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    Home » SMPTE Hollywood To Explore Remastering Classic Films For Immersive Sound

    SMPTE Hollywood To Explore Remastering Classic Films For Immersive Sound

    By Artisans PRMonday, May 22, 2023Updated:Tuesday, May 14, 2024No Comments2159 Views
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    Event panelists (l to r) Brian Vessa, Doug Mountain and moderator Steven B Cohen

    Free event slated for May 25th at the Linwood Dunn Theater.

    HOLLYWOOD -- (SPW) --

    SMPTE Hollywood will delve into the intricacies of remastering classic films for modern theaters equipped with immersive sound systems at its May meeting. Sony Pictures’ Brian Vessa and Warner Bros. Discovery’s Doug Mountain will discuss the artistic and technical hurdles involved in creating enhanced, immersive soundtracks for older studio films.  The Program is being produced by Steven B. Cohen and Linda Rosner.  Cohen will moderate the discussion scheduled for May 25th at 6:00PM in the Linwood Dunn Theater in Hollywood.

    The event is free. Register Here:

    Preparing classic films for screening in modern theaters, where audiences expect immersive sound experiences, can be complex and challenging. Research may be required to locate the best source elements, which often need extensive restoration. Audio sources may include mono composite or DME stem tracks, along with stereo, LCR or 5.1 stems. New sound elements may need to be created before it’s all edited and mixed in multitrack and immersive formats. Audio processing SW with AI components have also appeared to assist in the process.

    Vessa and Mountain will explore this topic in the context of recent restoration work at Sony Pictures and Warner Bros. They will also present samples of that work, played through the Linwood Dunn Theater’s 7.1 sound system.

    Speakers

    • Brian Vessa, Executive Director of Digital Audio Mastering, Sony Pictures, is a dedicated audio professional with over 35 years of industry experience. After attending UCLA Engineering School, he became a recording engineer, producing albums and recording orchestras. He transitioned into film post as a music editor and sound editor and then became a re-recording mixer at Cannon Films and MGM. He later handled audio restoration at NT Audio before joining Sony Pictures in 1998. Vessa is a member of the AMPAS Sound Branch and AES, and is a Fellow of SMPTE. He is the founding chair of the SMPTE TC-25CSS Technology Committee on Cinema Sound Systems and serves on many SMPTE and AES committees. 
    • Doug Mountain, Supervising Sound Editor/Re-Recording Mixer, Warner Bros. Post Production Creative Services, has been recording, editing and mixing audio for film, television and music for over 40 years. At Warner Bros., he developed a methodology for restoring and up-mixing classic features and manages up-mixes for 4K restorations in ATMOS. His first major release for the studio was Antoine Fuqua’s Training Day. Other notable restorations include Twister, Little Shop of Horrors, Superman (4K box set), Enter the Dragon, National Lampoon’s Vacation, You’ve Got Mail, Rebel Without a Cause, East of Eden, Cool Hand Luke, Rio Bravo and The Maltese Falcon. Prior to his restoration work, Mountain was a sound editor and engineer for many years. He also served as a consulting engineer for the National Academy of Recording Arts and Sciences (NARAS), including sound design and engineering for the Grammys Awards for 26 years.

    Moderator

    • Steven B. Cohen, Senior Sales Director, HCLTech, has been working in media for over 45 years, and is recognized as a leading motion picture technologist and tool builder. In his current role, he supports digital transformation across platforms and products for media related companies. He began his career as a freelancer in IATSE Locals 160 and 695 where he was involved in projection, sound and video engineering. His varied career also includes such roles as member of the 1984 Olympics broadcast team, ADR/Foley and re-recording mixer, executive producer of the documentary The Cutting Edge: The Magic of Movie Editing, and specialist in remote collaboration, digital dailies, digital screening and digital cinema.

    Who: SMPTE Hollywood

    What: Remastering Feature Films for Immersive Sound Environments

    When: Thursday, May 25. 6:00 pm.

    Where: The Linwood Dunn Theater, 1313 Vine St, Los Angeles, CA 90028

    Cost: Free

    Register: Here

    About the SMPTE® Hollywood Section
    The Hollywood Section of SMPTE® was initially organized as the West Coast Section in 1928. Today, as its own SMPTE Region, it encompasses more than 1,200 SMPTE Members with a common interest in motion-imaging technology in the Greater Los Angeles area. The Hollywood Section offers free meetings monthly that are open to SMPTE Members and non-members alike. Information about meetings is posted on the Section website at https://www.smpte.org/sections/hollywood.

    About SMPTE®

    SMPTE is the global society of media professionals, technologists, and engineers working in the digital entertainment industry. The Society fosters a diverse and engaged membership from both the technology and creative communities, delivering vast educational offerings, technical conferences and exhibitions, the SMPTE Motion Imaging Journal, and access to a rich network of colleagues essential to their career success. As an internationally recognized standards organization, SMPTE also provides a vital technical framework of engineering standards and guidelines that allow the seamless creation, management, and delivery of media for art, entertainment, and education worldwide.

    Information on joining SMPTE is available at smpte.org/join.

    REGISTRATION REQUIRED to access this page.

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    SMPTE Hollywood Section

    media

    Linda Rosner
    ArtisansPR
    (310) 837-6008
    Contact via email
    SPW Category:Industry Association, Union, Guild News
    Tags:immersive soundSMPTEWarner BrosSony Pictures



    Sound Lounge Welcomes Mixer and Sound Designer Nicole Pettigrew

    Tuesday, August 18, 2026
    Mixer and Sound Designer Nicole Pettigrew

    Sound Lounge has expanded its commercial roster with the addition of mixer and sound designer Nicole Pettigrew, who brings more than a decade of experience, a passion for sound design and a highly collaborative approach to her work. Pettigrew joins Sound Lounge following five years at PS260, where she established and led the company's in-house audio department as its sole audio engineer. Her work spans campaigns for brands including American Express, MLB, T-Mobile, New Balance, Titleist, David Yurman and DraftKings. She also mixed Gucci's 2024 AICP Best in Show-winning campaign. Prior to PS260, Pettigrew spent nine years at PLUSHnyc. A lifelong musician, Pettigrew brings a musical ear to her work and particularly gravitates toward projects that allow her to experiment with sound. Her approach pairs a traditional studio foundation rooted in listening, communication and client experience with an eagerness to explore new ideas and push the creative possibilities of a project. “The best sessions feel like a real collaboration,” says Pettigrew. “I want clients to feel like I’m part of their team, listening to their vision and then interpreting it, building on it and helping push the idea further. You’re handed all of these individual pieces, and I love the problem-solving that goes into figuring out how they fit together. There’s something really satisfying about getting to the end, stepping back and realizing you helped bring someone’s idea fully to life.” Pettigrew's arrival also reunites her with Sound Lounge... Read More

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