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Friday, Oct. 22, 2021
Goldcrest Post provided final color grading and editorial finishing for five films screening at next month’s DOC NYC fest. They include three world premieres and two films making their New York City premieres.
Monday, Sep. 20, 2021
Goldcrest Post has completed a major upgrade to its sound department, expanding its capacity to deliver soundtracks in Dolby Atmos Home Theater format.
Monday, Sep. 13, 2021
Goldcrest Post sound artists won awards for Sound Editing and Sound Mixing for their work on Netflix’s The Queen’s Gambit at the Creative Arts Emmy® Awards.
Friday, Sep. 3, 2021
Goldcrest Post provided post-production services and support for three films debuting at this month’s 78th Venice International Film Festival.
Wednesday, Aug. 11, 2021
Goldcrest Post sound artists have been nominated for two Primetime Emmy Awards for their work on Netflix’s acclaimed limited series The Queen’s Gambit.
Thursday, Jul. 22, 2021
Goldcrest Post recently provided post-production services for Tigre Gente, Director Elizabeth Unger’s deeply-affecting documentary feature about illicit jaguar trafficking.
Tuesday, Jun. 15, 2021
Goldcrest Post has appointed Phil Poli as Director of Engineering. A 20-year industry veteran, Poli will be responsible for overseeing, maintaining and developing technology and infrastructure for the facility. Technology strategy will also be part of his remit.
Monday, Apr. 12, 2021
Goldcrest Post has added colorist Steve Beganyi to its team of senior artists. Bringing more than 20 years of post-production experience, much of it centering on documentary films and television series, Beganyi joins a department dedicated to sound and picture finishing for docs.
Monday, Mar. 29, 2021
For the new independent drama Mayday, Goldcrest Post senior colorist Marcy Robinson worked with director Karen Cinorre, in her feature debut, and cinematographer Sam Levy to hone a unique visual language for a one-of-a-kind story that blends fantasy and reality in colorful and unexpected
Tuesday, Mar. 23, 2021
Goldcrest Post recently performed a feat of post-production magic for one of the most unusual film releases of the year. Grizzly II: The Revenge, a thriller about a giant bear that attacks fans at a rock concert, was shot in 1983 by the late Hungarian director André Szöts.