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    Home » Superhero Composers of Film and TV Music Receive Standing Ovation From Fans at New and Improved Comic-Con’s 7TH Annual Musical Anatomy of a Superhero Panel

    Superhero Composers of Film and TV Music Receive Standing Ovation From Fans at New and Improved Comic-Con’s 7TH Annual Musical Anatomy of a Superhero Panel

    By SPWMonday, July 22, 2019Updated:Tuesday, May 14, 2024No Comments2958 Views
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    SAN DIEGO -- (SPW) --

    On Thursday July 18 at Comic-Con, the 7th Annual Musical Anatomy of a Superhero Panel packed Ballroom 20 and ended with a standing ovation from the nearly 5000 spectators.  This year, the panel was moved to Ballroom 20 which now features a state-of-the-art sound system. The event began with a five-minute sizzle reel of the panelists work which drew thunderous applause.  Participants included composers Pinar Toprak (Captain Marvel, Krypton), Benjamin Wallfisch (Shazam, Hellboy), Christopher Lennertz (The Boys, Agent Carter), Blake Neely (Batwoman, The Flash),  Sherri Chung (Batwoman, Blindspot), and special guest moderator Michael Giacchino (Spider-Man: Far from home, Dr. Strange).  The panel was sponsored by the American Society of Composers, Authors, and Publishers (ASCAP) and Broadcast Music, Inc. (BMI).

    Ray Costa, event producer, delivered opening remarks and introduced the composers.  Audience members at past iterations of the panel had asked why no female composers were included. Costa commented that this year two major live action projects were scored by two female composers who were very deserving of participating.  Costa thanked ASCAP and BMI for their sponsorship of the panel, stating that, “three of the panelists are members of ASCAP and three are members of BMI.”

    Costa passed the baton of moderating to Oscar®-winning composer Michael Giacchino. Giacchino took the opportunity to send a message to his friend and director of The Batman, Matt Reeves, recording the audience saying, “Hey Matt, don’t screw up our Batman movie!”

    Giacchino asked each panelist if there was a superhero or sci-fi film that inspired them to compose.  The general consensus of the panelists was that all roads lead to John Williams, from Star Wars to Superman and Superman 2. When first panelist asked, Ben Wallfisch, gave John Williams as his response, Neely sarcastically said, “who?”

    Panelists played clips of upcoming and recent projects.  Lennertz, the composer of the upcoming Amazon original series The Boys, said it was difficult to choose a clip that was not a spoiler or was not too graphic for Comic-Con, so he did his best to edit clips to share.

    Toprak spoke in detail about personally paying for a 70-piece orchestra to audition for Captain Marvel stating that she wanted Marvel to see that she could handle the responsibility.

    Wallfisch shared the world premier music video of an orchestral suite from Shazam, featuring Wallfisch conducting a 100-piece orchestra in London. After the panel the suite was publicly launched from WaterTower Music.

    Among the clips, the audience was treated to a sneak peek from The CW’s upcoming show Batwoman from Chung and another from veteran DC composer, Neely. Neely then asked Giacchino, “Where’s your clip?” Then Giacchino showed a scene from Spider-Man: Far From Home, the #1 movie at the box-office at the time of the panel.

    Goody bags were given to audience members who asked questions.  The person asking the best question was awarded a Spanish language poster (Spain release) for Spider-Man: Far From Home signed by Michael Giacchino.

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    SPW Category:Conventions, Conferences, Summits News
    Tags:Musical Anatomy of a SuperheroComic-Con



    Sound Lounge Welcomes Mixer and Sound Designer Nicole Pettigrew

    Tuesday, August 18, 2026
    Mixer and Sound Designer Nicole Pettigrew

    Sound Lounge has expanded its commercial roster with the addition of mixer and sound designer Nicole Pettigrew, who brings more than a decade of experience, a passion for sound design and a highly collaborative approach to her work. Pettigrew joins Sound Lounge following five years at PS260, where she established and led the company's in-house audio department as its sole audio engineer. Her work spans campaigns for brands including American Express, MLB, T-Mobile, New Balance, Titleist, David Yurman and DraftKings. She also mixed Gucci's 2024 AICP Best in Show-winning campaign. Prior to PS260, Pettigrew spent nine years at PLUSHnyc. A lifelong musician, Pettigrew brings a musical ear to her work and particularly gravitates toward projects that allow her to experiment with sound. Her approach pairs a traditional studio foundation rooted in listening, communication and client experience with an eagerness to explore new ideas and push the creative possibilities of a project. “The best sessions feel like a real collaboration,” says Pettigrew. “I want clients to feel like I’m part of their team, listening to their vision and then interpreting it, building on it and helping push the idea further. You’re handed all of these individual pieces, and I love the problem-solving that goes into figuring out how they fit together. There’s something really satisfying about getting to the end, stepping back and realizing you helped bring someone’s idea fully to life.” Pettigrew's arrival also reunites her with Sound Lounge... Read More

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