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    Home » Tim Damon Directs Game of Horsepower For Toyota

    Tim Damon Directs Game of Horsepower For Toyota

    By rpg246Monday, September 9, 2019Updated:Tuesday, May 14, 2024No Comments4738 Views
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    Tim Damon Directs Game of Horsepower For Toyota

    Drift Driver Contest Shows Off performance of all-new 2020 Toyota GR Supra

    LOS ANGELES -- (SPW) --

    Director Tim Damon recently traveled to the desert to capture a most unique game of H-O-R-S-E, featuring Toyota Racing’s world-class Formula Drift (FD) drivers, all to show off the incredible agility and muscle of Toyota’s all-new 2020 Toyota GR Supra for agency Saatchi & Saatchi. The contest is being streamed on Facebook, Reddit, YouTube and Instagram. The film has garnered over 2.3 million views on YouTube in three weeks.

    Horsepower
    The five-plus minute YouTube film engages the audience with freestyle drivers put through a gauntlet of humorous skill tests meant to push both driver and car. Toyota’s FD drivers (masters of oversteer) Ken Gushi and Fredric Aasbo are introduced by fellow driver Ryan Tuerck to this car-centric version of H-O-R-S-E. Both drivers get to push their respective 335hp, balanced GR Supras doing each “trick.” To capture the action, Damon operated eight cameras, catching everything from driver reaction to wide angle shots of each round. Two professional drivers, two powerful Supras.

    Damon collaborated with the agency creatives on each “game.” The first contest involved generating enough tire burn to activate smoke detectors. Others involved maiming a pizza, doing donuts, whacking a Piñata, stopping on a giant dime, stuffing basketballs, keeping lattes from spilling and completing the perfect J turn.

    “We helped the agency team refine the stunts, as we learned what to expect from these high-performance vehicles,” says Damon. “For the smoke detector round, we knew that the alarm would activate from tire smoke, but we also knew to bring special smoke alarms made for the hearing impaired that could be seen with strobing lights over roaring engines and screeching tires. For the Piñata contest, we needed to measure exactly how much pressure does it take to bust the paper-mache donkey. Needless to say, lots of prep, but all the planning ensured a smooth shoot.”

    For Damon, this longer format piece now playing on various social media and digital platforms is exactly what his production company is meant to do. “Agencies and automakers look for directors with all the resources needed to create single large asset packages that support diverse forms of ad content; from TV to web content to social media and everything in between,” he says. “Owning all the equipment and gear allowed me to test with the Saatchi team before our shoot day so we could work out all the issues. It gives the agency the security of a turn-key, one source production. No need to move from vendor to vendor. It’s the future of car advertising content.”

    About Tim Damon
    Tim Damon is represented for commercials and digital work through Square Planet Media/Damon Productions. For more information on Stage 20 rental, contact John Urso at 310-632-4090.

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    SPW Category:Production and Post-Production Products and Services
    Tags:SAATCHIToyotaRPG PublicityTim Damon



    2026: Connect Today for a Better Tomorrow (And Beyond)

    Thursday, January 15, 2026
    Ross MacRae, CEO, Agency Source

    In 2026, the thing that stands out most is how fast this industry is moving, faster than at any point I’ve seen in my career. Agencies, brands, and production companies are constantly shifting, merging, restructuring, and rebuilding. And the people inside them are moving just as quickly. The average lifespan of an agency creative these days is about 18 months. That means if you connect with someone today, chances are they’ll be somewhere completely different by next year, maybe even brand-side. The good news is that you’re essentially building a relationship with multiple clients at once - as long as you keep track of where they go! That level of movement changes what sales and outreach actually mean. When I started, sales in our industry were seen as unnecessary, even a bit smarmy. Agencies had internal service buying teams whose role was to be aware of what production services were out there--which meant that production companies and reps could remain on the agencies' radar with little effort. But today, those agency-side roles have disappeared, and the responsibility has shifted wholly to production companies and reps to make sure they are continuously visible. Whether people like the word “sales” or not, the truth is that you cannot rely on posting your reels on your site and expecting the phone to ring. It never really worked that way, and it certainly doesn’t now. One of the biggest misunderstandings I still encounter is about what a contact database is for. People assume it’s just a place to download email addresses and send out massive blasts. That was never the right way to do it, not 15... Read More

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