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    Home » SIGGRAPH 2017 Concludes in Los Angeles with Strong Attendance

    SIGGRAPH 2017 Concludes in Los Angeles with Strong Attendance

    By Asbury PRFriday, August 4, 2017Updated:Tuesday, May 14, 2024No Comments8955 Views
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    World's Leading Computer Graphics Conference Honors Emerging Technology and Innovation

    LOS ANGELES -- (SPW) --

    SIGGRAPH 2017, the world’s leading annual interdisciplinary educational experience showcasing the latest in computer graphics and interactive techniques, has concluded in Los Angeles with over 16,500 attendees from around the world. SIGGRAPH 2017 marked the 44th International Conference and Exhibition on Computer Graphics and Interactive Techniques, and was held 30 July–3 August 2017 at the Los Angeles Convention Center.

    Taking over downtown L.A., attendees came to see and interact with the latest innovations in computer graphics, including new applications in virtual and augmented reality and robotics. At the heart of SIGGRAPH 2017 were opportunities to gain hands-on experiences with new technologies; to hear experts discuss the “how-to” behind their cutting-edge film, television, game, or multi-media productions; and, to experience the merging of traditional processes with experimental, never-before-seen technologies.

    During the course of the conference, over 600 papers, courses, lectures, panels, installations, artworks, and experiences were shared, culled from nearly 2,000 submissions from around the world. Over 1,800 speakers and contributors participated during the course of the conference.  In addition, select sessions that were live- streamed generated significant viewership, with over 29,000 views on YouTube, and over 73,000 views on FaceBook thus far.

    On the conclusion of this year’s event, SIGGRAPH 2017 Conference Chair Jerome Solomon said, “We had a fantastic, very well-attended show this year! SIGGRAPH 2017 presented more activities, technologies, experiences, and venues than we’ve ever seen before. Once again, SIGGRAPH has proven itself a preeminent conference for computer graphics and interactive techniques, and I’m confident that our 2018 show next year in Vancouver will no doubt present even more unique experiences, as SIGGRAPH contributors continue to fulfill the future potential of interactive technology and innovation from every corner of the globe.”

    SIGGRAPH 2017 attendees hailed from the United States and 87 other countries worldwide, including Canada, China, France, Germany, Japan, Mexico, South Korea, New Zealand, and the United Kingdom.

    The conference and exhibition also played host to over 150 diverse exhibitors on the show floor, each showcasing the latest in computer graphics and interactive technologies, products, and services. Due to the remarkable increase in the amount of new technology that has debuted in the global computer graphics marketplace over this past year, one third were first-time exhibitors.

    Among this year’s highlights were the Keynote session, which featured a conversation with Disney Legend and animator Floyd Norman, Walt Disney Animation Studios’ first African-American animator. Attendees also enjoyed critically acclaimed VR short films in the first-ever SIGGRAPH Computer Animation Festival VR Theater; participated in a VR Film Jam, which transformed two animated short films into virtual reality experiences; listened to and met with the creators of Hollywood’s biggest blockbusters as part of the Production Sessions program; and, heard from the most cutting-edge technical researchers in the business.

    SIGGRAPH 2017 Award Winners
    “The Human Race,” a real-time demonstration presented by The Mill during Real-Time Live! on Tuesday night, was awarded the SIGGRAPH 2017 “Best Real-Time Graphics and Interactivity” honor. “The Human Race” is a collaboration with Epic Games and is made possible through the combination of Unreal Engine 4, The Mill Cyclops, and The Mill Blackbird. The demonstration showcased its ability to blur the line between production and post, revolutionizing the conventions of digital filmmaking.

    The SIGGRAPH 2017 Emerging Technologies program awarded its “Best in Show” prize to “MetaLimbs: Arms Interaction Metamorphism,” from Japan. MetaLimbs proposes a novel approach to body-schema alternation and artificial-limb interaction by adding two robotic arms to the user’s body and mapping the global motion of the user’s legs and feet relative to the torso.

    Originally announced in June, SIGGRAPH 2017 Computer Animation Festival award winners were presented with their statues during Monday night’s Electronic Theater. These awards included: Best in Show (“Song of a Toad,” Germany), Jury’s Choice (“John Lewis Buster the Boxer,” United Kingdom), and Best Student Film (“Garden Party,” France).

