Register

    Technicolor PostWorks Preps Five Features Premiering at SXSW

    By Artisans PRUpdated:No Comments4416 Views
    NEW YORK -- (SPW) --

    Technicolor PostWorks, New York’s premiere provider of post-production services for independent film, supported five films debuting at next month’s SXSW Film Festival in Austin, Texas. Services included editorial conforming, final color grading, deliverables, sound mixing, VFX review and dailies.

    The SXSW films include:

    collective: unconscious, “Black Soil, Green Grass”, (Narrative Feature Competition, World Premiere) Five of independent film’s most adventurous filmmakers adapt each other's dreams for the screen. The segment “Black Soil, Green Grass” was directed by Daniel Patrick Carbone.

    Technicolor PostWorks provided color grading; Sam Daley, colorist.

    Don’t Think Twice (Headliners, World Premiere) Writer/Director Mike Birbiglia’s comedy about an improv group that loses its theater at the same time that one actor is cast in a big role on TV.

    Technicolor PostWorks provided editorial conforming, color grading and deliverables. Sam Daley, colorist; Tif Luckenbill, online editor.

    Soundbreaking – Stories from the Cutting Edge of Recorded Music (24 Beats Per Second, World Premiere) Directors Jeff Dupre and Maro Chermayeff’s eight-part series exploring the nexus of cutting-edge technology and human artistry behind the modern soundtrack.

    Technicolor PostWorks provided editorial conforming, color grading, sound mixing and deliverables. Mike Nuget, online editor/colorist; Martin Czembor, re-recording mixer.

    Pee-Wee’s Big Holiday (Headliners, World Premiere) A comedy directed by John Lee and written by Pee Wee Herman about a fateful meeting with a mysterious stranger that inspires Herman to take his first-ever vacation.

    Technicolor PostWorks hosted VFX reviews.

    Demolition (Headliners, U.S. Premiere) Director Jean-Marc Vallee’s drama about an investment banker (Jake Gyllenhaal) who struggles after losing his wife in a tragic car crash.

    Technicolor PostWorks provided dailies services.

    About Technicolor PostWorks New York
    Technicolor PostWorks New York is the East Coast’s most comprehensive digital motion picture and post-production facility, employing an exceptional team of creative artists, engineers and project managers to serve our clients through the film and TV finishing process.

    Technicolor PostWorks New York offers one complete source for every post requirement, including data workflows, film imaging and restoration, non-linear editorial and UHD picture finishing, 4K digital intermediate, high-volume media encoding with global data connectivity, as well as comprehensive film and TV sound services on nine mix stages.

    For more information, visit http://www.technicolorpwny.com
     

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2017-08-17)
    SPW Category:Film Festivals, Screenings, Parties
    Tags:DemolitionPee Wee's Big HolidayTechnicolor PostWorksSXSW



    “The Slightest Touch” Wins Best Documentary at Dublin International Film Festival Following HBO Acquisition

    Monday, March 2, 2026
    Scene from "The Slightest Touch."

    The Slightest Touch, directed by Rachel Fleit and edited by Sloane Klevin, ACE, has won Best Documentary at the Dublin International Film Festival, days after HBO Documentary Films acquired the television and streaming rights ahead of its world premiere.

    The feature documentary, which chronicles the friendship between Colin Farrell and Epidermolysis Bullosa survivor Emma Fogarty, was honored by the Dublin jury with the following statement (in part):

    “This next award is for an incredible film… One through which we as an audience came to know both protagonists in ways which would not have been possible, were it not for the unobtrusive talent of the director, who seamlessly documents a story as old as time itself… Rachel Fleit has captured the magic moments of this extraordinary friendship… What follows is an honest and at times searing portrayal of pain in all its forms and the power of humanity and humor to make lives better for all… The jury agreed that The Slightest Touch and director Rachel Fleit is the worthy winner of the documentary category of this year's Film Festival.”

    Edited by Union Editorial Partner Sloane Klevin, ACE, the film continues Fleit’s long creative partnership with the company. Union President and Managing Partner Michael Raimondi and Head of Production, TV and Film Katherine LeBlond served as Executive Producers.

    “What I cherish most about making The Slightest Touch is that it... Read More

    MySHOOT Profiles


    Add A Comment