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    Home » ‘The Easy Kind,’ Edited by Rodrigo Brazão of Union, Premieres at Telluride

    ‘The Easy Kind,’ Edited by Rodrigo Brazão of Union, Premieres at Telluride

    By YES, BRANDMonday, September 9, 2024No Comments701 Views
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    The film portrays a semi-fictionalized version of Elizabeth Cook (photo: Emily Topper)

    The docustyle narrative feature starring Elizabeth Cook offers “a different kind of truth, a scripted one...sprung from the same well of experience,” says IndieWire.

    TELLURIDE -- (SPW) --

    THE EASY KIND, a narrative feature inspired by and starring Nashville singer Elizabeth Cook, premiered last weekend at the 51st Telluride Film Festival in Colorado. Written and directed by Katy Chevigny, and edited by Rodrigo Brazão (on loan from Union), the film takes audiences on a spirited journey of self-discovery and artistic liberation.

    The film portrays a semi-fictionalized version of Cook, referred to as “EC,” who embodies the essence of the real-life country singer and songwriter. Both the real Cook and her cinematic counterpart are depicted as strong, resilient women navigating the challenges of their careers and personal lives. The narrative explores the complexities and demands of existing as a woman in a demanding world, reflecting the same bold spirit captured in Cook’s music. 

    “For me, the most challenging part of editing ‘The Easy Kind’ was creating bridges between the script and the archival material we had from Elizabeth’s childhood and concerts,” said Brazão. “The film needed to feel seamless for this back and forth to enhance the story Katy wanted to tell, bringing real emotions and songs into the final cut. It’s a nice and refreshing touch.”

    Viewers are introduced to Elizabeth Cook through her powerful performance of “Sometimes It Takes Balls to Be a Woman.” This sets the stage for a narrative that blurs the lines between fact and fiction.

    “While a working knowledge of the real-life Cook might help smooth out some of the rougher edges of Chevigny’s drama, from the start, it’s clear Cook is somebody,” wrote Kate Erbland in IndieWire, reviewing the film at Telluride. “Not just because she’s an instantly vivacious presence on the big screen, but because Chevigny has found some heavy-hitters to join her up there.” THE EASY KIND – which earned a ‘B’ from the notoriously discriminating mag – boasts appearances by Karen Allen, Susie Essman, and David Letterman. 

    Brazão’s recent credits include OUTSTANDING: A COMEDY REVOLUTION – the first feature length documentary to examine the history of queer stand-up comedy. The film, which counts Katherine LeBlond of Union Editorial as a producer, premiered on Netflix this past June.

    THE EASY KIND Credits
    Director: Katy Chevigny
    Producers: Natalie Farrey, Peter Gilbert, Nikhil Melnechuk
    Executive Producer: Marilyn Ness
    Editors: Rodrigo Brazão & Curtis Grout
    Lead Talent: Elizabeth Cook
    Production Companies: Big Mouth Productions, Mystic Entertainment, Forager Films

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    Union Editorial

    Media Contact

    Hersh Rephun

    PR & Communications
    YES, BRAND
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    SPW Category:Film Festivals
    Tags:narrative filmcreative editorialfilm festivalunion editorial



    Sound Lounge Welcomes Mixer and Sound Designer Nicole Pettigrew

    Tuesday, August 18, 2026
    Mixer and Sound Designer Nicole Pettigrew

    Sound Lounge has expanded its commercial roster with the addition of mixer and sound designer Nicole Pettigrew, who brings more than a decade of experience, a passion for sound design and a highly collaborative approach to her work. Pettigrew joins Sound Lounge following five years at PS260, where she established and led the company's in-house audio department as its sole audio engineer. Her work spans campaigns for brands including American Express, MLB, T-Mobile, New Balance, Titleist, David Yurman and DraftKings. She also mixed Gucci's 2024 AICP Best in Show-winning campaign. Prior to PS260, Pettigrew spent nine years at PLUSHnyc. A lifelong musician, Pettigrew brings a musical ear to her work and particularly gravitates toward projects that allow her to experiment with sound. Her approach pairs a traditional studio foundation rooted in listening, communication and client experience with an eagerness to explore new ideas and push the creative possibilities of a project. “The best sessions feel like a real collaboration,” says Pettigrew. “I want clients to feel like I’m part of their team, listening to their vision and then interpreting it, building on it and helping push the idea further. You’re handed all of these individual pieces, and I love the problem-solving that goes into figuring out how they fit together. There’s something really satisfying about getting to the end, stepping back and realizing you helped bring someone’s idea fully to life.” Pettigrew's arrival also reunites her with Sound Lounge... Read More

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