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    Wild Capture and The Immersive KIND Collaborate at London Fashion Week 2022

    By Ambient PRUpdated:No Comments2575 Views
    Wild Capture Cohort technology provides CG cloth for digital human models using volumetric video.

    Wild Capture’s Cohort Fashion Tools Deliver Lifelike Digital Human Clothing for Live and Metaverse Fashion Show Experiences

    LOS ANGELES -- (SPW) --

    Wild Capture, a technology and services company for the creation of digital humans, is pleased to announce it is partnering with The Immersive KIND NFT Gallery and 3D Fashion House, a multidisciplinary collective exploring tomorrow through creative technology, at London Fashion Week 2022.

    Wild Capture was tapped by Kadine James, noted global metaverse strategist at Accenture and CEO and Founder of The Immersive KIND, to produce bespoke digital human performance models specifically for artists Tetiana Rozmoritsa, Yashvanth Kumar, and Aya Skikh whose designs will be included in the collective’s various experiential events during the show.

    According to James, the collaboration with Wild Capture supports a metaverse fashion experience that is reflective of the future of the fashion industry. Hosted on Spatial as a virtual world event, The Immersive KIND event space will go live on Wednesday, September 21, and remain on display until September 28, 2022. The experience aims to bring together designers, artists, musicians, DJs, and innovators from around the world to celebrate the explosion of creativity taking place in London in true Web 3.0 style. (Note: The Wild Capture digital human performance videos can be viewed on The Immersive KIND Metaverse venue throughout the event.)

    Wild Capture’s next generation Digital Human Platform enables artists and creators to produce high-quality digital humans with cutting-edge volumetric video technologies. For The Immersive KIND, Wild Capture imported the artist's clothing models into its Cohort Fashion (Cohort) tool that blends volumetric video, AI, and USD technologies to capture a live human performance from many angles simultaneously. The Cohort pipeline creates customized, computer-generated lifelike physics and texture onto three-dimensional digital human characters for each virtual performer that will be projected for display at the event.


    Video Source: View Wild Capture video on Vimeo here.

    “We’re thrilled to partner with The Immersive KIND to bring digital human fashion performance technology to London Fashion Week that bridges the gap of imagination for digital humans and fashion,“ says Will Driscoll, CEO, Wild Capture. “Our immersive Cohort fashion tools drive creativity, saving time and money with software for metaverse, fashion, and e-commerce.”

    “It’s been a pleasure to collaborate with Wild Capture to present audiences at London Fashion Week an exceptional immersive experience and live display with their digital humans,” says James. “Wild Capture’s digital fashion technology has allowed us to elevate our collective creative vision in presenting 3D human likeness and digital fashion in new and powerful ways.”

    About The Immersive KIND
    The Immersive Kind is a multi-faceted art and advanced technology collective that amalgamates as an extended reality creative studio, a 24/7 global online community, and an open digital fashion and immersive arts platform. It is made up of a multidisciplinary and expansive team of architects, artists, creative technologists, neuroscientists, artificial intelligence engineers, and data scientists.

    We offer opportunities to collaborate with the XR studio and access to emerging artists pioneering advanced technology tools. We work towards redesigning and inspiring inclusive and 21st-century approaches and solutions to the digitalization of society.

    About Wild Capture
    Headquartered in Los Angeles, Wild Capture develops smart assets for the next generation of spatial media products that enable creators to produce high-quality digital humans with cutting-edge volumetric technologies and industry-standard practices. Wild Capture's 'Digital Human Platform' offers a complete production pipeline that translates the human essence into volumetric video with the highest quality performance captures available to break the uncanny valley.

    Launched in 2020 by filmmaking and VFX visionaries credited with pushing the evolution of new media productions over two decades, Wild Capture provides performance capture expertise at every stage of the creative process. From interactive CG fashion products and services to volumetric crowd kits, Wild Capture content inspires and engages realistic digital humans for use in media production, software development, and web-based applications. 

    Wild Capture – Social Channels

    All trademarks contained herein are the property of their respective owners.

    media

    Vicky Gray-Clark
    Ambient PR
    (408) 318-1980
    Contact via email

    company

    Louis Normandin
    Wild Capture
    Contact via email
    SPW Category:Production and Post-Production Products and Services
    Tags:LondonFashionWeekTheImmersiveKindvolumetricvideodigitalhumansWildCapture



    SMUGGLER’s Patrick Milling-Smith Named Chairperson of The 2025 AICP Show, Framestore’s James Razzall To Chair The AICP Post Awards

    Tuesday, December 10, 2024
    Patrick Milling-Smith of SMUGGLER and James Razzall of Framestore

    Matt Miller, President and CEO of AICP, announced today that Patrick Milling-Smith, Co-Founder and CEO of SMUGGLER, and James Razzall, U.S. President, Integrated Advertising, of Framestore, have been named Chairpersons of the 2025 AICP Show: The Art & Technique of the Commercial, and the 2025 AICP Post Awards, respectively. “I feel honored and excited,” notes Milling-Smith, of being asked to Chair the AICP Show. “I’m touched by the generosity of previous Chairs, who nominated me and immediately reached out to offer any help and perspective. My goal is just to be a worthy custodian and champion of the 34th year of the show. We plan to do our industry proud as we continue to remind our peers of this competition’s unique place in the advertising, creative, and production landscape.” “For me, it’s a huge honor,” echoes Razzall. “I am very excited, if a tiny bit daunted by the task at hand. What makes it more gratifying is that, in the fall of 2025, I’ll have been part of Framestore for 25 years, so it’s a nice landmark to be recognized by my peers.” Razzall says being the first executive or artist from the visual effects sector reflects the discipline’s impact on the overall advertising content creation process. “It’s a testament to the way the visual effects industry has grown and matured over the years,” he adds. “I think it’s great that we’re now being viewed as such an integral part of the creative production process.” “SMUGGLER has consistently been at the forefront of our industry, producing creative, engaging and effective content for brands,” says Miller. “The AICP Show Board of Governors tasked Patrick with Chairing the 2025 installment of the AICP Show because of his longstanding... Read More

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