Digital colorist Dave Franks enjoys helping to deliver bleeding-edge projects, like director Tony Kaye’s VR experience: “Pure McCartney VR”— a five-part series of 3D virtual reality (VR) experiences, produced by Jaunt Studios (www.jauntvr.com).
VR CON, a hub for all things virtual, will launch its inaugural event this week at Comic-Con International: San Diego, July 20–24, 2016.
With 2016 being its breakout year, 360° VR productions are popping up everywhere.
Post-production pro Virgil Kastrup was the colorist for “Ewa”, Makropol’s (www.makropol.dk) latest venture into the world of Virtual Reality (VR) and 3D, which made its debut at the Cannes Film Festival 2016.
Simian, in collaboration with 360°/VR companies VRTÜL and Ovrture, has created a first of its kind, comprehensive, end-to-end workflow solution designed to address the emergence of 360°/VR video, along with the specific needs of business and creative teams th
ASSIMILATE today announced the open-Beta version of SCRATCH 8.5, the latest version of its advanced, real-time post-production tools and workflow for dailies, conform, grading, compositing, and finishing. Also announced is the open-Beta for the new SCRATCH VR Suite.
At the Festival de Cannes, May 11 - 22, the Cannes Marché’s third NEXT event is placing a heavy emphasis on the high-growth VR market. On May 15 and16, the VR Days program will feature VR projects from Canada, the USA, Denmark, and France.
In its continued support of all things VR, ASSIMILATE® announced today it has added support for the affordable, high-quality Samsung GearVR headset, the ideal VR accessory for any Samsung Galaxy smartphone for accessing immersive content of any kind, anywhere.
A picture says a thousand words, so launch this link vr360.sweb.media on your Android phone (Samsung S6 or other) via the Chrome mobile browser, click the goggles in the lower right corner, put it in your Google Cardboard, and view immediate headset-based VR