For the third and last film of the “Guardians of the Galaxy” trilogy, the vibe of the main title sequence is definitely a departure from the upbeat ones in Vol. 1 and 2. We needed to develop a solution that felt much softer and introspective in order for it to work well with the tone of the sequence. Set to a beautiful acoustic version of “Creep” by Radiohead, the animation of the letters blowing on and off the screen had to feel light as a feather – having an almost ethereal quality to it.
Project Name: “Guardians of the Galaxy, Vol. 3” Main Titles, Locators, and End Crawl
Theatrical Release Date (USA): May 5, 2023
Official Site: https://www.marvel.com/movies/guardians-of-the-galaxy-volume-3
Client: Marvel Studios
Writer/Director: James Gunn
Editor: Fred Raskin
Assistant Editors: Louis Todd Busch, Jeffery Steinkamp
Post Supervisor: Jasmine Kosovic
VFX Production Manager: Danielle Carney
Production Company: Sarofsky
Executive Creative Director: Erin Sarofsky
Managing Director/Executive Producer: Steven Anderson
Creative Lead: Duarte Elvas
Producer: Dylan Ptak
Designers (Main Title + Locators): Gerard Sierra, Davis Cameron Chu, Travis Hawthorne
Designers (End Crawl): Matthew Nowak, Nik Braatz, Mollie Davis, Tony Agliata, Lirio Ramirez, Sara Kopke
End Crawl Typesetting: Exceptional Minds
Music: Radiohead “Creep”
OddBeast Crafts Powerful Opening Film For Half Rez 2025
When OddBeast landed the opportunity to produce this year’s opening film for Half Rez, the Midwest’s largest celebration of design and motion graphics, the studio approached the challenge by embracing discomfort. The goal was to visually express the collective anxieties of creatives facing an uncertain future as emerging tools and technologies reshape their industries. OddBeast Executive Creative Director Kevin Gautraud took the lead on the project’s vision and 3D animation: “I chose to ground the short in responses particular to fears about making a living in today’s creative fields where the rate of change feels insane at times, overwhelming artists with existential questions. Sometimes, ‘I don’t know’ is the most truthful answer anyone can give,” he said. In creating the film, Gautraud tapped into his own response to such anxieties: a meditation on the vastness of time and our small moment in the light, ponderings that bring him perspective, calm and creative inspiration. Powerful visuals of barren yet eerily majestic landscapes take us back to Earth’s origins, giving way – in the film’s final seconds – to the explosion of life – our blip in the planet’s unfathomable journey. Add the ethereal sound design of Bent Stamnes, and the result is a sense of awe, as everyday problems suddenly seem smaller. “For this project in particular, I was inspired by Carl Sagan and his own personal philosophy. He was awestruck at the grandeur of nature, curious about the origin of life, and humble about the extent of human knowledge,” Gautraud explained. “It's about making people feel small, strange and somehow okay with that.” Gautraud used a range of tools to give his concept life, including... Read More