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    Home » VFX Artist Andres Barrios of A52 Wins AICE Awards Best in Show for Honda “Paper” from RPA

    VFX Artist Andres Barrios of A52 Wins AICE Awards Best in Show for Honda “Paper” from RPA

    By SPWThursday, May 12, 2016Updated:Tuesday, May 14, 2024No Comments5656 Views
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    AICE is the marketing communications post production association whose members are independent creative editorial, design, visual effects, color grading, audio, music and finishing companies. It is dedicated to the advancement and promotion of these companies and the essential role their artists and producers play in the media creation process.

    Work from editors and artists at Rock Paper Scissors tops all shops with three winners; other multiple winning companies include The Assembly Rooms, Beast, The Colonie, EditBar, Rooster and Yessian

    CHICAGO -- (SPW) --

    A dynamic, mesmerizing two-minute animated history of the products and innovations from Honda, created by ad agency RPA, directed by the noted stop-motion director PES and given a seamless infusion of visual effects and finishing by VFX Supervisor and Lead Flame Artist Andy Rafael Barrios of A52, has been named Best in Show at the 2016 AICE Awards. Barrios also took the top prize in the competition’s Visual Effects category.

    The Best in Show honor was presented along with 32 other AICE Awards at the post production industry’s annual awards show, held this year in Chicago at Navy Pier. During the awards presentation Editor Terry Kaney, formerly of Avenue Edit, was inducted into the AICE’s Hall of Fame in recognition of the body of work he produced during his career and his impact on the Chicago post production industry.

    A full list of winners can be found at the AICE Awards web site here: http://www.aice.org/events/aice_awards_show/winners/login.php.

    The winners at this year’s show were distributed among a wide array of editors, artists and companies, with several individual talents as well as post production companies scoring multiple winners.

    Rock Paper Scissors, the L.A. and New York-based editorial company, saw work from three of its editors win AICE Awards: Adam Pertofsky in the Digital Content – :90 and Under category for Brand Jordan, Ted Guard in the Fashion/Beauty category for Gap Kids and Biff Butler in the Best of Los Angeles category for Brand Jordan.

    Two-time winning editors included editor Sam Rice-Edwards of The Assembly Rooms, who won in both the Digital Content – Over :90 and the newly-introduced Docu-Style categories, both for work for Mumsnet, and editor Michael Reuter of EditBar, who won in the Comedy and Best of Boston categories for a spot for join.me.

    Other notable winners included work from such companies as Beast, which saw editor Brian Lagerhausen win the Best of San Francisco for Fitbit and editor Angelo Valencia win Best of Chicago for Whirlpool; The Colonie, whose editor, Brian Sepanik, won the Dialogue/Monologue/Spoken Word category with a spot for GrubHub while editor Keith Kristinat won the Spec Spot category with a spot for Chevy Trucks; Rooster, which scored winners from editor Paul Proulx in the Public Service category with a piece for Moms Demand Gun Safety in America and from editor Dave De Carlo in the Regional Campaign category with a series of spots for Special Olympics Canada; and Yessian, whose composer Dan Zank won the Original Music category for work for Macy’s while sound designer Jeff Dittenber won the Sound Design category with work for GM.

    This year marked the 15th anniversary of the AICE Awards, which has grown into the post production industry’s premier competition for excellence in editorial, color grading, audio mixing, visual effects, sound design and original music composition.

    Commenting on the Honda “Paper” Best in Show winner, Editor and Partner Craig Lewandowski of Utopic in Chicago, a member of the AICE Awards Curatorial Committee, “this was one of the entries that rose to the top, and the more we talked about it, the more it kept rising,” he says. “The people who were voting on it were editors, colorists, effects artists and audio mixers, and everyone recognized this as being above and beyond.”

    Lewandowski says that “Paper” was not the only craft category finalist in the AICE Awards that was in contention for Best in Show. “To me, that’s encouraging,” he says. “It reflects the larger definition of what constitutes post production today, and that’s what AICE is all about.”

    In addition to honoring AICE Hall of Fame Inductee Terry Kaney at the awards presentation, AICE members saluted the first winners of the Camp Kuleshov Grand Prizes for Editing, Audio Mixing and Graphic Design. The association’s popular trailer competition tasks assistants with taking existing films and creating new trailers, opening title sequences and sound design segments that repositions the films as being from a different genre or director.

    Last year was the first year all participating AICE chapters held Camp Kuleshov competitions working from the same brief and source films, resulting in national champions in all three categories. This list included Assistant David Rubin of Cutters in Chicago, who was the top winner in Editing; Assistant Michael Marciano of P.S. 260, who won the top prize in Graphic Design; and Assistant Mike Regan of Another Country, who won the top prize in Audio.

    Sponsors for the event included Ogilvy, FCB, Leo Burnett, OKRP, Energy BBDO, mcgarrybowen, Cavalry and DDB. Additional sponsors include Beast, Cinesys, Company 3, Method, The Colonie, Hootenanny, The Mill, Mix Kitchen and Nolo Digital Film. Media sponsors include Reel Chicago, Screen, SHOOT, Source Creative and Little Black Book.

    2016 AICE Awards Winners

    Best in Show

    Andy Rafael Barrios, A52

    “Paper”

    Honda

    RPA

    Audio Mix

    Joaby Deal, One Union Recording

    “Rule the Living Room”

    NVIDIA

    AKQA

    Automotive

    Rick Russell, Final Cut

    “Commander”

    Audi

    Venables Bell & Partners

    Broadcast Promotion

    Steve Bell, Cutters

    “Name”

    NHL

    Baby Bear’s Porridge

    Color Grading

    Tom Poole, Company 3

    “Future”

    Adidas

    Johannes Leonardo

    Comedy

    Michael Reuter, EditBar

    “Frantic”

    join.me

    MMB

    Design

    Tendril

    “The New Geometry of Time”

    Audemars Piguet

    Superculture

    Dialogue/Monologue/Spoken Word

    Brian Sepanik, Colonie Media

    “Winner Picks Lunch”

    GrubHub

    Tandem, Inc.

