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    Home » Clearasil’s “Interruption

    Clearasil’s “Interruption

    By themissionstudioTuesday, July 14, 2015Updated:Tuesday, May 14, 2024No Comments7517 Views
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    For this quirky coming-of-age spot directed by Aaron Stoller out of Biscuit Filmworks, The Mission team along with the creatives at Droga5 worked together to tell a story about growth and self-realization through the perspective of…a talking bottle of Clearasil Ultra Rapid Action Face Wash.  Stephen, a young zit sporting adolescent, laments in his bathroom mirror over his acne predicament. We all know the feeling, we've been there. We’ve all gotten comforting words from knowledgeable sources: our parents, an older sibling perhaps, but really who better to comfort than the one who will be on the forefront, fighting the battle – your face wash. Stephen looks around and astonishingly realizes that it is his Rapid Action Clearasil Bottle telling him “Hey, acne won’t last forever.”

     VFX elements in this spot include CG character model and animation, beauty work, clean-up, robot head composite, light enhancements, and ceiling replacement.

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    SPW Credits

    Campaign: Let's Be Clear
    Spot:
    "Interruption"

    Client: Clearasil/Reckitt Benckiser
    Brand Director: Deb Ebile; Brand Manager: Elyse Goldweitz

    Agency: Droga5 New York
    Creative Chairman: David Droga; Chief Creative Officer:Ted Royer; Group Creative Director: Tim Gordon; Senior Copywriter: Ryan Raab; Senior Art Director: Dan Kenneally; Chief Creation Officer: Sally-Ann Dale; Executive Producer: Adam Perloff; Global Chief Strategy Officer: Jonny Bauer; Strategy Director: Will Davie; Senior Strategist: Danielle Travers; Senior Data Strategist: Lily Ng; Head of Communications Strategy: Colleen Leddy; Communications Strategist: Bryn Little; Social Strategy Director: Tom Hyde; Senior Social Strategist: Calvin Stowell; Social Manager: Maureen O'Brien; Group Account Director: Olivia Legere; Account Director: Megan Gokey; Account Manager: Ashton Atlas

    Production Company: Biscuit Filmworks
    Director: Aaron Stoller; DOP: Bryan Newman; Executive Producer: Holly Vega; Producer: Mala Vasan

    Editorial: Mackenzie Cutler
    Editor: Erik Laroi; Assistant Editor: Brendan Hogan; Executive Producer: Sasha Hirschfeld

    Postproduction: The Mission
    Animation Director: Piotr Karwas; CG Modeler: Waylon Dobson; Animator/Lighter: Craig Van Dyke; Animator/Lighter: Samir Lyons; Flame Artist: Trent Shumway; Motion Graphics Artist: Laura Panella; Executive Producer: Ellen Turner; Managing Director: Mike Pardee; VFX Producer: Ryan Meredith; VFX Coordinator: Kristina Thoegersen

    Sound Design: The Ski Team

    Sound Sound Lounge
    Mixer: Chris Afzal

    ScreenWork Categories:Commercial
    Discipline:Visual Effects
    Genre:Comedy
    Video Tags:3D animationCGcharacter animationcomedyVFX
    Style:Live Action



    OddBeast Crafts Powerful Opening Film For Half Rez 2025

    Monday, September 15, 2025

    When OddBeast landed the opportunity to produce this year’s opening film for Half Rez, the Midwest’s largest celebration of design and motion graphics, the studio approached the challenge by embracing discomfort. The goal was to visually express the collective anxieties of creatives facing an uncertain future as emerging tools and technologies reshape their industries. OddBeast Executive Creative Director Kevin Gautraud took the lead on the project’s vision and 3D animation: “I chose to ground the short in responses particular to fears about making a living in today’s creative fields where the rate of change feels insane at times, overwhelming artists with existential questions. Sometimes, ‘I don’t know’ is the most truthful answer anyone can give,” he said. In creating the film, Gautraud tapped into his own response to such anxieties: a meditation on the vastness of time and our small moment in the light, ponderings that bring him perspective, calm and creative inspiration. Powerful visuals of barren yet eerily majestic landscapes take us back to Earth’s origins, giving way – in the film’s final seconds – to the explosion of life – our blip in the planet’s unfathomable journey. Add the ethereal sound design of Bent Stamnes, and the result is a sense of awe, as everyday problems suddenly seem smaller. “For this project in particular, I was inspired by Carl Sagan and his own personal philosophy. He was awestruck at the grandeur of nature, curious about the origin of life, and humble about the extent of human knowledge,” Gautraud explained. “It's about making people feel small, strange and somehow okay with that.” Gautraud used a range of tools to give his concept life, including... Read More

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