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    Home » NHL Returns To Play with Motion Graphics

    NHL Returns To Play with Motion Graphics

    By Brada PRMonday, August 10, 2020Updated:Tuesday, May 14, 2024No Comments7183 Views
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    When COVID-19 brought the National Hockey League to an abrupt halt in March, the teams still had 189 games to play. Fans waited anxiously to learn the fate of the season and culminating Stanley Cup Playoffs, wondering what that might look like when it returned minus the cheering spectators filling packed arenas.

    Their answer, kicking off in full this month with the Stanley Cup Qualifiers, is an exciting use of video, audio and lighting designed to vary the way each game looks. Instead of cardboard cut-outs filling seats, viewers see LED screens, monitors and stages around the ice for a unique, television-friendly feel.

    Undefined Creative, a creative partner of the NHL for over 10 years, was called on to produce the extensive array of motion graphics required for its “Return to Play,” a package consisting of over 1,000 individual deliverables.

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    SPW Credits

    Creative Director/Producer: Maria Rapetskaya

    Lead Designer: Stephen McNally

    Lead Production: Mikaela Kalmar

    ScreenWork Categories:Broadcast Promotion
    Discipline:Visual Effects
    Genre:Sports
    Video Tags:Animationmotion graphicsNHLreturn to playSports



    OddBeast Crafts Powerful Opening Film For Half Rez 2025

    Monday, September 15, 2025

    When OddBeast landed the opportunity to produce this year’s opening film for Half Rez, the Midwest’s largest celebration of design and motion graphics, the studio approached the challenge by embracing discomfort. The goal was to visually express the collective anxieties of creatives facing an uncertain future as emerging tools and technologies reshape their industries. OddBeast Executive Creative Director Kevin Gautraud took the lead on the project’s vision and 3D animation: “I chose to ground the short in responses particular to fears about making a living in today’s creative fields where the rate of change feels insane at times, overwhelming artists with existential questions. Sometimes, ‘I don’t know’ is the most truthful answer anyone can give,” he said. In creating the film, Gautraud tapped into his own response to such anxieties: a meditation on the vastness of time and our small moment in the light, ponderings that bring him perspective, calm and creative inspiration. Powerful visuals of barren yet eerily majestic landscapes take us back to Earth’s origins, giving way – in the film’s final seconds – to the explosion of life – our blip in the planet’s unfathomable journey. Add the ethereal sound design of Bent Stamnes, and the result is a sense of awe, as everyday problems suddenly seem smaller. “For this project in particular, I was inspired by Carl Sagan and his own personal philosophy. He was awestruck at the grandeur of nature, curious about the origin of life, and humble about the extent of human knowledge,” Gautraud explained. “It's about making people feel small, strange and somehow okay with that.” Gautraud used a range of tools to give his concept life, including... Read More

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