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    Home » Who Needs Los Angeles? We Do.

    Who Needs Los Angeles? We Do.

    By AICPFriday, January 17, 2025No Comments533 Views     In 99 day(s) login required to view this post. REGISTER HERE for FREE UNLIMITED ACCESS.
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    • Matt Miller, AICP Prexy

    NEW YORK and LOS ANGELES -- (SPW) --

    One doesn’t have to be a statistician to know that there are fewer commercials being shot in the U.S. today for the American market than ever before, and a dramatic decrease in L.A. in particular. In the last five years, as reported by FilmLA (the office tasked with issuing permits), L.A. commercial production has dipped 31 percent.

    But here’s the thing: This doesn’t mean that L.A. has lost its importance as the production center of the world. Production in L.A. is vital. It is the go-to. It’s where you can count on access to exemplary crews, a support infrastructure second to none, varied location and backlot options, a large population of on-screen talent and (fairly) predictable weather.

    The fact is, with overall decline and now the devastation of the fires, we’re on the brink of losing this mainstay resource. Without employment opportunities and now many without homes, talented and trained crew are bound to leave either the industry or the LA area for other opportunities, unless there are enough job opportunities to sustain  a solid living.

    Now is the time when we ALL must support and bolster this community.

    Production is needed in L.A., now!
    Of course, advertising is a business, and marketers’ money should be spent as efficiently as possible, BUT we have to think beyond each production and know that if we lose the incredible resource of L.A. production as we know it, then marketers, agencies and the industry loses in the long run.

    Over the past several days, some agencies have issued directives to production companies that are unilaterally pushing upcoming production options out of L.A. The fact is L.A. is a large area, and many sections of the city and county are not directly impacted by the fires. Productions that had been scheduled have continued right through the worst of the disaster, unimpeded. People who have lost their homes and belongings have worked, right through the fires, and have been thankful to do so.

    If you are in the position to select a location, think L.A. first. If you are thinking “how can I help those affected by the L.A. fires,” the answer is not just donating money to worthy causes and individuals, but also long-term employment. Employment means purpose. Employment means stability to build (and re-build) a life. And employment means allowing people to qualify for their health benefits to take care of themselves and their families.

    Simply stated, employment is the most generous thing you can offer.

    If you need guidance on how to navigate issues created by the wildfires, or want to support those impacted, you can visit https://aicp.com/news-roundup/la-wildfire.

    About AICP
    AICP represents, exclusively, the interests of independent companies that specialize in the production and post production of commercials in various media—film, video, digital—for advertisers and agencies. The association, with national offices in New York and Los Angeles as well as regional chapters across the country, serves as a strong collective voice for this $5 billion-plus industry. Founded in 1972, AICP assists its members by: disseminating information; representing production and post production companies within the advertising community in business circles, in labor negotiations and dealing with employment issues; and before governmental officials; developing industry standards and tools; providing professional development; and marketing American production and post production via events and awards shows.

    You have limited-time access to this page, (Access is valid until: 2026-07-19)

    Company Contact

    Kristin Wilcha

    AICP
    212-929-3000
    Contact via email

    Company Contact

    Anthony Vagnoni

    avagnoni communications
    973-493-8736
    Contact via email
    SPW Category:Industry Association
    Tags:AICPLA WildfiresAssociation of independent commercial producerscommercial producerscommercial production



    2025 Camp K Lev Winners Announced

    Tuesday, December 2, 2025
    2024 & 2025 Camp K Lev Winners at The AICP Awards Chicago (L-R): Waner Zhang, Uppercut; Lucas Hansa, Another Country; Cliff Fitch, Cutters Studios; Zoltan Monori, Heard City; Marly Koven, Flavor; Thomas Sheriff, Whitehouse Post

    The Camp Kuleshov trailer competition for emerging creative artists in post production – a.k.a. Camp K – has announced the winners of its Grand Prizes in the categories of Editing, Graphics, Sound Design and Music Score. Lev winners are selected from among the first prize winners in each category from each region. The Lev honor is for Lev Kuleshov, the noted Russian filmmaker and editor who developed the Kuleshov effect and is considered a pioneer in the editing craft. The Lev Awards were chosen from among the first-place winners in the Camp K competition held in the East/Southeast, Midwest and West/Southwest regions. Designed to give emerging talent a chance to heighten their creative and craft problem-solving skills while also gaining access to invaluable mentorship opportunities, Camp K asks entrants to take existing films and re-imagine trailers for them as something new and different. Lev winners were presented with their trophies at the 2025 AICP Awards in Chicago, as were the 2024 winners. Going forward, the Lev honor will be bestowed immediately following the Camp K Regional competitions, with the Lev being presented at the Chicago event. The Lev winner for Editing went to Thomas Sheriff of Whitehouse Post for his trailer for “About Time,” reimagining the romantic time travel comedy as a psychological thriller. The piece won first place in the East/Southeast competition. For Graphics, Waner Zhang of Uppercut won the Lev for her opening title sequence for the film “Inside Llewyn Davis.”  It won first place in the... Read More

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