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    Home » DoorDash All the Ads

    DoorDash All the Ads

    By RazPRTuesday, February 20, 2024Updated:Sunday, July 7, 2024No Comments1865 Views
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    DoorDash unveiled a massive giveaway during this year’s Super Bowl in a full-CG stylized spot directed by Lord Danger, partner Mike Diva for Wieden+Kennedy, Portland. 

    Given a high-level concept, starring quite possibly the world’s longest winding promo code aimed to highlight how consumers can get almost anything delivered with DoorDash, Diva was inspired to take the audience on a dynamic roller coaster ride, and activated creative studio Lord Danger and sister company Modern Logic to help bring the project to life. Together, the team created the hero :30 commercial and :30 teaser in less than three months. 

    The ambitious concept is built around the ultimate giveaway of a prize package worth hundreds of thousands of dollars, everything from Doritos, Kia SUVs to M&M’S® and even Popeyes — all featured in their own respective brand ads during the game. Initially, the spot was envisioned to incorporate photogrammetry and 3D scans. However, with the ever-changing brands to be featured in the big game still coming into focus during production—the decision was made to pivot to a full CG approach, a path already being followed for the teaser. Instead of having to find a physical location that would require lidar scanning, set dressing, and significant post production, design artists were able to create a custom designed house and the surrounding environment in 3D. This allowed for more flexibility in mapping out virtual camera movements – without requiring extensive rigging, or replacements, and enabled the team to quickly adjust the products and brands featured in the spot. 

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    Credits

    Client: DoorDash | Agency: Wieden+Kennedy Production Company: Lord Danger Director: Mike Diva, Managing Director: Josh Shadid, Executive Producer: Anthony Ficalora Design, CG, & VFX Production: Modern Logic Managing Director: Michael Bennett, Executive Producer: Monica Reimold, Producer: Ashlie Iacocca, Creative Director: Brandon Parvini, Art Director: Eugene Guaran, Senior Animator: David Ariew, Senior Animator: Ethan Chancer, 3D Designer/Animator: Tim Devlin, 3D Animator: Clarissa Pena, 3D Designers: William Mendoza, Emily Davis, 2D Animator: Kiel Mutschelknaus, Editor: Andrew Henry VFX Support: The Artery Executive Creative Director: Elad Offer, Vico Sharabani | Founder/CCO, Executive Producer: Deborah Sullivan, VFX Producer: Thurman Martin III, VFX Coordinators: Margot Bennett, Gerry Orz, CG Lead: Meny Hilsenrad, CG Artists: Steve Shohl, Joe Grundfast, Noemi Millan, Dave Stewar, Compositing: Mark French, Asrif Atterwala, Samantha Diaz, Colorist: Stephen Picano Music: Lord Danger, Music Composer: David Dahlquist, Executive Producer: Josh Shadid, Creative Producer: Michael Frick Representation: Ripple Reps, Annie Schmittgens

    ScreenWork Categories:Commercial



    OddBeast Crafts Powerful Opening Film For Half Rez 2025

    Monday, September 15, 2025

    When OddBeast landed the opportunity to produce this year’s opening film for Half Rez, the Midwest’s largest celebration of design and motion graphics, the studio approached the challenge by embracing discomfort. The goal was to visually express the collective anxieties of creatives facing an uncertain future as emerging tools and technologies reshape their industries. OddBeast Executive Creative Director Kevin Gautraud took the lead on the project’s vision and 3D animation: “I chose to ground the short in responses particular to fears about making a living in today’s creative fields where the rate of change feels insane at times, overwhelming artists with existential questions. Sometimes, ‘I don’t know’ is the most truthful answer anyone can give,” he said. In creating the film, Gautraud tapped into his own response to such anxieties: a meditation on the vastness of time and our small moment in the light, ponderings that bring him perspective, calm and creative inspiration. Powerful visuals of barren yet eerily majestic landscapes take us back to Earth’s origins, giving way – in the film’s final seconds – to the explosion of life – our blip in the planet’s unfathomable journey. Add the ethereal sound design of Bent Stamnes, and the result is a sense of awe, as everyday problems suddenly seem smaller. “For this project in particular, I was inspired by Carl Sagan and his own personal philosophy. He was awestruck at the grandeur of nature, curious about the origin of life, and humble about the extent of human knowledge,” Gautraud explained. “It's about making people feel small, strange and somehow okay with that.” Gautraud used a range of tools to give his concept life, including... Read More

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