Thursday, October 19, 2017

Rising Sun Pictures

Wednesday, Sep. 13, 2017

For aspiring visual effects artists, the path to stardom increasingly begins in Adelaide, South Australia.

Monday, Mar. 6, 2017

Reprising its role on The Wolverine, Rising Sun Pictures joined Director James Mangold’s team for Logan, the third and final installment in 20th Century Fox/Marvel’s “Wolverine” saga.

Monday, Mar. 6, 2017

Responding to demand from aspiring visual effects artists from across Australia and beyond, Rising Sun Pictures is expanding its visual effects educational program, operated in partnership with the University of South Australia.

Wednesday, Jan. 11, 2017

Rising Sun Pictures has been nominated for Outstanding Compositing in a Photoreal Feature in the Visual Effects Society’s 15th Annual VES Awards.

Monday, Sep. 12, 2016

Capitalising on a steady rise in international film and television production in Australia, Rising Sun Pictures, the Academy Award®-nominated, Adelaide-based visual effects studio, has expanded its operation by opening a front-end office in Sydney.

Monday, Jul. 25, 2016

For the finale of season six of HBO’s smash hit Game of Thrones¸ Rising Sun Pictures faced a formidable challenge: replicate the sprawling city of King’s Landing and its central shrine, the Great Sept of Baelor, and then burn them to the ground in a magical, green-hued inferno.

Monday, Jun. 6, 2016

X-Men: Apocalypse, the latest entrant in Twentieth Century Fox’s popular superhero franchise, features more time-bending magic from Australia’s Rising Sun Pictures.

Thursday, Apr. 14, 2016

The visual effects process is all about blending the perfect mix of ingredients to create a spectacular outcome.

Wednesday, Jan. 20, 2016

 Houdini, Side Effects’ 3D animation software, is a principal tool at Rising Sun Pictures and at other visual effects studios (VFX) worldwide engaged in feature film and high-end television VFX.

Monday, Jan. 11, 2016

Aspiring visual effects artists will have a unique opportunity to have their show reels critiqued by industry experts in an open  “Battle of the Reels”