It’s almost Christmas time in Knowhere and the stories about the Earth-specific holiday are spreading among its inhabitants. As a kind gesture of appreciation for Peter Quill, after running into some musical instruments from Earth, an alien band (played by the Old 97’s), performs a song that shall become an intergalactic historical document about this “Christmas” celebration. We were so fortunate to contribute to this opening title sequence and to a piece of intergalactic history!
Client: Marvel Studios
Director: James Gunn
Producer: Kevin Feige
Executive Producers: Louis D’Esposito, Victoria Alonso, Simon Hatt
Post Producer: Reigh Casimir
Main Title Typography Design: Sarofsky
Executive Creative Director: Erin Sarofsky
Executive Producer: Steven Anderson
Creative Lead: Duarte Elvas
Producer: Dylan Ptak
Designers: Daniel Geiszler, Cat McCarthy
Music: Old 97’s “I Don’t Know What Christmas Is (But Christmastime Is Here)”
OddBeast Crafts Powerful Opening Film For Half Rez 2025
When OddBeast landed the opportunity to produce this year’s opening film for Half Rez, the Midwest’s largest celebration of design and motion graphics, the studio approached the challenge by embracing discomfort. The goal was to visually express the collective anxieties of creatives facing an uncertain future as emerging tools and technologies reshape their industries. OddBeast Executive Creative Director Kevin Gautraud took the lead on the project’s vision and 3D animation: “I chose to ground the short in responses particular to fears about making a living in today’s creative fields where the rate of change feels insane at times, overwhelming artists with existential questions. Sometimes, ‘I don’t know’ is the most truthful answer anyone can give,” he said. In creating the film, Gautraud tapped into his own response to such anxieties: a meditation on the vastness of time and our small moment in the light, ponderings that bring him perspective, calm and creative inspiration. Powerful visuals of barren yet eerily majestic landscapes take us back to Earth’s origins, giving way – in the film’s final seconds – to the explosion of life – our blip in the planet’s unfathomable journey. Add the ethereal sound design of Bent Stamnes, and the result is a sense of awe, as everyday problems suddenly seem smaller. “For this project in particular, I was inspired by Carl Sagan and his own personal philosophy. He was awestruck at the grandeur of nature, curious about the origin of life, and humble about the extent of human knowledge,” Gautraud explained. “It's about making people feel small, strange and somehow okay with that.” Gautraud used a range of tools to give his concept life, including... Read More