Directed by Luis Gerard and produced by Easy Mondays, “Recharging New York” shows another side of New York City, as people get their morning coffee – and get “charged for the future,” with thousands of EV charging ports for their electric vehicles, and more to come, whether we are heading to work or a run with the dogs under the Brooklyn Bridge. The campaign was created by Code and Theory.
Spot Title(s): “Go For Clean Energy,” “Recharging New York,” “I’ll Meet You There” Client: Con Edison Client Team: John Fredette, Vivian Senquis-Langdon, Jessica Marano Agency: Code & Theory
Group Creative Director: Alison Hess
Creative Director: Ivan Pinto Bravo,
Creative Director, Writer: Nick Francis,
Director of Production: Joe Guyt,
Executive Producer: Kate Russo,
Senior Producer: Casey Valigursky
Senior Director Strategy: Jonny Hawton
Associate Director, Strategy: Matas Vilgalys
Group Director, Inclusive Design & Marketing Strategy: Kirstyn Nimmo
Senior Director, Strategic Accounts: Gemma Jordan
Production Company: Easy Mondays Director: Luis Gerard, DP: Zak Mulligan, EP: Asori Soto, Producer: Justin Gilley
OddBeast Crafts Powerful Opening Film For Half Rez 2025
When OddBeast landed the opportunity to produce this year’s opening film for Half Rez, the Midwest’s largest celebration of design and motion graphics, the studio approached the challenge by embracing discomfort. The goal was to visually express the collective anxieties of creatives facing an uncertain future as emerging tools and technologies reshape their industries. OddBeast Executive Creative Director Kevin Gautraud took the lead on the project’s vision and 3D animation: “I chose to ground the short in responses particular to fears about making a living in today’s creative fields where the rate of change feels insane at times, overwhelming artists with existential questions. Sometimes, ‘I don’t know’ is the most truthful answer anyone can give,” he said. In creating the film, Gautraud tapped into his own response to such anxieties: a meditation on the vastness of time and our small moment in the light, ponderings that bring him perspective, calm and creative inspiration. Powerful visuals of barren yet eerily majestic landscapes take us back to Earth’s origins, giving way – in the film’s final seconds – to the explosion of life – our blip in the planet’s unfathomable journey. Add the ethereal sound design of Bent Stamnes, and the result is a sense of awe, as everyday problems suddenly seem smaller. “For this project in particular, I was inspired by Carl Sagan and his own personal philosophy. He was awestruck at the grandeur of nature, curious about the origin of life, and humble about the extent of human knowledge,” Gautraud explained. “It's about making people feel small, strange and somehow okay with that.” Gautraud used a range of tools to give his concept life, including... Read More