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    Home » ShoulderHill Entertainment Expands Production Capabilities with Acquisition of One Letter Films

    ShoulderHill Entertainment Expands Production Capabilities with Acquisition of One Letter Films

    By ShoulderHillThursday, February 13, 2020Updated:Tuesday, May 14, 2024No Comments4640 Views
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    Award-winning director of photography Joe Gabriel.

    Award-winning Cinematographer Joe Gabriel Joins ShoulderHill Entertainment

    NEW YORK -- (SPW) --

    Award-winning director of photography Joe Gabriel and his production company One Letter Films is joining the newly-formed partnership between the Emmy-nominated ShoulderHill Entertainment and the 6,000 square foot Hudson Yards Loft production space.   Gabriel was the series DP of National Geographic’s Emmy-nominated "Brain Games" for 5 seasons and the Netflix original science series "Brainchild" produced by Pharrell Williams, a project for which ShoulderHill’s VFX division, ShockBox, supplied the visual effects.  

    “Having worked with Joe for nearly a decade now, there’s a synergy in place that makes this an easy transition,” says Danielle Addair, partner and executive producer of ShoulderHill Entertainment. “With this expansion of One Letter’s production experience, client relationships and equipment combined with our recent partnership with Hudson Yard Lofts, we have created a one-stop facility for film and television.” 

    In recent years ShoulderHill Entertainment and One Letter Films have worked together on numerous projects, including Al Gore’s "24 Hours of Reality,"  a worldwide television broadcast that has been seen in over 180 countries. The two companies also joined forces with Cirque du Soleil’s One Night for One Drop for the visual effects driven performance film "A Message of Hope" as well as a filmed musical performance of Annie’s Lennox’s "A Thousand Beautiful Things."

    “Over the past few years with One Letter’s expansion into VFX heavy acquisition and production, it made sense to come under the ShoulderHill banner. They are a company that’s unique in that they not only create high-end content, but they do it all in-house,” says One Letter Films owner Joe Gabriel. “Now we have an entire team from development through post that will allow me to create for my clients in ways I never thought possible.”  

    Gabriel’s upcoming credits include "Hydration," a documentary feature produced by Pharrell Williams, and "Black Patriots," a History Channel documentary executive produced by Kareem Abdul-Jabbar. Other credits include "Through the Wormhole" with Morgan Freeman, "National Geographic Explorer" and "The Men Who Built America," as well as commercial and branded content for NBC, MSNBC, CBS, MSG, AT&T, GE, Nationwide, Merck, Ralph Lauren, Spectrum, Sephora, Lay's, Clearasil, Revlon. and FedEx.

    ShoulderHill Entertainment has produced over a 100 hours of global film and television, having worked with clients ranging from Netflix, Lionsgate, Universal, Paramount, Hulu, National Geographic, Discovery Channel and Fox. The company has also worked with some of the world’s largest brands including Sony, PepsiCo, Samsung and AB InBev.  

    About ShoulderHill
    ShoulderHill Entertainment, LLC is a production group with divisions dedicated to film, television, production services for commercial and global clients, live broadcasts and visual effects and is led by partners Steven Addair, Peter M. Green, Danielle Addair and James Hall.  For more visit: www.shoulderhill.com

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    ShoulderHill Entertainment www.shoulderhill.com

    SPW Category:Production and Post-Production Products and Services
    Tags:productionJoe GabrielShoulderHill EntertainmentNew YorkPost-production



    Cinematographer Ashley Connor on 70s Inspired Look of HBO’s “The Chair Company”

    Friday, January 2, 2026
    "The Chair Company" is streaming on HBO.

    HBO’s new comedy The Chair Company, which follows Ron investigating a conspiracy after an embarrassing incident at work, has been receiving glowing critical reviews for its entire run.  Ashley Connor, the cinematographer behind the show, shared with us how she moved away from a classic glossy look associated with the genre and pushed the 70s and 80s thriller aesthetic.  The Chair Company looks so much different from what one might expect a comedy to look like. How did you first approach creating the look for the show, and how did you amp up the tension with your camera movement? Andrew DeYoung (the pilot director) and I knew we wanted the photography to lean into genre and be in conversation with thrillers we loved from the '70s and '80s. We wanted Ron’s journey throughout the season to be reflected and enhanced by the way we film him - long zooms into his face and frenetic camera movement were ways we brought the audience into his perspective. My team was super talented and quick, which helped accomplish the dolly moves we used for most of the season. What camera and lens did you use? And why? We shot on the Alexa 35 because I wanted to build texture into the digital negative. Our main lenses were rehoused K35s and a Cooke 25 - 250 zoom lens. I had used this combination in the past and was very pleased with the level of character the lenses brought. We were actively trying to push our lenses to their breaking point in terms of being wide open or adding extenders to get a little more built-in flavor. Apparently, you distorted... Read More

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