Creative studio Carbon has teamed up with agency Cramer-Krasselt to bring mesmerizing, exhilarating visual flair that reflects the otherworldly experience of Mystic Timbers, the newly unveiled, 109-foot-tall wooden roller coaster ride at Cedar Fair’s Kings Island theme park in Mason, Ohio.
Agency: Cramer-Krasselt
Creative Director: Jimmy Dietzen
Creative Director: Josh Mizrachi
Senior Art Director: David Vaca
Senior Copywriter: Tom Katers
Producer: Molly Flynn
Group Account Director, SVP: Julie Sheridan
Account Supervisor: Laurie Rosko
Account Supervisor: Katie Cragnolin
Chief Marketing Officer, Cedar Fair: Kelley Semmelroth
Marketing Director, Kings Island: Marissa Brock
Completion/VFX: Carbon VFX
Colorist: Maria Carretero
CD: Liam Chapple
Lead CGI/Director: Gary Fouchy
Lead TD/Director: Tim Little
CGI Artist: Chris Friesen
CGI Artist: Anthony Morrell
Flame: Matt Bregger
Producer: Kate Soczka
Executive Producer: Phil Linturn
OddBeast Crafts Powerful Opening Film For Half Rez 2025
When OddBeast landed the opportunity to produce this year’s opening film for Half Rez, the Midwest’s largest celebration of design and motion graphics, the studio approached the challenge by embracing discomfort. The goal was to visually express the collective anxieties of creatives facing an uncertain future as emerging tools and technologies reshape their industries. OddBeast Executive Creative Director Kevin Gautraud took the lead on the project’s vision and 3D animation: “I chose to ground the short in responses particular to fears about making a living in today’s creative fields where the rate of change feels insane at times, overwhelming artists with existential questions. Sometimes, ‘I don’t know’ is the most truthful answer anyone can give,” he said. In creating the film, Gautraud tapped into his own response to such anxieties: a meditation on the vastness of time and our small moment in the light, ponderings that bring him perspective, calm and creative inspiration. Powerful visuals of barren yet eerily majestic landscapes take us back to Earth’s origins, giving way – in the film’s final seconds – to the explosion of life – our blip in the planet’s unfathomable journey. Add the ethereal sound design of Bent Stamnes, and the result is a sense of awe, as everyday problems suddenly seem smaller. “For this project in particular, I was inspired by Carl Sagan and his own personal philosophy. He was awestruck at the grandeur of nature, curious about the origin of life, and humble about the extent of human knowledge,” Gautraud explained. “It's about making people feel small, strange and somehow okay with that.” Gautraud used a range of tools to give his concept life, including... Read More