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    Home » Tekserve Partners with Avid, Gotham Sound, and Manhattan Edit Workshop to Present “The Sound of Boardwalk Empire”

    Tekserve Partners with Avid, Gotham Sound, and Manhattan Edit Workshop to Present “The Sound of Boardwalk Empire”

    By TekserveMonday, March 10, 2014Updated:Tuesday, May 14, 2024No Comments3559 Views
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    Tekserve presents "The Sound of Boardwalk Empire."
    New York -- (SPW) --

    Tekserve, the country’s premier technology service provider offering the integration of technology and creative enterprise, along with partners Avid, Gotham Sound, and Manhattan Edit Workshop, recently presented an event on “The Sound of Boardwalk Empire.” A wide range of attendees, including engineers, freelancers, and students, were treated to a program about the sound editing techniques for the hit HBO show, based in Manhattan.

    Each member of the Boardwalk Empire crew explained his role in the process of creating the sound of Boardwalk Empire, covering key elements of creating an award-winning show from on-set recording to post-production mixing. This panel included Tom Fleischman, Post Production Mixer; Fred Rosenberg, Supervising Sound Editor; Frank Stettner, Production Mixer; Egor Panchenko, Playback Mixer; and Stewart Lerman, Music Recording Engineer.

    "All the elements are in New York – and that is rare," noted Frank Stettner, Post Production Mixer, of the show’s sound crew. Instead of losing workflow to other locations, as is too often the case, Stettner noted that the luxury of completing the job in one location accounted for the high quality of the output. “In New York we solve our problems because we talk to each other.”

    A fascinating portrait emerged of the process involved in creating sound production at its best.

    Mark Chessler, Manager of Channels and Business Development at Tekserve, stated, “As Avid’s number-one Video Reseller and top Audio Reseller, we were proud to host this event with our partners, Avid, Manhattan Edit Workshop, and Gotham Sound, highlighting one more important arena where technology and creativity so effectively meet.”

    For audiences interested in viewing a recording of the event, a video is available on Tekserve’s YouTube channel
     

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    Video Credits

    This panel included members of the Boardwalk Empire crew: Tom Fleischman, Post Production Mixer; Fred Rosenberg, Supervising Sound Editor; Frank Stettner, Production Mixer; Egor Panchenko, Playback Mixer; and Stewart Lerman, Music Recording Engineer.

    Contact:

    Media:
    Tara Strahl
    Contact Tara via email
     

    Contact:

    Business contact:
    Mark Chessler
    Manager, Channels and Business Development
    Tekserve
    (212) 929-3645 x341
    Contact Mark via email
     

    SPW Category:Production and Post-Production Products and Services
    Tags:AvidBoardwalk EmpireTekserveHBOManhattan Edit Workshop



    Cinematographer Ashley Connor on 70s Inspired Look of HBO’s “The Chair Company”

    Friday, January 2, 2026
    "The Chair Company" is streaming on HBO.

    HBO’s new comedy The Chair Company, which follows Ron investigating a conspiracy after an embarrassing incident at work, has been receiving glowing critical reviews for its entire run.  Ashley Connor, the cinematographer behind the show, shared with us how she moved away from a classic glossy look associated with the genre and pushed the 70s and 80s thriller aesthetic.  The Chair Company looks so much different from what one might expect a comedy to look like. How did you first approach creating the look for the show, and how did you amp up the tension with your camera movement? Andrew DeYoung (the pilot director) and I knew we wanted the photography to lean into genre and be in conversation with thrillers we loved from the '70s and '80s. We wanted Ron’s journey throughout the season to be reflected and enhanced by the way we film him - long zooms into his face and frenetic camera movement were ways we brought the audience into his perspective. My team was super talented and quick, which helped accomplish the dolly moves we used for most of the season. What camera and lens did you use? And why? We shot on the Alexa 35 because I wanted to build texture into the digital negative. Our main lenses were rehoused K35s and a Cooke 25 - 250 zoom lens. I had used this combination in the past and was very pleased with the level of character the lenses brought. We were actively trying to push our lenses to their breaking point in terms of being wide open or adding extenders to get a little more built-in flavor. Apparently, you distorted... Read More

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