This thought-provoking campaign against gun violence—from director, Kiran Koshy, of Raucous Content—titled "Call Them What They Are," calls out the hypocrisy of conservative politicians (and their enablers) who claim the moral high ground while accepting large donations from the Gun Lobby to block sensible legislation. It kicks off with two 60-second videos, titled “I’ve Done Dirty Things” and “I Would Never Do That.” They take viewers on a journey through the jarringly vivid (and thankfully censored) experiences of porn star Lisey Sweet. Lisey flips through a Kama Sutra book in an interview-style setting, concluding with, "I do a lot of dirty things for money…but I would never do something so dirty as take money from the Gun Lobby.” The spots end with the hashtag #GunLobbyWhores, encouraging people to call these conservatives what they are. It's timed for the 2024 political cycle.
Client: Dads Against Gun Violence
Production Co.: Raucous Content | Executive Producer: Steve Wi, Director: Kiran Koshy, DOP: Joshua Hess, Asst. Camera: Beyin Abrama, Talent: Lisey Sweet, Location: Leslie Ferrera Ruelas
Creative Co: Nigel & Co. | CDs: Dustin Ballard, Andy Coulston, Kiran Koshy; Editor: Adam Henderson, Sound Design/Mix: Russell Smith, Assistant Editor: Alyssa Udovitsch
Color: Nice Shoes NY | Colorist: Sal Malfitano, Assistant: Tom Tomlinson, Post Producer: Isabel Gomez-Boone
Contact NameNIgel & Co.
Contact via emailOddBeast Crafts Powerful Opening Film For Half Rez 2025
When OddBeast landed the opportunity to produce this year’s opening film for Half Rez, the Midwest’s largest celebration of design and motion graphics, the studio approached the challenge by embracing discomfort. The goal was to visually express the collective anxieties of creatives facing an uncertain future as emerging tools and technologies reshape their industries. OddBeast Executive Creative Director Kevin Gautraud took the lead on the project’s vision and 3D animation: “I chose to ground the short in responses particular to fears about making a living in today’s creative fields where the rate of change feels insane at times, overwhelming artists with existential questions. Sometimes, ‘I don’t know’ is the most truthful answer anyone can give,” he said. In creating the film, Gautraud tapped into his own response to such anxieties: a meditation on the vastness of time and our small moment in the light, ponderings that bring him perspective, calm and creative inspiration. Powerful visuals of barren yet eerily majestic landscapes take us back to Earth’s origins, giving way – in the film’s final seconds – to the explosion of life – our blip in the planet’s unfathomable journey. Add the ethereal sound design of Bent Stamnes, and the result is a sense of awe, as everyday problems suddenly seem smaller. “For this project in particular, I was inspired by Carl Sagan and his own personal philosophy. He was awestruck at the grandeur of nature, curious about the origin of life, and humble about the extent of human knowledge,” Gautraud explained. “It's about making people feel small, strange and somehow okay with that.” Gautraud used a range of tools to give his concept life, including... Read More