional team of creative artists, engineers and project managers to serve our clients through the film and TV finishing process.

Technicolor PostWorks New York offers one complete source for every post requirement, including in-context digital dailies, film imaging and restoration, collaborative non-linear editorial and HD/UHD broadcast finishing, 4K digital cinema, global content lifecycle support, and comprehensive film and TV sound services on nine mix stages.

For more information, visit http://www.technicolorpwny.com