There are a million ways to try to lose unwanted belly fat. Trevor Cornish and the CoolSculpting team show the "Cool" and "Not Cool" ways to lose that pesky belly fat.
Client: CoolSculpting
EVP Director, Consumer – Body Contouring: Michael Jafar
Executive Director – Body Contouring: Claudia Reyes
Sr. Manager, Marketing – DTC Advertising: Laura Cunningham
Agency: Sona Creative
Creative Director: Chris Keefe
Production Company: Wild Plum
Director: Trevor Cornish
Executive Producer: Shelby Sexton
CFO: Alisa Allen
Producer: Pia-Louise Lauritsen
DP: Geoffrey Wallace
Editorial Company: Hybrid
Post Producer: Song Cho
Editor: Susan Munro
Assistant Editor: Charla Barker
Colorist: Paul Byrne
Flame Artist: Paul Song
Audio Finishing: Lime Studios
Audio Mixer: Zac Fisher
Audio Assistant: Kevin McAlpine
Executive Producer: Susie Boyajan
Shelby Sexton
Contact Phone310-962-9340
Contact via emailOddBeast Crafts Powerful Opening Film For Half Rez 2025
When OddBeast landed the opportunity to produce this year’s opening film for Half Rez, the Midwest’s largest celebration of design and motion graphics, the studio approached the challenge by embracing discomfort. The goal was to visually express the collective anxieties of creatives facing an uncertain future as emerging tools and technologies reshape their industries. OddBeast Executive Creative Director Kevin Gautraud took the lead on the project’s vision and 3D animation: “I chose to ground the short in responses particular to fears about making a living in today’s creative fields where the rate of change feels insane at times, overwhelming artists with existential questions. Sometimes, ‘I don’t know’ is the most truthful answer anyone can give,” he said. In creating the film, Gautraud tapped into his own response to such anxieties: a meditation on the vastness of time and our small moment in the light, ponderings that bring him perspective, calm and creative inspiration. Powerful visuals of barren yet eerily majestic landscapes take us back to Earth’s origins, giving way – in the film’s final seconds – to the explosion of life – our blip in the planet’s unfathomable journey. Add the ethereal sound design of Bent Stamnes, and the result is a sense of awe, as everyday problems suddenly seem smaller. “For this project in particular, I was inspired by Carl Sagan and his own personal philosophy. He was awestruck at the grandeur of nature, curious about the origin of life, and humble about the extent of human knowledge,” Gautraud explained. “It's about making people feel small, strange and somehow okay with that.” Gautraud used a range of tools to give his concept life, including... Read More