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    Home Β» Synthetic Pictures Comedy Director Jeannie Roshar Leads ALL FEMALE Cast, Crew, Agency and Post Campaign

    Synthetic Pictures Comedy Director Jeannie Roshar Leads ALL FEMALE Cast, Crew, Agency and Post Campaign

    By SPWWednesday, February 19, 2020Updated:Tuesday, May 14, 2024No Comments6476 Views
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    The Synthetic Pictures team (L to R) of Director Jeannie Roshar, Executive Producer Allison Smith and Line Producer Amanda Fox led an all-female cast and crew on an ambitious Public Service campaign promoting breastfeeding to young and expectant mothers for the Texas WIC Program (Womens, Infancts and Children) and agency Sherry Matthews Group.

    Breastfeeding advocacy social media PSAs for the Texas WIC (Texas Women, Infants & Children) Program provides the perfect backdrop to staff a women-led campaign.

    Austin, TX -- (SPW) --

    It started as a gutsy challenge – try to staff an entire shoot with only women, from agency creative through casting, on-set production, and post. It was a lofty goal originally suggested by senior agency producer Angie Nelson of Sherry Matthews Group, the Austin, Texas-based advocacy marketing agency that is itself woman-owned. 

    As soon as Synthetic Pictures Director Jeannie Roshar and Executive Producer Allison Smith put their minds to it, there was no stopping the quest. “It just made sense for the creative,” says Roshar, who already spends a lot of time on set with female colleagues creating and directing children’s television programming. Her wildly popular online series, “Life Hacks for Kids,” nearing one billion online views, was recently picked up for a third television season by DreamworksTV. She was also recently selected for NBC’s Alternative Directors Program, working with flagship programs “The Voice” and “America’s Got Talent.” 

    For the “#Breastsplaining” campaign, Roshar says, “We wanted the real women talent to feel respected and comfortable, as we were asking them to share their most personal breastfeeding stories in a fun and relatable way. It was girl talk on steroids, so we created a crew full of women who could relate to these very real, very human, very female experiences.”

    “It was quite a challenge for us in the beginning,” says Smith. “We knew there were highly qualified female production crew – from cinematographer and production designer, to gaffer and grip – who could totally nail it. But to have them all available on the same day during a busy production time in Austin, for a PSA, was a logistical puzzle.” 

    What happened next came as a pleasant surprise. Word got out about what they were trying to do, and production started getting calls from female colleagues offering to trade out days with their male counterparts on other productions, or fit it in between other jobs, to make sure they could be there.

    The result is a fun, personal, compelling campaign, with eight English-language videos and three Spanish-language videos, that all can be proud of. They feature the real women talent sitting on a couch, talking to each other and to camera, about their real life breastfeeding stories – the good, the bad and the ugly. At times they use props such as nipple shields and breast pumps to educate a pregnant friend about what’s in store. And they all have a tone of honesty and caring, laced with humor. 

    This is exactly what Sherry Matthews Group Digital Content Producer Bina Chauhan envisioned when she came up with the concept. The original videos, launched last year, were so popular for the state that Sherry Matthews Group is editing even more content out of them, sharing on social media such as Instagram and Facebook, and soon www.BreastmilkCounts.com, the state’s website encouraging moms to breastfeed. 

    “Jeannie was the right lady for the job,” says producer Angie Nelson. “She knew how to get real women to tell their stories with intimacy and charm. Because Jeannie trained as a standup comedian in Los Angeles, she was feeding the talent improv lines and prompts that had us in stitches all day. That joy shows on screen. The client and the creatives were pumped up with GIRL POWER!”

    “This was a unique experiment,” says Smith. “We stacked the crew with women who were there not just because they are female, but because they had the skills, talent and creativity to make it great. Their breasts were just what got them in the door!” Smith said with a gleeful laugh, knowing the irony in that statement.  

    To see the latest #Breastsplaining campaign videos, go to CLICK HERE.

    Full Agency, Cast & Crew Credits
    Client – State of Texas Health & Human Services – Women, Infants & Children Program Campaign – Breastsplaining  | Agency – Sherry Matthews Group Creative Director – Gretchen Hicks, Digital Content Producer – Bina Chauhan, Copywriter – Becky Bullard, Producer – Angie Nelson, Account Director – Dandi Wright | Production Company – Synthetic Pictures Director – Jeannie Roshar, Executive Producer – Allison Smith, Line Producer – Amanda Fox  Editorial & Finish Company – Synthetic Pictures Editor – Allyssa Smith |  Production Crew: Cinematographer – Ivy Chiu, Art Director – Yvonne Boudreaux, 1st AC — Hannah Varnell, AC/Media Manager – Misty Tavarez, Gaffer – Kirby Tucker, Key Grip – Karissa Huighe, Hair/Makeup – Tracy McCaskill, Sound Mixer – Renee Stairs, Production Assistant – Katie Helm | Cast Yaritza Leal – real mom, Kenya Reeves – real mom, Brittany Droddy – pregnant mom, Candice D’Mez – real mom, Makeda Duncan – real mom,Shamera Jamerson – real mom

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    SPW Category:Public Service Announcement (PSA) News
    Tags:Jeannie RosharDiversityWomen DirectorsSynthetic PicturesPSAs



    Joshua Z Weinstein’s “Here I’m Alive” Selected For World Premiere In U.S. Narrative Competition at The Tribeca Festival

    Friday, April 17, 2026
    Here I'm Alive

    Here I’m Alive, the latest feature from filmmaker and Washington Square Films director Joshua Z Weinstein, has been selected for its World Premiere in the U.S. Narrative Competition at the Tribeca Festival, taking place June 3–14, 2026. Directed by Weinstein and written by Weinstein and Brian Perkins, the 81-minute feature is a raw, neo-realist urban epic set over one night in New York City. The film follows migrants, sex workers, and dreamers as they navigate the city’s digital underbelly, propelled by a sonic backdrop of underground rap and spiritual jazz. Unflinching and immersive, Here I’m Alive delivers a portrait of modern city life that is both intimate and electrifying. Weinstein is best known for his breakout feature Menashe, released by A24, which earned nominations for a Gotham Award for Breakthrough Director and an Independent Spirit Award for Best First Feature. His previous work has screened at major international festivals, including Sundance, Berlin, and Camerimage, and he has also directed documentaries such as Drivers Wanted, Read More

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