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    Home » Sherpas Cinema Projects Greatness for Audi

    Sherpas Cinema Projects Greatness for Audi

    By Artisans PRMonday, November 28, 2016Updated:Tuesday, May 14, 2024No Comments16015 Views
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    Accomplice Media is a Commercial TV, Film and Digital Content production company.

    Film created by Zulu Alpha Kilo, director Dave Mossop and GO2 Productions features groundbreaking projection mapping imagery shot and lit only by moonlight.

    LOS ANGELES -- (SPW) --

    In Projection of Greatness, a new 90-second film for Audi, the Q7’s ascent of a snow covered mountain turns magical with the live action projection of its soul. Conceived by Toronto agency Zulu Alpha Kilo, directed by Dave Mossop of Sherpas Cinema and Accomplice Media, and featuring projection mapping by GO2 Productions, the stunning display was captured entirely in-camera, with no CGI manipulation in post.

    The aim of the film is to showcase the all-new Q7’s impressive mix of power, style and innovation, and how its greatness “projects” onto any terrain. It opens on a silver SUV making its way along a twisting, snow-covered mountain road under moonlight. The stars and the flying snow transform the vehicle into a fully animated version of itself that streaks up the side of the mountain.

    “When I saw it, I had trouble believing my own eyes,” says Zak Mroueh, Chief Creative Officer at Zulu Alpha Kilo. “Consumers who see it may not believe it either. But the sequences were absolutely captured 100 percent in camera with no CGI involved. The result is stunning.”

    Mossop worked alongside Zulu Alpha Kilo’s creative team and projection mapping specialist GO2 Productions to create the incredible imagery. The film was shot on location at Fortress Mountain, Alberta, 7500 feet above sea level. Temperatures during the nighttime shoots dropped to -20C.  “We were lucky to have two Q7 picture cars,” recalls Mossop. “Turned out, they were the only vehicles on the shoot that could handle the icy conditions.”

    The production team used high powered projectors to map animated visuals directly onto the Audi Q7 and the mountain environment to create the 3D illusions. “We were presented with a wonderful set of challenges,” says Mossop, “including the difficulty of bringing vehicles, crew and a lot of technology to a remote and undisturbed location in the dead of winter.”

    Mossop shot the opening sequence of the film with the real Q7 by moonlight alone. That was made possible through the use of newly developed digital cinema cameras capable of capturing high-resolution imagery in extremely low light. “We’ve had a great relationship with Audi for a couple of years,” says Mossop, “and we were thrilled to be given the opportunity to help concept this innovative project with Zulu Alpha Kilo and then overcome the technical difficulties to execute it.”

     For more information about Accomplice Media, visit http://www.accomplice-media.com
     

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    Video Credits

    Agency: Zulu Alpha Kilo. Zak Mroueh, Chief Creative Officer; Allen Oke, Executive Creative Director; Jon Webber, Creative Director/Copywriter; Allan Mah, Senior Art Director; Tara Handley, Christine Pacheco, Clair Galea and Ola Stodulska, Agency Producers; David Tremblay, Account Director; Lance Kowlessar, Account Supervisor; Emma Brooks and Jamie Cuthbertson, Strategic Planning.

    Production: Sherpas Cinema, Accomplice Media. Dave Mossop, Director; Malcolm Sangster, Executive Producer; Byron Kopman, D.O.P. 

    Edit: Sherpas Cinema, Dave Mossop, Jay Baker, Will Biname, Editors. 

    Post: Sherpas Cinema, zulubot

    Color: Color Matters Eric Rosen, Colorist.

    Audio: Jacob Yoffee, Composer/Audio Engineer.

    Projection Mapping: Go2 Productions. Adrian Scott, Executive Creative Director; Craig McEwen, Creative Director; Joe Surachet, Art Direction/3D Animation; Nash Sittisarebute, Compositor/Visual Effects; Marie Laderoute, Production Manager; Scott Justis, Technical Producer; Liz Toscano, Production Manager; Dan Mulcahy Qlab, Programmer; Carr Salvo Lead Projectionist.

    Contact:

    Mel Gragido
    Executive Producer
    Accomplice Media
    310.893.1147
    Contact Mel via email

     

    Contact:

    Jeff Snyder
    Executive Producer
    Accomplice Media
    310.893.1147
    Contact Jeff via email
     

    SPW Category:New ScreenWork Releases (commercial, film, TV, online, etc)
    Tags:Zulu Alpha KiloAudi Q7Sherpas CinemaAccomplice Media



    Boris FX Mocha Pro Adds Powerful New AI Roto, Matte, and 3D Solve Refinement Tools

    Thursday, December 11, 2025
    Boris FX Mocha Pro 2026

    Mocha Pro, the Emmy® and Academy Award®-winning planar tracking and masking plugin from Boris FX, announces its 2026 release. The latest update helps VFX artists quickly refine tracking and rotoscoping results with a new AI-assisted matte refine tool for 2D tracking, a 3D tracking refine solve tool, and a rebuilt Curve Editor to easily visualize and adjust problem areas. It also supports VFX Reference Platform 2025 standards to meet the demands of professional VFX pipelines. “Mocha Pro users told us they loved its new AI-powered masking and camera solver, but wanted to use them on more demanding shots. For our 2026 release, we have created a suite of refinement tools to help artists handle tricky tasks like hair roto or tracking through heavy motion blur,” says John-Paul Smith, CEO, Imagineer Systems. “As always, we added many quality-of-life improvements, including the new Curve Editor, which, for the first time, allows artists to visualise the effect of AdjustTrack interactively.” “We always look to make laborious tasks a bit easier in Mocha Pro, especially when refining problem areas. This release is focused on making those refinements a breeze,” adds Martin Brennand, Mocha Pro product manager. “Refine your mattes with Matte Refine ML, clean up your 3D solves with the Refine Solve tools, and refine all your data with the Curve Editor.” New AI Masking A new Matte Refine ML workflow further cements Mocha Pro’s dynamic AI masking toolset, which also includes Object Brush ML, Matte Assist ML, and Face ML. Matte Refine ML automatically refines matte edges to mask out traditionally time-consuming details, such as fine hair, soft blurs,... Read More

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