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    Home » Be The Match’s “Be The Guy”

    Be The Match’s “Be The Guy”

    By doublewideTuesday, May 16, 2017Updated:Tuesday, May 14, 2024No Comments4966 Views
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    Just a smal taste of Be The Guy, 2017 Webby Award nominee, Best Cause Related Campaign.

    Minneapolis-based agency, space150, partnered with Director Nick Losq, (Double-Wide) to help Be The Match, the world’s largest bone marrow registry, reach their most elusive donor targets, millennial males. “With millennials,” says Losq, “the key is authenticity. Their BS meters are very well tuned.”

    Something must have worked. The resulting social media campaign, Be The Guy is now nominated for a 2017 Webby Award for Best Cause Related Campaign. (https://lnkd.in/gDk5Ft4) It not only created 212 million media impressions, Be The Guy also led to increased donor enrollment by 280%.

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    SPW Credits

    BE THE MATCH SOCIAL MEDIA CAMPAIGN

    DIRECTOR: Nick Losq 
    EXECUTIVE PRODUCER: Danielle Lovett

    AGENCY: space150     

    CD: Chad Nauta
    DP: Munn Powell

    ScreenWork Categories:Commercial
    Discipline:Directing
    Video Tags:social mediaWebby Awards



    OddBeast Crafts Powerful Opening Film For Half Rez 2025

    Monday, September 15, 2025

    When OddBeast landed the opportunity to produce this year’s opening film for Half Rez, the Midwest’s largest celebration of design and motion graphics, the studio approached the challenge by embracing discomfort. The goal was to visually express the collective anxieties of creatives facing an uncertain future as emerging tools and technologies reshape their industries. OddBeast Executive Creative Director Kevin Gautraud took the lead on the project’s vision and 3D animation: “I chose to ground the short in responses particular to fears about making a living in today’s creative fields where the rate of change feels insane at times, overwhelming artists with existential questions. Sometimes, ‘I don’t know’ is the most truthful answer anyone can give,” he said. In creating the film, Gautraud tapped into his own response to such anxieties: a meditation on the vastness of time and our small moment in the light, ponderings that bring him perspective, calm and creative inspiration. Powerful visuals of barren yet eerily majestic landscapes take us back to Earth’s origins, giving way – in the film’s final seconds – to the explosion of life – our blip in the planet’s unfathomable journey. Add the ethereal sound design of Bent Stamnes, and the result is a sense of awe, as everyday problems suddenly seem smaller. “For this project in particular, I was inspired by Carl Sagan and his own personal philosophy. He was awestruck at the grandeur of nature, curious about the origin of life, and humble about the extent of human knowledge,” Gautraud explained. “It's about making people feel small, strange and somehow okay with that.” Gautraud used a range of tools to give his concept life, including... Read More

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