A new transplant to Texas observes that their neighborhood turns into a “Ghost Town” on game days, but that no one hangs up their spurs if it means missing out on a Favor delivery. The 3-spot 'How Texas Orders In' campaign was created via Preacher in Austin, directed by Ryan Ebner of Art Class, and edited by Justin "Q" Quagliata at Union ATX/NY, with post/VFX courtesy of Union NY.
Client: FAVOR Spots Title(s): “Neighbors”, “Yard Signs”, Ghost Town” First Air Date: 8/25/2023 Agency/Location: Preacher – Austin ECD: Greg Hunter Creative Director: Justin Ralph Art Director: Kymberli Fraser Copywriter: Jacob Neuenswander Agency Producer: Lauren Bauder Production Company/Location: Art Class – Los Angeles Director: Ryan Ebner DP: Marc Laliberte EP(s): Eric McCasline Producer: Logan Gilmore Editorial Company/Location: Union ATX/ New York Editor: Justin "Q" Quagliata Assistant Editors: Katie Allison, Drew Johnson Editorial EP: Vicki Russell Post/Effects Company/Location: Union NY VFX Artist(s): Jason Ortenberg and Scott Bravo EP: Melissa Lubin Telecine Company/Location: Company 3 - NY Colorist: Tim Masick Music Company/Location: Butter Music and Sound – NY Composer: Coke Youngblood Producer: Stone Irr Sound Design Company/Location: Mr Bronx - NY Sound Designer: David Wolfe Audio Post: David Wolfe Mixer: David Wolfe Shoot Location: Austin, TX
OddBeast Crafts Powerful Opening Film For Half Rez 2025
When OddBeast landed the opportunity to produce this year’s opening film for Half Rez, the Midwest’s largest celebration of design and motion graphics, the studio approached the challenge by embracing discomfort. The goal was to visually express the collective anxieties of creatives facing an uncertain future as emerging tools and technologies reshape their industries. OddBeast Executive Creative Director Kevin Gautraud took the lead on the project’s vision and 3D animation: “I chose to ground the short in responses particular to fears about making a living in today’s creative fields where the rate of change feels insane at times, overwhelming artists with existential questions. Sometimes, ‘I don’t know’ is the most truthful answer anyone can give,” he said. In creating the film, Gautraud tapped into his own response to such anxieties: a meditation on the vastness of time and our small moment in the light, ponderings that bring him perspective, calm and creative inspiration. Powerful visuals of barren yet eerily majestic landscapes take us back to Earth’s origins, giving way – in the film’s final seconds – to the explosion of life – our blip in the planet’s unfathomable journey. Add the ethereal sound design of Bent Stamnes, and the result is a sense of awe, as everyday problems suddenly seem smaller. “For this project in particular, I was inspired by Carl Sagan and his own personal philosophy. He was awestruck at the grandeur of nature, curious about the origin of life, and humble about the extent of human knowledge,” Gautraud explained. “It's about making people feel small, strange and somehow okay with that.” Gautraud used a range of tools to give his concept life, including... Read More