SPW Videos
“Come behind me, so good” music video taken from the upcoming visual album ‘Adult Baby’ by KAZU.
This spot from the new "87 Tools" PSA campaign depicts the gruesome aftermath of regular smokeless tobacco use, and the powerful surgical tools required to remove mouth and jaw cancers.
Lief is proud to release ‘Waiting’ - a music video collaboration for S-Type directed by Adi Halfin.
Set within the subjective framework of the mind and of the memory, our experience and message will be unique for any observer if we keep it ambiguous. As if to say, the remnants of love or infatuation are stripped bare within the mindset and passions of the musicians and even of the girl.
When approaching a campaign to launch the series DC Super Hero Girls, Warner Bros. and LA-based ad agency The Woo decided to flip an old superhero paradigm on its head.
When approaching a campaign to launch the series DC Super Hero Girls, Warner Bros. and LA-based ad agency The Woo decided to flip an old superhero paradigm on its head.
When approaching a campaign to launch the series DC Super Hero Girls, Warner Bros. and LA-based ad agency The Woo decided to flip an old superhero paradigm on its head.
Director Tim Damon recently traveled to the desert to capture a most unique game of H-O-R-S-E, featuring Toyota Racing’s world-class Formula Drift (FD) drivers, all to show off the incredible agility and muscle of Toyota’s all-new 2020 Toyota GR Supra for agency Saatchi & Saatchi.
Creating the Star Wars Force Push
Trot right up for part 2 of the Game of Thrones VFX Series. Hashi a.k.a. Action Movie Kid's creating an undead horse using two of Red Giant's new plugins from VFX Suite: Kingpin Tracker and Spot Clone Tracker.