Crevice, opens with the camera traveling at hyper speed through an enormous ice canyon. A fissure opens and icy boulders begin to fall from the sky. The camera pulls back to reveal that the frozen landscape is actually the surface of the new 12-oz aluminum “Shatter” pint.
Mark Graham, Creative Director; Nan Zhao, Associate Creative Director; Austin Arnold, Associate Art Director; Audrey Wojtonik, Producer.
Danny DelPurgatorio, Creative Director; Larissa Berringer, Executive Producer; Sam Gierasimczuk, Designer / 3D Generalist; Michael Siegel, Designer / 3D Generalist; James Levy, Designer; Morgan James, Designer; Sebastian Larroude, Designer;Marco Iozzi, Designer; Drew Parks, 3D Modeling ; John Cook , 3D Lighting; Santosh Sailesh, 3D VFX Artist; Tim Sepulveda , Technical Director / Compositing; Chris Beers, Compositing; Lauryn Grimando, Associate Producer; Todd Beyer, Sound Design; Michael Mason, Audio Engineer
OddBeast Crafts Powerful Opening Film For Half Rez 2025
When OddBeast landed the opportunity to produce this year’s opening film for Half Rez, the Midwest’s largest celebration of design and motion graphics, the studio approached the challenge by embracing discomfort. The goal was to visually express the collective anxieties of creatives facing an uncertain future as emerging tools and technologies reshape their industries. OddBeast Executive Creative Director Kevin Gautraud took the lead on the project’s vision and 3D animation: “I chose to ground the short in responses particular to fears about making a living in today’s creative fields where the rate of change feels insane at times, overwhelming artists with existential questions. Sometimes, ‘I don’t know’ is the most truthful answer anyone can give,” he said. In creating the film, Gautraud tapped into his own response to such anxieties: a meditation on the vastness of time and our small moment in the light, ponderings that bring him perspective, calm and creative inspiration. Powerful visuals of barren yet eerily majestic landscapes take us back to Earth’s origins, giving way – in the film’s final seconds – to the explosion of life – our blip in the planet’s unfathomable journey. Add the ethereal sound design of Bent Stamnes, and the result is a sense of awe, as everyday problems suddenly seem smaller. “For this project in particular, I was inspired by Carl Sagan and his own personal philosophy. He was awestruck at the grandeur of nature, curious about the origin of life, and humble about the extent of human knowledge,” Gautraud explained. “It's about making people feel small, strange and somehow okay with that.” Gautraud used a range of tools to give his concept life, including... Read More