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    Home » CNN HLN “Primetime Justice” with Ashleigh Banfield

    CNN HLN “Primetime Justice” with Ashleigh Banfield

    By Right Word MediaFriday, January 27, 2017Updated:Tuesday, May 14, 2024No Comments9686 Views
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    Just one of the many creative highlights of 2016 for Stephen Arnold Music, “Primetime Justice with Ashleigh Banfield” on HLN show open features a soundtrack that  underscores her expertise with a strong musical theme driven by distinctive strings, horns and assertive percussion that perfectly captured the spirit of “Primetime Justice.”

    In addition to HLN other 2016 standout assignments include sonic branding campaigns for CNN, UPS, Gearbox Software's videogame "Battleborn."

    Click here to see all Stephen Arnold Music's 2016 highlights: http://stephenarnoldmusic.com/RecentProjects/2017-01/.

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    SPW Credits

    Music/Sound Design: Stephen Arnold Music, Dallas, TX

    ScreenWork Categories:Title Sequence
    Discipline:Original Score
    Genre:Political
    Video Tags:CNNmusicSonic BrandingStephen Arnold Music
    Style:Live Action



    OddBeast Crafts Powerful Opening Film For Half Rez 2025

    Monday, September 15, 2025

    When OddBeast landed the opportunity to produce this year’s opening film for Half Rez, the Midwest’s largest celebration of design and motion graphics, the studio approached the challenge by embracing discomfort. The goal was to visually express the collective anxieties of creatives facing an uncertain future as emerging tools and technologies reshape their industries. OddBeast Executive Creative Director Kevin Gautraud took the lead on the project’s vision and 3D animation: “I chose to ground the short in responses particular to fears about making a living in today’s creative fields where the rate of change feels insane at times, overwhelming artists with existential questions. Sometimes, ‘I don’t know’ is the most truthful answer anyone can give,” he said. In creating the film, Gautraud tapped into his own response to such anxieties: a meditation on the vastness of time and our small moment in the light, ponderings that bring him perspective, calm and creative inspiration. Powerful visuals of barren yet eerily majestic landscapes take us back to Earth’s origins, giving way – in the film’s final seconds – to the explosion of life – our blip in the planet’s unfathomable journey. Add the ethereal sound design of Bent Stamnes, and the result is a sense of awe, as everyday problems suddenly seem smaller. “For this project in particular, I was inspired by Carl Sagan and his own personal philosophy. He was awestruck at the grandeur of nature, curious about the origin of life, and humble about the extent of human knowledge,” Gautraud explained. “It's about making people feel small, strange and somehow okay with that.” Gautraud used a range of tools to give his concept life, including... Read More

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