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    Home » STX Entertainment Relaunches With New Capital Marking Next Chapter For Independent Filmmaking

    STX Entertainment Relaunches With New Capital Marking Next Chapter For Independent Filmmaking

    By HYPEMonday, January 12, 2026Updated:Friday, January 9, 2026No Comments167 Views     In 521 day(s) login required to view this post. REGISTER HERE for FREE UNLIMITED ACCESS.
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    STX Entertainment logo.
    LOS ANGELES -- (SPW) --

    STX Entertainment is entering its next chapter, with new capital, an exciting new slate, and a suite of production services designed to support independent filmmakers. While STX will remain focused on making studio quality films at the right price, it also has plans to invest in the indie ecosystem to drive greater production across the global market.

    “The reboot of STX comes at a time where independent filmmakers face challenges across development, packaging, financing, execution and distribution,” shares Peter Coleman, CEO of STX Entertainment. “STX will be a partner throughout the process, backed by a proven track record and a commitment to continue pushing the edge of innovation to support the creative process.”

    With this transaction, STX will become affiliated with Crown Productions and Film Services International (FSI), the entertainment services family of global companies, which includes the storied brand Film Finances International as well as production and post-production resources.

    “FSI’s foundation was centered in helping indie filmmakers get financing 75 years ago,” Coleman continues. “Now, with our combined businesses, we’re extending STX’s global reach and positioning it as the mini-major studio for independent films. We help bring a filmmaker’s vision to life, support its distribution and, of course, continue producing our own projects.”

    STX has delivered standout films such as “Bad Moms” ($183M), “Hustlers”($157M), “The Gentlemen”($115M), “I Feel Pretty ($95M), “The Gift” ($59M), “21 Bridges” ($49M), “Countdown” ($48M), as well as “Greenland,” and its sequel “Greenland: Migration” in theaters January 9, 2026. It is currently in post-production on the first installment of Katie Holmes’ “Happy Hours Trilogy” starring Holmes and Joshua Jackson. STX has a robust slate of projects under development and pre-production, including “Mom Prom” from producer Toby Emmerich, Julie Gluckman and Stacy Kramer, “Crime after Crime” from producers Conor Welch, Nick Stoller, Ike Barinholz and Dave Stassen as well as new projects based on the “Bad Moms”, “Hustlers” and “Countdown” IP, to name a few.

    Central to this alliance of companies is Film Finances, the global leader in completion bonds with decades of world-wide experience. A trusted partner to thousands of filmmakers over its history, and its finger on the pulse of independent film since its inception, “making Hollywood happen since 1950”.

    This next era builds on this equity as part of an unparalleled industry offering that blends historic leadership with future-thinking perspective.

    For more on STX Entertainment, please visit stxentertainment.com.

    You have limited-time access to this page, (Access is valid until: 2027-07-14)

    STXEntertainment.com

    Media Contact

    Jessie Nagel

    Co-Founder/Special Agent
    Hype Communications
    Contact via email
    SPW Category:Motion Picture Studio News
    Tags:STX EntertainmentfinancingIndependent filmStudioFilm



    MASTERSFX Creates “Creepy Doll” Special Effects For Lakeshore Entertainment & STX Entertainment’s Feature Film “The Boy”

    Monday, January 25, 2016

    Character FX artists from MASTERSFX (www.mastersfx.com ) have created the featured creepy doll "Brahms," the title character starring in Lakeshore Entertainment and STX Entertainment's horror film, The Boy.
     
    For The Boy, which opened on January 22nd, MASTERSFX's Vancouver Studio created the title character - a four-foot tall doll that seems to rule the household of a remote manor. In the film, a young American woman, Greta, (Lauren Cohan of AMC's The Walking Dead), takes a job as a live-in nanny in rural England. She comes to find out that the child she was hired to care for is not an actual 8-year-old boy, but instead, a life-sized porcelain doll named "Brahms."
     
    Company president Todd Masters said, "We have a long-standing relationship with our friends at Lakeshore Entertainment, usually making vampires and werewolves for their Underworld films. But this time, creating 'Brahms,' was a completely different challenge."
     
    "We knew that this 'Brahms' doll needed to be more like a supporting cast member for Lauren Cohan to play against, rather than just serve as her prop," Masters adds, "So we added all sorts of weird little forms and details within his features. We wanted to depict a good deal of realism with his appearance, even by his ability to make a simple turn of his head. Adding in cinematographer Daniel Pearl's (Texas Chainsaw Massacre) incredible lighting, he, director William Brent Bell, and especially producer Richard Wright were instrumental in helping us to present Brahms' simple, downplayed, yet truly bizarre features."
     
    MASTERSFX's Vancouver Studio... Read More

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