Bill Plympton, the King of Indie Animation, teamed with The Napoleon Group, the leading previsualization and commercial test company, to create this distinctive digital short for New York utility Con Edison. The 1:16 short details the economic and environmental advantages of switching from heating oil to natural gas. The candid message is lightened by Plympton’s signature quirky style, an instantly recognizable combination of constantly morphing characters and objects. In Plympton's hands, a shimmering swirl of snowflakes becomes a whirl of dollar bills, a New York City highrise becomes a single-family home and a suburban cul-de-sac becomes a stovetop gas burner. Punctuating the sepia palette are pops of bright blue: a furnace flame, a baseball cap and a hand-drawn version of the Con Edison logo.
Production Company: The Napoleon Group
Client: Con Edison
Executive Producer and Writer: Christopher Stetson
Creative Director: Ken Kresge
Producers: Perry Morton, Shelley Cheung
Art Supervisor: Scott Stein
Storyboard Artist: Norm Morales
Art/Animation: Bill Plympton
Editor: Shaun Reuter
Audio Engineer: Stephane Guyot
OddBeast Crafts Powerful Opening Film For Half Rez 2025
When OddBeast landed the opportunity to produce this year’s opening film for Half Rez, the Midwest’s largest celebration of design and motion graphics, the studio approached the challenge by embracing discomfort. The goal was to visually express the collective anxieties of creatives facing an uncertain future as emerging tools and technologies reshape their industries. OddBeast Executive Creative Director Kevin Gautraud took the lead on the project’s vision and 3D animation: “I chose to ground the short in responses particular to fears about making a living in today’s creative fields where the rate of change feels insane at times, overwhelming artists with existential questions. Sometimes, ‘I don’t know’ is the most truthful answer anyone can give,” he said. In creating the film, Gautraud tapped into his own response to such anxieties: a meditation on the vastness of time and our small moment in the light, ponderings that bring him perspective, calm and creative inspiration. Powerful visuals of barren yet eerily majestic landscapes take us back to Earth’s origins, giving way – in the film’s final seconds – to the explosion of life – our blip in the planet’s unfathomable journey. Add the ethereal sound design of Bent Stamnes, and the result is a sense of awe, as everyday problems suddenly seem smaller. “For this project in particular, I was inspired by Carl Sagan and his own personal philosophy. He was awestruck at the grandeur of nature, curious about the origin of life, and humble about the extent of human knowledge,” Gautraud explained. “It's about making people feel small, strange and somehow okay with that.” Gautraud used a range of tools to give his concept life, including... Read More