    Finally, the Art Papers program awarded its very first “Best Art Paper” honor to Robert Twomey of Youngstown State University and Michael McCrea of the University of Washington for their paper entitled, “Transforming the Commonplace Through Machine Perception: Light-Field Synthesis and Audio-Feature Extraction in the Rover Project.” The paper describes the mechatronic, machine perception, audio/visual synthesis, and compositional techniques developed for the Rover, an imaging device and real-time audio/visual installation.

    For more information about SIGGRAPH 2017, including official photographs from the conference, visit our virtual Media Office. To view select, recorded SIGGRAPH 2017 sessions, please see: http://s2017.siggraph.org/live-streaming-sessions.

    The 45th annual conference, SIGGRAPH 2018, will be held in Vancouver, British Columbia, Canada, 12–16 August, at Vancouver Convention Center.  

    About SIGGRAPH 2017

    The annual SIGGRAPH conference is a five-day interdisciplinary educational experience in the latest computer graphics and interactive techniques, including a three-day commercial exhibition that attracts hundreds of companies from around the world. The conference also hosts the international SIGGRAPH Computer Animation Festival, showcasing works from the world's most innovative and accomplished digital film and video creators. Juried and curated content includes outstanding achievements in time-based art, scientific visualization, visual effects, real-time graphics, and narrative shorts. SIGGRAPH 2017 will take place from 30 July–3 August 2017 in Los Angeles. Visit the SIGGRAPH 2017 website or follow SIGGRAPH on Facebook, Twitter, YouTube, or Instagram for more detailed information.

    About ACM SIGGRAPH 

    The ACM Special Interest Group on Computer Graphics and Interactive Techniques is an interdisciplinary community interested in research, technology, and applications in computer graphics and interactive techniques. Members include researchers, developers, and users from the technical, academic, business, and art communities. ACM SIGGRAPH enriches the computer graphics and interactive techniques community year-round through its conferences, global network of professional and student chapters, publications, and educational activities.

    About ACM 

    ACM, the Association for Computing Machinery, is the world's largest educational and scientific computing society, uniting educators, researchers, and professionals to inspire dialogue, share resources, and address the field's challenges. ACM strengthens the computing profession's collective voice through strong leadership, promotion of the highest standards, and recognition of technical excellence. ACM supports the professional growth of its members by providing opportunities for lifelong learning, career development, and professional networking.

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    SPW Category:Conventions, Conferences, Summits News
    Tags:SIGGRAPH 2017computer graphicsComputer Animationvisual effects



    New SoundApp ARA Plugin Transforms Boris FX CrumplePop

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    Boris FX CrumplePop 2026.5: New SoundApp ARA Plugin

    Boris FX CrumplePop expands its powerful, easy-to-use AI audio toolkit to include ARA plugin support in SoundApp. The new 2026.5 release allows users to work directly in top digital audio workstations (DAWs), such as Pro Tools, Boris FX Samplitude, and Boris FX Sequoia. Additionally, CrumplePop 2026.5 introduces a simplified multi-host product offering. Previously available only as a standalone application, the plugin version of SoundApp saves time and effort by keeping audio professionals, content creators, and podcasters within their preferred ARA application. The user-friendly workflow includes advanced AI models for music, voice, and cinema stem separation, GPU-accelerated on-the-fly processing, and one-click cleanup tools such as wind, traffic, echo, pop, and noise removal. “Our SoundApp ARA unlocks major workflow improvements for audio professionals, letting you stay fully inside your DAW without jumping between apps to use demixing tools,” states Patrick Donohoe, Director of Product Marketing (Pro Audio), at Boris FX. “Unlike traditional plugins, you get instant results with ARA. Simply make an adjustment, see it in the plugin, and render it directly to your track. No dealing with multiple files or importing/exporting. Plus, new Processed Audio Cache and speedier model loading combine to further speed up your SoundApp plugin and standalone workflows. Everything in our 2026.5 release is built to keep your creative process uninterrupted.” What’s New The SoundApp ARA plugin delivers full-clip audio processing inside a user’s chosen DAW, removing real-time processing limitations of standard plugins. SoundApp analyzes the entire content of an audio file, resulting in more... Read More

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