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    Home » Sony Pictures Restores Holocaust Tale “None Shall Escape”

    Sony Pictures Restores Holocaust Tale “None Shall Escape”

    By Artisans PRThursday, May 24, 2018Updated:Tuesday, May 14, 2024No Comments6865 Views
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    Restoration of the film was conducted under the supervision of Rita Belda, SPE’s vice president for asset management, film restoration and digital mastering.
    Culver City, CA -- (SPW) --

    Sony Pictures Entertainment (SPE) recently completed a 4K restoration of None Shall Escape, the 1943 Columbia Pictures drama widely credited as the first film to address the subject of the Nazi Holocaust. The newly-restored film recently had its world premiere at the TCM Classic Film Festival in Hollywood, with one of the film’s stars, 100-year-old actress Marsha Hunt, in attendance.

    Directed by Hungarian-born André De Toth from a Lester Cole script, None Shall Escape was inspired by President Franklin Roosevelt’s vow to bring Nazi leaders to justice after the war’s end. Anticipating the Nuremberg Trials, the film tells the story of the trial of a fictional Nazi official, Wilhelm Grimm (Alexander Knox), and the testimony of those who witnessed his brutality in a small Polish town, told thru flashbacks. Hunt plays Grimm’s former fiancé, who witnessed his indoctrination and ascension within the Nazi Party following the first World War.

    Restoration of the film was conducted under the supervision of Rita Belda, SPE’s vice president for asset management, film restoration and digital mastering, and is based on earlier work to photo-chemically preserve elements from the film. In 2008, the project began with an evaluation of the original negative and three nitrate copies of the film, resulting in the production of a new 35mm print, which subsequently screened at the 2013 Berlin International Film Festival.

    The negative and nitrate elements were in remarkably good condition, but not without significant problems, due to their age and earlier handling. “The negative had been lacquered, a process that was done to protect it from physical wear and damage but, in this case, it also resulted in further stains and decomposition due to chemical interactions with the lacquer,” according to Belda.  “Stains and spots occurred in some areas, although, thankfully, not throughout all reels.”

    While some faults in the source elements, including tears to the negative, were addressed in the photochemical restoration, damage caused by the lacquering process and other significant problems could only be fully addressed through 4K digital restoration. To accomplish that, the original negative and the best nitrate materials were scanned in 4K using a wet-gate process at Cineric in New York. Elements were evaluated to determine the best sources for individual shots, and torn segments in the negative were replaced from duplicate nitrate materials.

    “In some cases, second generation duplicate materials were employed because they were as sharp and detailed as the material with stains in the original negative,” recalls Belda. “But, for some shots, we elected to keep the original negative, despite the stains, to retain the richness of detail from cinematographer Lee Garmes’s original photography. That was where the digital restoration needed to do the heavy lifting.”

    Digital restoration specialists from MTI Film in Hollywood worked to eliminate stains that ran across the negative without altering the quality of the original grain or losing detail. Once that was done, the entire film underwent digital color grading (performed by colorist Sheri Eisenberg of Roundabout West in Santa Monica) to compensate for visual differences in the multiple source elements, while maintaining the soft highlight detail and rich texture of the original 1943 photography. 

    The result, according to Belda, is a beautiful and faithful rendering that will provide a new generation of film lovers with the opportunity to appreciate this neglected classic. “We hope that audiences will be unaware of the labor that went into this restoration,” she says, “and be fully immersed in its gripping story and the moving events that were so prescient at the time the film was produced.”

    About Sony Pictures Entertainment
    Sony Pictures Entertainment (SPE) is a subsidiary of Sony Entertainment Inc., which is a subsidiary of Tokyo-based Sony Corporation. SPE's global operations encompass motion picture production, acquisition, and distribution; television production, acquisition, and distribution; television networks; digital content creation and distribution; operation of studio facilities; and development of new entertainment products, services and technologies. SPE’s Motion Picture Group includes film labels Columbia Pictures, Screen Gems, TriStar Pictures, Sony Pictures Animation, and Sony Pictures Classics.  For additional information, visit http://www.sonypictures.com/corp/divisions.html.

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    Lisa Broock
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    Sony Pictures Entertainment
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    Linda Rosner
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    SPW Category:Production and Post-Production Products and Services
    Tags:André De TothNone Shall EscapeRita BeldaSony Pictures



    Sound Lounge Welcomes Mixer and Sound Designer Nicole Pettigrew

    Tuesday, August 18, 2026
    Mixer and Sound Designer Nicole Pettigrew

    Sound Lounge has expanded its commercial roster with the addition of mixer and sound designer Nicole Pettigrew, who brings more than a decade of experience, a passion for sound design and a highly collaborative approach to her work. Pettigrew joins Sound Lounge following five years at PS260, where she established and led the company's in-house audio department as its sole audio engineer. Her work spans campaigns for brands including American Express, MLB, T-Mobile, New Balance, Titleist, David Yurman and DraftKings. She also mixed Gucci's 2024 AICP Best in Show-winning campaign. Prior to PS260, Pettigrew spent nine years at PLUSHnyc. A lifelong musician, Pettigrew brings a musical ear to her work and particularly gravitates toward projects that allow her to experiment with sound. Her approach pairs a traditional studio foundation rooted in listening, communication and client experience with an eagerness to explore new ideas and push the creative possibilities of a project. “The best sessions feel like a real collaboration,” says Pettigrew. “I want clients to feel like I’m part of their team, listening to their vision and then interpreting it, building on it and helping push the idea further. You’re handed all of these individual pieces, and I love the problem-solving that goes into figuring out how they fit together. There’s something really satisfying about getting to the end, stepping back and realizing you helped bring someone’s idea fully to life.” Pettigrew's arrival also reunites her with Sound Lounge... Read More

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