Based on extensive research underscoring the “endless and critical” benefits for youths who participate in sports – and their communities – Under Armour’s commitments to reducing access barriers are rapidly scaling up. Following the U.S. launch in January, its “Gift of the Game” brand campaign is now being deployed globally.
Behind the :90 “Access to Sport” anthem film, and other cinematic assets focusing on a trio of young athletes, stands director André Stringer, and his multidisciplinary teammates at LA-based creative collaboration company DOMO. Drawing on his decades long history with the brand, Stringer served as DOMO’s Executive Creative Director and Director. DOMO’s team also included Managing Partner Rani Melendez, Creative Director Julian King, Associate Creative Directors Ginger Boyd and Christopher Fung, and numerous other creative talents.
“It was a great honor for us to help illuminate ‘the gifts of the game’ and highlight the barriers young athletes face accessing sports, so that we could find the right stories to rally the world around this incredibly important mission,” Stringer began. “Sport continues to be one of my foundational influences, and supporting the effort to bring that game-changing opportunity to millions of young athletes is profoundly meaningful to me.” The ‘gifts’ include connection and confidence – which are fundamental community building blocks, as well as being transformative influences for individuals and society-at-large.”
Through the exhaustive, research-driven development process where DOMO served as a creative partner to Under Armour’s in-house team, the breakthrough creative solution sprang to life.
Bespoke, In-Depth Pre-Production Approach
Fully immersing themselves in the ideation process, DOMO relied on Under Armour’s extensive network of community-based organizations, and All of Us Casting, to activate a series of in-depth conversations. “Many organizations exist where access barriers are immense,” explained Boyd, who led the writing process for the group. “We spent a lot of time in dialogue with them and their kids, exploring the problems, the ways they manifest, and the benefits offered by participation in sports.”
“Following these leads and continuing to ask deeper questions, our connection with these athletes and communities deepened,” said King. As a key development step, the young subjects were asked to document their lives, emphasizing the role of sports. By all accounts, the resulting videos were incredibly inspiring and impactful.
“This part of our process was about making our form fit the kids,” King continued. “The closer we got to those individuals, the more we were able to work in their communities, film in their worlds, and capture their authentic stories.”
Finessed Production, Post, and Finishing
Embracing the reality of their on-camera talents being kids and young adults, not professional athletes, DOMO scaled its production approach accordingly. Shooting over numerous weeks in locations throughout the U.S. Mid-Atlantic, and in Birmingham, England, Stringer, director of photography Billy Peña, and their small, agile team filmed extensively. From nights on the streets in Baltimore to days on St. John’s College High School ballfields and beyond, they focused on candidly capturing real life in real-time.
“For a lot of the opportunities, you really only had one chance to shoot it,” said Erik Press, line producer. “It was about being free to move and having an unconstrained set; stuff that had a spatial openness which allowed us to put the camera where it needed to be.” Among their camera arsenal, Stringer cited a RED Digital Cinema Komodo being especially useful due to its compact size.
Further illuminating DOMO’s expertise shepherding projects through a bespoke collective process, this campaign’s credits list many long-term collaborators. Each story’s peak aspects take elegant form thanks to editors Nathan Caswell and Sophie Kornberg. With Sven Dreesbach as VFX supervisor and lead Flame artist, final color is courtesy of Aubrey Woodiwiss.
As the composer of “The Gift of the Game” campaign’s music, that touch is yet another source of pride for Stringer. “That was a long-term project, starting really early in the creative process, to furthering our brand vocabulary and establishing a fresh sonic signature for the work that reflects both this new orientation toward its heart and empathy aspects, and offering that fire and charged energy Under Armour is known for.”
“For us as a collaboration company, it’s a huge privilege to help find the place where ideas skyrocket, and to be able to bring them from conception all the way through to final form,” Melendez added.
To learn more about this campaign, visit https://www.underarmour.com/en-us/t/access-to-sport/.
About DOMO
As a creative collaboration company, DOMO’s integrated capabilities span the full creative spectrum, with multidisciplinary expertise that includes ideation, production, finishing, and music. Working alongside global leaders at the intersection of storytelling and culture, DOMO shepherds projects through a bespoke collective process, to radically change the future. At once micro and macro, DOMO shapes big pictures while perfecting every detail. See more: https://domo.site.
media
Creative Collaboration Company DOMO Gains North American East Coast Representation Via COMMONWEALTH
The leaders of creative collaboration company DOMO are very proud to announce the addition of NYC-based COMMONWEALTH (https://instagram.com/commonwealthreps) for representation on North America’s East Coast, effective...
André Stringer and Rani Melendez Join Forces To Launch Creative Collaboration Company DOMO
Renowned director André Stringer has teamed-up with production visionary Rani Melendez to launch DOMO, a creative collaboration company representing a hand-picked roster of top-tier directors and multidisciplinary creative...
Doe-Anderson Hires Marianne Newton as New VP, Director of Integrated Production
Full service ad agency Doe-Anderson has hired Marianne Newton as Vice President, Director of Integrated Production. Newton previously worked at DDB, mcgarrybowen and GSD&M and has freelanced at agencies Highdive, McCann, FCB and Dentsu, among others.
Doe-Anderson President and Chief Creative Officer Leyla Touma Dailey, who first met Newton when they were both based in Chicago, commented, “Marianne has been an incredible asset on many of our projects, including our work for Maker’s Mark and the Georgia Aquarium. Having her officially join us full-time feels like she’s coming home. Her energy and expertise make her an amazing fit for our thriving culture at Doe-Anderson.”
Newton has a rich background as an integrated producer, having led teams through strategic brand campaigns across all platforms both nationally and internationally. Her extensive production experience has taken her as far and wide - from Australia and New Zealand to South Africa and South America. She has helped create award-winning work with recognition from Cannes Lions, D&AD, One Show, Clio’s, Addy’s and Effie’s.
As to what attracted Newton to the opportunity, she added: “I'm thrilled to join Doe-Anderson – I was drawn to the momentum and energy of this independent agency, its people, the culture and the creative leadership of Leyla Touma Dailey."