ONE at Optimus today announced the addition of new Director Brian Johnson, who helmed three Ford Truck Month spots that began airing in southwest markets on February 1. Collaborating with Team Detroit/Retail First, Optimus directed, cut and finished the three spots, which reflect the “Join the Stampede” theme of Ford Truck Month.
Agency: Team Detroit; Group Creative Director: Todd Chumley; Associate Creative Director/AD: Jerod Bunjer; Associate Creative Director/CW: Steven Presmyk; Director of Regional Production: Ryan Cook. Production: ONE at Optimus; Director of Production: Craig Leffel; Executive Producer: Kipp Christiansen; Director: Brian Johnson. Production Crew; Line Producer: Marsie Wallach; Director of Photography: Dana Christiaansen; Location Scout & Manager: Marcel Meyer; Production Supervisor: Buttons Pham. Post: Optimus; Editor: Jim Staskauskas; Colorist: Tyler Roth; VFX supervisor: Paul Rosckes; Partner/Effects Director: Glen Noren; Flame Compositors: Marko Markewycz, Cory Davis, Greg Huber; Audio Engineer: Joel Anderson; Executive Producer/Managing Director, Santa Monica: Therese Hunsberger; Executive Producer/Managing Director, Chicago: Gretchen Praeger.
OddBeast Crafts Powerful Opening Film For Half Rez 2025
When OddBeast landed the opportunity to produce this year’s opening film for Half Rez, the Midwest’s largest celebration of design and motion graphics, the studio approached the challenge by embracing discomfort. The goal was to visually express the collective anxieties of creatives facing an uncertain future as emerging tools and technologies reshape their industries. OddBeast Executive Creative Director Kevin Gautraud took the lead on the project’s vision and 3D animation: “I chose to ground the short in responses particular to fears about making a living in today’s creative fields where the rate of change feels insane at times, overwhelming artists with existential questions. Sometimes, ‘I don’t know’ is the most truthful answer anyone can give,” he said. In creating the film, Gautraud tapped into his own response to such anxieties: a meditation on the vastness of time and our small moment in the light, ponderings that bring him perspective, calm and creative inspiration. Powerful visuals of barren yet eerily majestic landscapes take us back to Earth’s origins, giving way – in the film’s final seconds – to the explosion of life – our blip in the planet’s unfathomable journey. Add the ethereal sound design of Bent Stamnes, and the result is a sense of awe, as everyday problems suddenly seem smaller. “For this project in particular, I was inspired by Carl Sagan and his own personal philosophy. He was awestruck at the grandeur of nature, curious about the origin of life, and humble about the extent of human knowledge,” Gautraud explained. “It's about making people feel small, strange and somehow okay with that.” Gautraud used a range of tools to give his concept life, including... Read More