Appearing immediately after the film’s final scene fades to black, viewers see a debris-laden surface where the first titles appear – “Directed by Anthony and Joe Russo” – strongly lit from five angles with spotlights. In this initial frame, even the stones and other objects cast long, dramatic shadows. But in the subtlest of poignant design surprises, when the second title appears for screenwriters Christopher Markus and Stephen McFeely, anyone paying attention will notice that the shadows cast by the words have taken on a life of their own, assuming forms that are easily recognized by fans of Marvel and Captain America. The highly creative, artful techniques employed to pull off these visual feats over nearly two minutes is a perfect testament to Sarofsky’s own superpowers.
Main Tools: Cinema 4D software suite for 3D; Adobe After Effects for animation; The Foundry's Nuke for final compositing and Autodesk’s Smoke for previewing and 4K finishing.
Client: Marvel Studios
Production Company: Sarofsky
Lead Creative: Erin Sarofsky
Executive Producer: Steven Anderson
Senior Producer: Erik Crary
Main Title Designer: John Filipkowski
Visual Effects Supervisor: Matthew Crnich
Editor: Michael Burke
Smoke Artist: Cory Davis
Jr. Smoke Artist: Michael Barry
CG Artists: Brent Austin, Chris Beers, Duarte Elvas, Nick Hopkins, Jon Jamison, Alex Kline, Michael Kislovsky, Zach Landua, Anthony Morrelle, Drew Parks, Andrew Popplestone, Dan Tiffany, Tnaya Witmer
Music: Henry Jackman
OddBeast Crafts Powerful Opening Film For Half Rez 2025
When OddBeast landed the opportunity to produce this year’s opening film for Half Rez, the Midwest’s largest celebration of design and motion graphics, the studio approached the challenge by embracing discomfort. The goal was to visually express the collective anxieties of creatives facing an uncertain future as emerging tools and technologies reshape their industries. OddBeast Executive Creative Director Kevin Gautraud took the lead on the project’s vision and 3D animation: “I chose to ground the short in responses particular to fears about making a living in today’s creative fields where the rate of change feels insane at times, overwhelming artists with existential questions. Sometimes, ‘I don’t know’ is the most truthful answer anyone can give,” he said. In creating the film, Gautraud tapped into his own response to such anxieties: a meditation on the vastness of time and our small moment in the light, ponderings that bring him perspective, calm and creative inspiration. Powerful visuals of barren yet eerily majestic landscapes take us back to Earth’s origins, giving way – in the film’s final seconds – to the explosion of life – our blip in the planet’s unfathomable journey. Add the ethereal sound design of Bent Stamnes, and the result is a sense of awe, as everyday problems suddenly seem smaller. “For this project in particular, I was inspired by Carl Sagan and his own personal philosophy. He was awestruck at the grandeur of nature, curious about the origin of life, and humble about the extent of human knowledge,” Gautraud explained. “It's about making people feel small, strange and somehow okay with that.” Gautraud used a range of tools to give his concept life, including... Read More