Backyard director Kim Nguyen jumps inside the heads of some of the music industry’s finest in a star-studded campaign for the 2014 MTV Video Music Awards. The spots feature poignant black and white close-ups of some of the 2014 show’s performing lineup, glimpsing into their headspaces as they anticipate the final moments before the show. From YouTube sensation newcomers 5 Seconds of Summer to former VMA-naysayer and Maroon 5 front man Adam Levine; to VMA vets Usher, Taylor Swift and Nicki Minaj, Nguyen captures the jitters, frenzy and swagger that arise the moments before stepping on stage. The campaign reboots the 1980s “I Want My MTV” tag made famous by the Dire Straits/Sting song, with the artists taking their own unique approaches to demanding their MTV.
Client: MTV
Agency: MTV
Creative Directors, MTV: Amy Campbell, Richard Turley, Lu Chekowsky, Andy Ferguson
Art Director, MTV: Emily Keegin
Executive Producer, MTV: Kris Walter
Line Producer, MTV: Matt Sears
Production Company: Backyard
Director: Kim Nguyen
Executive Producer: Kris Mathur
Line Producer: Janie Brown Kelly
Director of Photography: Mihai Malaimare Jr
Editorial Company: MTV In House
Editors: Erik Carter, Padraic Dowd
Audio Design: The Lodge: Kevin Dawkins, Colin Thibadeau
OddBeast Crafts Powerful Opening Film For Half Rez 2025
When OddBeast landed the opportunity to produce this year’s opening film for Half Rez, the Midwest’s largest celebration of design and motion graphics, the studio approached the challenge by embracing discomfort. The goal was to visually express the collective anxieties of creatives facing an uncertain future as emerging tools and technologies reshape their industries. OddBeast Executive Creative Director Kevin Gautraud took the lead on the project’s vision and 3D animation: “I chose to ground the short in responses particular to fears about making a living in today’s creative fields where the rate of change feels insane at times, overwhelming artists with existential questions. Sometimes, ‘I don’t know’ is the most truthful answer anyone can give,” he said. In creating the film, Gautraud tapped into his own response to such anxieties: a meditation on the vastness of time and our small moment in the light, ponderings that bring him perspective, calm and creative inspiration. Powerful visuals of barren yet eerily majestic landscapes take us back to Earth’s origins, giving way – in the film’s final seconds – to the explosion of life – our blip in the planet’s unfathomable journey. Add the ethereal sound design of Bent Stamnes, and the result is a sense of awe, as everyday problems suddenly seem smaller. “For this project in particular, I was inspired by Carl Sagan and his own personal philosophy. He was awestruck at the grandeur of nature, curious about the origin of life, and humble about the extent of human knowledge,” Gautraud explained. “It's about making people feel small, strange and somehow okay with that.” Gautraud used a range of tools to give his concept life, including... Read More