    Digital Content – :90 and Under

    Adam Pertofsky, Rock Paper Scissors

    “Melo 12 Built For More”

    Brand Jordan

    LosYork

    Digital Content – Over :90

    Sam Rice-Edwards, The Assembly Rooms

    “999 for Kids”

    Mumsnet

    Grey

    Docu-Style

    Sam Rice-Edwards, The Assembly Rooms

    “999 for Kids”

    Mumsnet

    Grey

    Fashion/Beauty

    Ted Guard, Rock Paper Scissors

    “Anthem”

    Gap Kids

    Montage

    Sam Ostrove, Cut + Run

    “Made By You”

    Converse

    Anomaly

    Music Video

    Jeff Selis, Bonch

    Beyoncé “Formation”

    Prettybird

    National Campaign

    Andy McGraw, Cartel (Edited while at Stitch)

    “Anthem” / “Stephen Curry”

    Leo Scott, Cartel (Edited while at Stitch)

    “Tom Brady”

    Rule Yourself

    Under Armour

    Droga5

    Online Campaign

    Justin Trovato, Cosmo Street Editorial

    “Family Portrait” / “Tree of Compromise” / “Vegan Christmas”

    Keepsake It

    Hallmark

    Chandelier Creative

    Original Music

    Dan Zank, Yessian Music

    “The Wish Writer”

    Macy's

    JWT

    Public Service

    Paul Proulx, Rooster

    “Not Allowed”

    Moms Demand Action for Gun Sense in America

    Grey

    Regional Campaign

    Dave De Carlo, Rooster

    “Sport” / “Barbell” / “Pool”

    Special Olympics Canada

    Grey

    Sound Design

    Jeff Dittenber, Yessian Music

    “Born To Run”

    General Motors

    Lowe Worldwide

    Spec Spot

    Keith Kristinat, Colonie Media

    “Dependable”

    Chevy Trucks

    71 Degrees North

    Storytelling

    Rich Orrick, Work Editorial

    “Short A Guy”

    Nike

    Wieden + Kennedy

    Under 50K

    Ben Suenaga, Friendshop!

    “Revolutionary at Heart”

    Philadelphia 76ers

    Mother

    Visual Effects

    Andres Barrios, A52

    “Paper”

    Honda

    RPA

    Best of Boston

    Michael Reuter, EditBar

    “Frantic”

    join.me

    MMB

    Best of Chicago

    Angelo Valencia, Beast

    “Dad & Andy”

    Whirlpool

    Digitas

    Best of Detroit

    Rich Smith, Hudson Edit

    “Homecoming”

    John Varvatos

    Best of Los Angeles

    Biff Butler, Rock Paper Scissors

    “The Winning Moment”

    Brand Jordan

    Wieden + Kennedy

    Best of Minneapolis

    Mick Uzendoski, Drive Thru Editorial

    “Puppy”

    Subaru of America

    Carmichael Lynch

    Best of New York

    Jai Shukla, Nomad (Edited while at Beast)

    “Runkeeper”

    IBM

    The Barbarian Group

    Best of San Francisco

    Brian Lagerhausen, Beast

    “In the Running”

    Fitbit

    Argonaut, Inc

    Best of Texas

    Logan Hefflefinger, Lucky Post

    “Life In Motion”

    Timberland

    YardNYC

    Best of Toronto

    Graham Chisholm, Married to Giants

    “All Sweat is Equal”

    Sport Chek

    Sid Lee

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    The limited access duration has come to an end. (Access was allowed until: 2017-11-11)
    Contact:

    Rachelle Madden, AICE, 917-902-6063, rachelle@aice.org

    Anthony Vagnoni, avagnoni communications, 973-493-8736, anthony@aice.org

    Contact:

    Rachelle Madden, AICE, 917-902-6063, rachelle@aice.org

    Anthony Vagnoni, avagnoni communications, 973-493-8736, anthony@aice.org

    SPW Category:Awards Show Announcements (News, Nominees, Winners)
    Tags:EditorialAICE AwardsAICE



    Sound Lounge Welcomes Mixer and Sound Designer Nicole Pettigrew

    Tuesday, August 18, 2026
    Mixer and Sound Designer Nicole Pettigrew

    Sound Lounge has expanded its commercial roster with the addition of mixer and sound designer Nicole Pettigrew, who brings more than a decade of experience, a passion for sound design and a highly collaborative approach to her work. Pettigrew joins Sound Lounge following five years at PS260, where she established and led the company's in-house audio department as its sole audio engineer. Her work spans campaigns for brands including American Express, MLB, T-Mobile, New Balance, Titleist, David Yurman and DraftKings. She also mixed Gucci's 2024 AICP Best in Show-winning campaign. Prior to PS260, Pettigrew spent nine years at PLUSHnyc. A lifelong musician, Pettigrew brings a musical ear to her work and particularly gravitates toward projects that allow her to experiment with sound. Her approach pairs a traditional studio foundation rooted in listening, communication and client experience with an eagerness to explore new ideas and push the creative possibilities of a project. “The best sessions feel like a real collaboration,” says Pettigrew. “I want clients to feel like I’m part of their team, listening to their vision and then interpreting it, building on it and helping push the idea further. You’re handed all of these individual pieces, and I love the problem-solving that goes into figuring out how they fit together. There’s something really satisfying about getting to the end, stepping back and realizing you helped bring someone’s idea fully to life.” Pettigrew's arrival also reunites her with Sound Lounge... Read More

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