Every December since 1946, a debate has raged on at the University of Chicago between intellectuals, about which is the more perfect Jewish food: Latke vs Hamantash. Producer Amy Krause, who's working on a documentary about the debate, approached Slash Dynamic director Kiran about a promo for it. ‘The Last Word’ is the product of that conversation. So, summing it up, it’s a promo film about a documentary film about a debate about Jewish food. Simple.
Producer – Amy Krause, Director and Writer – Kiran Koshy
Agency – Nigel & Co
Production Company – Slash Dynamic | Owner/EP – Tanya Cohen, DOP – Jeff Sukes, Gaffer – Caleb Richardson, Editor – David Beerman, Production Designer – Sally Rubiner, Colorist – Charles Gerstner, Music – Charles Gerstner, Mix – TJ Callaway, Animation – Fellow, VO – Jay Nelson Talent – Arthur James Rubiner, Stephanie Kates, Izzie Kates, Eli Kates
Contact NameNIgel & Co.
Contact Phone9723523820
Contact via emailOddBeast Crafts Powerful Opening Film For Half Rez 2025
When OddBeast landed the opportunity to produce this year’s opening film for Half Rez, the Midwest’s largest celebration of design and motion graphics, the studio approached the challenge by embracing discomfort. The goal was to visually express the collective anxieties of creatives facing an uncertain future as emerging tools and technologies reshape their industries. OddBeast Executive Creative Director Kevin Gautraud took the lead on the project’s vision and 3D animation: “I chose to ground the short in responses particular to fears about making a living in today’s creative fields where the rate of change feels insane at times, overwhelming artists with existential questions. Sometimes, ‘I don’t know’ is the most truthful answer anyone can give,” he said. In creating the film, Gautraud tapped into his own response to such anxieties: a meditation on the vastness of time and our small moment in the light, ponderings that bring him perspective, calm and creative inspiration. Powerful visuals of barren yet eerily majestic landscapes take us back to Earth’s origins, giving way – in the film’s final seconds – to the explosion of life – our blip in the planet’s unfathomable journey. Add the ethereal sound design of Bent Stamnes, and the result is a sense of awe, as everyday problems suddenly seem smaller. “For this project in particular, I was inspired by Carl Sagan and his own personal philosophy. He was awestruck at the grandeur of nature, curious about the origin of life, and humble about the extent of human knowledge,” Gautraud explained. “It's about making people feel small, strange and somehow okay with that.” Gautraud used a range of tools to give his concept life, including... Read More